Identity Issues Affecting Puerto Rican Girls: An Artist Speaks

May 23, 2007 § 19 Comments

In her essay The Myth of the Latina Woman/ Just Met a Girl Named Maria, Judith Ortiz Cofer describes her Puerto Rican upbringing in a strict Catholic home in New Jersey, where she was taught to behave like a proper señorita. Cofer explains that the conflicting messages she received as a child, were those commonly propagated by Puerto Rican mothers. “They encourage their daughters to look and act like women and to dress in clothes that our Anglo friends and their mothers found to mature for our age.”

When the mere notion of latinidad equates passion and sexuality to gringos, why is it that Latino men are the first ones to point finger and to call these same women suelta (loose) or facil (easy)? Wouldn’t they understand? Have they not been subjected to the same treatment? Perhaps it is comes down to the way they were raised.

In the Latino culture ideas of masculinity and femininity are delineated very early on. Author Evelyn P. Stevens, first introduced this concept know as machismo and marianismo in 1973. Machismo grants supreme authority of the man over the woman. Under this doctrine women, who are considered to be morally and spiritually superior to men are able to endure abuse. They grow up expected to follow the sexual code of marianismo, and are submissive to the man’s authority.

Puerto Rican culture places women into one of two categories the virgin or the whore; mujeres de la casa (women of the home) or mujeres de la calle (women of the street). Una mujer de la casa, is expected to be pure, giving and compassionate. While, una mujer de la calle is considered to be sluty, wild, and dangerous.

In Honor and the American Dream: Culture and Identity in a Chicano Community, author Ruth Horowitz says the following:

The very presence of a woman outside the household implicates them in promiscuity and/or sexual misconduct. Puerto Rican girls learn this good girl/bad girl dichotomy most clearly in the recruitment into reproductive labor… A good girl cooks, cleans, takes care of younger siblings, and helps her parents. In contrast una muchacha de la calle is a transgressive women who has gone beyond patriarchal control whose sexuality is unbounded and therefore dangerous.

While in Puerto Rico this January, I had the privilege of meeting the incredibly talented video artist, Tamara Liz Rivera Boria. Tamara and I instantly bonded, finding similarity in the content of our work, and decided that we needed to collaborate.

I conducted a short series of interviews with her (documented with the camera from my laptop), where she describes her work as it plays on the screen behind her…


click on above image to view video

Interview with Puerto Rican Artist Tamara Liz Rivera Boria

Maya: Tamara, what can you tell me about muchachas de la calle and muchachas de las casa?

Tamara: De la casa and de la calle girls might as well be related. They exchange roles sometimes, de la casa girl wanting to be de la calle, and vice versa.

Maya: How has this affected you?

Tamara: I was raised in a catholic home, in a catholic school. I can tell you, I have been fucked up. I didn’t want to be told what to do, or what to believe in.How can you tell someone that using a condom is a sin? I had many issues over the years being raised like that. Even though my parents are not Catholic extremists. They were pretty easy going that’s how they could understand me or deal with me. Deep inside it made a mark, no matter how much I tried to live and understand the world. I became insane trying to understand other people lifestyle because indeed I might have been raised inside a bubble. I still am kind of in there, don’t wanting to look at how things really are.

Maya: What role does your cultural upbringing play in your work?

Tamara: Recently I made a video called él, baño de marîa. In this video I present various symbolism about religion, pecados (sins), sexuality, purity, faith among other things. Mainly because our culture has raised us thinking inside the box, controlling us with Christianity, especially Catholicism. Being pure, waiting till marriage although most don’t do it, is deep inside the mind. Like it is wrong to embrace sexuality.

Aglubium, is another video I made in collaboration with Ralph Vazquez and Rebecca Adorno. In this video I am drowning, or trying to kill myself by submerging my head in the water. It’s aggressive, and it’s beautiful. We just want to end, we don’t want to think. We don’t want to face fears. We don’t want to wait, we want to get it over. We want to drown our fears. We don’t want to face reality. Escape its what we do.

Maya: How do you escape?

Tamara: Most people (Puerto Ricans) use drugs. Puerto Ricans that do not use illegal drugs, use legal pills, alcohol or even coffee. Everyone has an addiction. It’s a shame but I have seen most of my friends doing drugs. I been there, I done that but I never had an addiction. My new boyfriend said I was an alcoholic, he didn’t believe me when I said I wasn’t. It wasn’t till he lived with me for over a moth when he saw that I didn’t drink for so long that he believed me, and with the cigarettes the same.

For some weird reason I can try things for as long as I want and not create any addiction. I wish it were the same with those that surround me. But in the arts almost all the people I know use some kind of drugs, are the ones that worry me the most are the most intelligent that keep using. I guess they are not that smart…

Maya: Is there an alternative to escape?

Tamara: I can see clearly that with true art I can make a difference, I can say what I understand to be real and important. I might help somebody. Other people just ignore what is going on (Puerto Rico). So many things had happen here, that demanded the people marching up the streets in protest, because our government is insane. But people don’t, they just “sit quietly”. They don’t want to get involved, they think they cannot change anything. They believe they have no power, when indeed I say, with all your power, what would you do? – I love that flaming lips song-

Maya: How does this affect Puerto Rican girls?

Tamara: Puerto Rican girls have many issues. Not only because of gringos (Americans) our identity issues extend into religion and the ways women are portrayed in the reggaeton culture. Girls want to be thin like gringas (American girls), they don’t like they’re beautiful curves, ass and tits. They always feel fat no matter how thin they are. I bet this happen everywhere, but these are issues we shouldn’t have.

Accepting ourselves, as we are its what we should do. Because we are not gringas! We are not blonde and white! But boys see these girls in TV, and everywhere and they expect girls like that. It’s the gringo media. I’ve forgotten all about this, but I also had these issues. I think I kind of still do, I just ignore most of the time.

Maya: You mentioned Reggaeton, what message do you think Reggaeton is sending to young women?

Tamara: Reggaeton is a part of that movement leads ladies to feeling less than the man, like he has to buy her. Girls learn to use their sexual power way to early with reggaeton. It is a confrontation for some, between what they like (reggaeton movement, lifestyle) and the religious foundation they might have. But since it probably was forced (religion) they escaped thru reggaeton. Ultimately ending in ugly situations.

Maya: Okay , I agree with you. But I am not going to lie, I love reggaeton… are you sure you don’t secretly like it?

Tamara: I don’t dig reggaeton; I see how girls embrace being just a piece of meat, especially high schools girls. How much is this necklace, like a million? Said a girl, the boy answered – no. The girl said – well then, work and buy me this necklace.

Yesterday I heard a senior girl say that to her boyfriend at a hotel, it was their prom. Girls parade in lil’ dresses, easily they could have been mistaken for high-class whores. I won’t even comment on the dancing. It has gotten worse, every time. Since parents are so young they allow they’re children to behave like this. I mean, I see a problem with these situations. Boys catch another boy,looking at their girls, no matter if its sexual or if they just passed and look because its simply there, they get all worked up and want to fight. What is that dumbass looking at? So basically, what, people cant look at each other now? Girls can’t stand if you look at them either. Puerto Rico was not like that; you went to the mall, smiled and people smiled back at you.

The reggaeton anger and sexual damage can be easily identified. Even kindergarten boys are sexually harassing little girls. My mom is a teacher and I have heard some stories. I haven’t analyzed reggaeton issues deeply; this is just for what I have seen.

Maya: Thank you for your insight Tamara, I can’t wait to see what you produce next. I hope we can collaborate together in the future.

Tamara: I know I could make more sense out of my ideas, since they’re not organized very well, but it doesn’t matter. This is just the beginning of many wonderful works to come, ideas to flow… I’m glad that I can collaborate with you.

“Everything that surrounds me, mi entorno, makes a part of who I am and what I say in my videos. Little by little its somehow implicated.”

As I begrudgingly stated in my interview with Tamara, I am a fan of reggaeton. Like most, I don’t even acknowledge the lyrics or really think too much beyond the beat of the music. Yet now I find myself wondering, are most girls conscious of the message? I guess to some extent they must be, after all as Tamara shared many sing the lyrics as they grind (rub up) on men.

In my research I found extensive commentary regarding the direction of Salsa and its implications on women in the Puerto Rican community. However, as it is relatively new form of music, the writing concerning Reggaeton seems to be incredibly limited.

So I turned to a more contemporary source and found a blog entitled REGGAETONICA, written by Raquel Z. Rivera; author of New York Ricans from the Hip Hop Zone. In a recent post: From White to Mulata: The Darkening Powers of Reggaetón, she shares an email addressing this very issue:

I think reggaeton has been raunchy & explicitly all along, but I think the lyrics have reverted back to the “Reggeaton Sex” days of Underground. I think that “raunchiness” & degradation have become more mainstream & therefore are seen as less scandalous & more acceptable to society, so I think it has questioned our value as a community. The fact that Reggaeton outright refers to sexual references & acts & is accepted as mainstream Puerto Rican culture posing an interesting cultural issue for me. Now you can go to Puerto Rico and see young girls singing “dame con el palo, ” & they’re parents paying no mind to it, which I think is crazy. In the beginning of Reggaeton I found the lyrics to be much more raunchy, violent, & drug-related. Then mainstream Reggaeton came along, switched the “sexo” to “amor” & the “nenas” to “gatas.” I think these subtle changes in language allowed Reggaeton to be more successful in the mainstream, but now a lot of artists are moving back to the original lyrics because they already have a stable fan base. I mean, look at someone like Tony Dize, if you translated some of his songs into English, they could put even 50 Cent to shame with the blatant sexual references & degradation of women.

Perhaps reggaeton is so widely accepted by mainstream and popular culture, because it provides a free ticket to promote these concepts in a non-threatening form. If Puerto Rican women and other Latinas are fine dancing to this music, then what harm is there in gringos doing the same.

This then becomes representative of Puerto Rican culture. When a gringa dances to reggaeton she can purse her lips and grind on men, but without an attached stigma. She is just acting like a Latina girl. The Puerto Rican girls participating in this scene are aiding in the further perpetuation of the stereotype of Latina’s being easy.

However, as Tamara explained a lot of this has to do with a search for independence. Wanting to rebel against the forced restrictions of being una mucha de la casa, girls go to the furthest extreme to break down those barriers. But to what cost?

I myself am unable to provide a concrete solution. Yet I do think that one of the primary steps to forward progress is conversation. Tamara and myself have opted to publish the text on the web so that others may join in the dialog…

another reason I love jewess

May 15, 2007 § 2 Comments

One of my all favorite blogs jewess has announced in their latest post A Biblically Oriented Week

Each Friday a different scholarly woman will offer some insight into the week’s Torah portion [parsha].

This Friday, look for a post on Bamidbar by the J-blogosphere’s own Velveteen Rabbi, Rachel Barenblat!
[If anyone out there wants to participate in this project and write their own parsha post, please send an email to jewess@canonist.com].

I love it.

Nuevos Compañeros

May 4, 2007 § 10 Comments

So here I am introducing the best of the best…

They will make you laugh, think, laugh some more and then go do something

Ricardo from U N L O A D E D

Ricardo is a Puerto Rican Jewish Playright. The first time I cam across his blog U N L O A D E D Ricardo had a post thanking a friend for describing him as a sexy Puerto Rican blooded beast .

link to his screenplays

  • There’s not many of us out there but we are a dedicated, determined few as far as Latino Jews go. You’re addressing some very real issues in acciones plasticas. These projection do exist and it can be a big waste of daily energy to push them back so they can finally get to the real you. If I sat down and thought about it, I could probably conjure up some characters that show the projections on to me as well. At least some that I experienced while growing up. I think we’ve made some big strides in shedding the stereotypes, but the work is never really done. Hence the need for work like yours. I’ve never been good at this type of performance work you’re doing however. I’ve always toyed with the idea of doing something similar to what your doing from a guys perspective, a one man show locally here, but I’m not there yet.

in another email

I came very close once to putting my picture up on Jdate but couldn’t do it. I could definitely see lots of guys, intoxicated by by the likes of Selma and Penelope or J-Lo, wanting to bring you home for a one night stand and brag to their friends about how they “took a dip in some salsa.” We men are terrible in this regard but I can imagine it would be very frustrating for you. You ought to be appreciated for what you’ve done artistically, academically and politically because those things are what create the whole person so to speak. But I bet these men wanted to hear none of that and just wanted you to talk dirty to them in Spanish, again we men are awful but in my opinion these men are also very insecure. Why? Because they lack the social skills to get past the stereotypes and engage you for who you are. If they really wanted to know more about the Latin culture there are tons of better approaches that are not so lame like “muy picante.” I mean really, I would not say that seriously no matter how drunk I was. Just talk to people as equals.

Now as far as respect from the others in the Latin community, cherish it. Often times there is resentment if you are accomplished. While you are loved, I am usually hated. First off people can’t always place my ethnicity. I get everything in the book before they get to Puerto Rican. Yeah I don’t have an accent, so what? I don’t speak it but my family came here in the 20’s, what do you expect? Things fade. I do understand it however so if someone’s talking smack about me, I know. Artistically, hated by some in my family because I don’t write or perform about racial issues. If I’m compelled to do so and it feels right, then I will. I’m not close with them anyway so it doesn’t mater.

I have no shame in who I am but if I’m expected to act a certain way for the appeasement of the ethnic police, then arrest me because I am who I am and feel no need to apologize for it.

Now if women wanted to use me for a latin sex toy…Maya…I’ll be honest, I’ll be her Toys R Us if she’s she’s got the stuff. But men don’t really get used this way. Not in America at least. Europe would be a different story. But even that would grow old in time I suppose, a very long time but still ;-)

  • Daniel aka theMULatino

    Daniel is a Mexican American Graduate Student at Missouri University. Daniel is the self-proclaimed token minority at MU.

    from his blog

    • Next, let’s talk about Jewish people. Actually, wait a minute. Let’s not. Cause I don’t really know many Jewish people. However, a new study released by the American Jewish Committee indicates that Hispanics harbor more anti-Semitic feelings than non-Hispanics. So, according to the “research”, I guess I’m supposed to hate Jewish people. Now (sigh)…..I don’t mean to debunk anyone’s intellectual efforts here, but I don’t think it’s fair to Jewish people or Hispanics to waste time on such mindless activities like being anti-Semitic. It’s pointless. It’s ignorant. It’s un-American. SO, let’s not hate Jewish people…. let’s hate WHITE people. If you ask me, it’s completely unnecessary to begin dividing up white folks into groups and hating them by ethnicity. We should unify and hate them all equally. (Okay, you idiots. I hope you realize I’m joking here.)

    This video was my first introduction to theMULatino.


    after seeing that hilarious video and reading his blog I had no choice but to post a response video.

    To get the ball rolling I asked them to answer the following questions:

    • Where you see yourself going?
    • What is your goal as an artist/educator/politician/writer…?
    • In what facets (if any) do you plan on serving the latino and or jewish community?
    • What do you hope to achieve using the internet as a means of communication?
    • What do you want people to know about you?
    • As a minority (that is a public figure), who is more effective in creating change?

    Intellectuals, Comedians, Artists

      How are they representatives of our society?

    • Who actually sees their work?

    • Ricardo’s Responses:
      1. I really hope to see myself in a position that I can write and direct my own films. When I sit down to write something I try and tell a story on how we, as people, use all the wrong ways to move and affect each other as opposed to honestly and openly communicating. To do the former is pave the way for a small scale but devastating human disaster. This is where the drama comes in and these dramas, these mini tragedies, are happening all around us each day. They go unnoticed because they don’t involve a bank robbery or high speed chase, but there is great emotion and compelling stories in these events none the less. These are not easy targets to hit when doing a screenplay or the like but they are challenging.
      2. In terms of serving the Latino community, I want to be able to show people out there that all of us have stories to tell that are universal in their appeal. While there will be Latino artist that contribute to breaking down racial barriers by doing race oriented fare, I want to do that by telling stories that transcend race. I want the fact that I’m Latino to be an afterthought because that means, to me, that they’ve accepted me as an individual and artist. And I think that’s happened to a great extent on my blog. It’s a very diverse group of readers that relate to the story. I’m not a gang member and I’m not going to steal your car. I’m a guy that thinks and works for a living just like you.
      3. As for the Jewish community, I want to show people that we too have the same hopes and fears as everyone else and we’re not out to take everyone’s money or control the media or whatever conspiracy theory of the day is out there. Again it goes back into the types of stories we tell and how we frame them. One day I’d like to be able to do a documentary that shows and how it’s like to be Jewish in America. All of us are not doctors and lawyers and all of us are not loaded. You’re a minority but not really a minority because people perceive that you have money and that cancels it out. But that’s the great myth. Being Jewish is about not fitting in and loving it. There’s got to be a way that I can show that.
      4. I think you need the Jon Stewarts, Dave Chappelles AND the Guillermo Gomez Pena/ Coco Fuscos of the world out there grinding it out. The approaches are different but there’s a lot of truth in each approach. These are the people that tap you on the shoulder and say “What you think is acceptable is really fucked up and here’s why.” And they show us this through their mediums and it hurts sometimes. These people shock you into looking at your reality in a new way and make you think.
      5. Humor is such a powerful and healing thing. I told you about about shocking people before but if you can get them to laugh at the shock then your on your way to enlightening some people. The laughter in a strange way is an acknowledgment. if they can acknowledge the issue then they can be moved toward learning more about it and possibly fixing it.

      Daniel’s Responses:

      1. To answer some of your questions the best I can, I think I first have to confess to honestly feeling like my life is a work in progress. I don’t always know what I’m doing. In fact, 99% of the time I don’t even know what I’m going to write or say until I actually do it. Being a writer and a student is just a natural extension of my process of self-discovery and my interest in sharing. I’ve worked in diversity in higher education since I was undergraduate, so that’s mainly my writing content now. However, the more years I put in, the more I’ve realized that while the thrust of institutional diversity is positive, it’s a political showman’s game just like everything else. At this point, I know that I’m paid to write, publicize, and document nice news, not real news. My goal with my writing is to someday have the financial stability to write something truthful that I don’t have to be concerned about getting fired over.
      2. My ethnic background is Latino, Hispanic, Chicano, and I grew up poor (who didn’t?) in Kansas City. My parents were Chicano activists in the sixties and seventies when they met in college. They’re both civil servants today. Although they’re divorced now, we all still live in the same neighborhood, except that I’m finishing up graduate school in Columbia, Missouri. My entire life has always included some element of community activism, so I really felt like a fish out of water when I moved to middle-Missouri. My long-term plan has always been to eventually head back home and participate in making my community a better place (aren’t I noble? barf). However, right now I have some more learning to do, things to see, people to meet, experiences to go through, you know the deal. I’m just trying to make the most of everything.
      3. I think that’s what my website is about; sharing, learning, exercising intellectual freedom, making the most of this experience, and not losing touch with my community back home. If I wanted people to know anything about me, it would probably just be that the irony inherent in that particular question is that I’m really just trying to learn about them.

      please feel free to share your responses

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