AMerican MEdia Output in New Jersey

May 17, 2011 § Leave a comment

You saw Escobar-Morales as promo models in TX, “promoting” Arizona Tourism…

And here we are as marketing executives in NJ.

Andria was live at Gallery Aferro and I skyped in from Chicago.

Stay tuned for more details on the performance and the results from AMerican MEdia Output‘s #targetaudiencesurvey.

Somos Ana

March 15, 2011 § Leave a comment


“Please die Ana, for as long as you’re here we’re not.”
-AM on  Are You My Other?

Entrevista en Sí Se Puede

March 7, 2011 § 2 Comments


an example of my Internet Art

Last week I had the on honor of being interviewed by my papi on Sí Se Puede. We talked about Internet art, the implications of growing up online, linguistic performances on twitter, public vs private, and more.

If you missed it you can listen here:


YouTube Video Reel

January 31, 2011 § Leave a comment

AM and I are applying to another residency!

Unlike our current Wonder Woman Residency, where we applied as Escobar-Morales, this particular program does not accept joint proposals. So we are submitting seperately and hoping (and hoping and hoping) we will both be accepted.

I am applying to the #InternetArt section.

And she is applying to the Photo section.
La Mancha

Why did you have to pick this weekend to be a Chicano?

January 14, 2011 § Leave a comment

Mayra Ramirez

Mayra Ramirez makes my heart pitter patter….
(here is a repost of one of her latest posts on her blog Hella Breezys)

It’s hard for me to fully express my disappointment and frustration with Arizona’s law makers… last week they passed HB 2281 witch bans “Ethnic Studies” in the states K-12 grade classrooms. I cannot emphasize how important it is to be able to learn about the history of our peoples, of our ancestors, and to be able to find pride and empowerment in that. It’s such a sad and scary time in both Arizona and the country. Here is a great article about HB 2281 that I found very interesting…

So now I want to share my favorite Save by the Bell episode where Slater finds his Chicano Power!!! I feel it’s a great example of why having Ethnic Studies in our classrooms is so crucial…

FUCK ARIZONA’S ETHNOCENTRIC LAWS… WE NEED TO FIGHT FOR THE RIGHT TO LEARN OUR HISTORY, OUR CULTURE AND THE ACCOMPLISHMENTS OF OUR RAZA… TIERRA, JUSTICIA, Y LIBERTAD!!!

RIGHT ON MAYRA!!!

And be sure to check out her collaboration with the always amazing Rio Yañez

Finding Frida on Are You My Other?

December 6, 2010 § 1 Comment

Earlier this week AM and I decided to add a search function to Are You My Other?

We quickly discovered the unthinkable…

Our fame-seeking Fat Free Elotera is NOT #1 search on our blog. Instead, this slot belongs to the one and only Frida Kahlo.

Are You My Other? tag cloud

Hmm… I wonder how our little Elotera will respond.

Are You My Other as the Two Fridas
Las Dos Locas

deal with it.

November 27, 2010 § Leave a comment

I am Midwestern girl, born and bred.
#Midwestern Maya
Yes, I know there is a New York Art World.
And yes, I am aware that people make cultural identity work on the West Coast.
But I am rooted here.
With the world at my fingertips.

AM + ME Open Studios

November 24, 2010 § Leave a comment

AM and I visit each other’s Studios on Are You My Other?
AM Books
AM studio
ME Books
ME Studio

Día De Los Muertos Individuales

October 29, 2010 § 1 Comment

Check out the Día De Los Muertos art project I designed for Spanglish Baby, a wonderful blog dedicated to raising bicultural and bilingual children.

I wanted to create a project that would inspire family togetherness, cross-generational dialogue, and communal interaction. A project where the process through which the work was produced, becomes an integral part of of the work itself.

So, I came up with Día De Los Muertos Individuales- functional collaged placemats, modeled after altares, that can be used inside and outside.  The image below is of the Individual I made in honor of my abuelita.

Día De Los Muertos Individual

Visit the project on Spanglish Baby and on YouTube.  And if you decide to make an Individual, PLEASE send me pics!  I can’t wait to see what everyone comes up with.

Feliz Día De Los Muertos!
xo

Maya

The Real ME

October 12, 2010 § Leave a comment

II VVVIENAL DE VIDEO ARTE VALPARAÍSO

September 22, 2010 § Leave a comment

I really need to get to Chile…  The incredibly talented curator and artist Menru Silva Avila, just informed me that my work is featured in II VVVienal de Video Arte Valparaíso 2010!
II VVVIENAL DE VIDEO ARTE VALPARAÍSO 2010

II VVVIENAL DE VIDEO ARTE VALPARAÍSO 2010

29 DE SEPTIEMBRE AL 2 DE OCTUBRE

INAUGURACIÓN Y SORTEO GRAN RIFA GRAN
“AUTOGESTIÓN ARTESANAL”

29 DE SEPTIEMBRE 20:00 HRS.
CINE CONDELL / CALLE CONDELL 1585
NOS TOMAMOS EL EX CINE PORNO!!!!

PROGRAMA GENERAL
MIÉRCOLES 29 DE SEPTIEMBRE
20:00 Hrs. INAUGURACIÓN.
VIDEO INSTALACIONES

21:30 Hrs a 23:00 Hrs.
DATURA STRAMONIUM
ESTILO EXPERIMENTAL LIBRE + VISUALES
INSTALACIÓN PERFORMÁTICA COLECTIVO COMBI-NATION / PA QUE TE PIQUE

JUEVES 30 DE SEPTIEMBRE

12:00Hrs a 13.00 hRS
CONVERSACIÓN CON RITA FERRER / MODERA GUISELA MUNITA

15:30 Hrs a 22:00 Hrs.
EXHIBICIÓN DE VIDEOS E INSTALACIONES.

21:00 Hrs a 23:00 Hrs
TETONES
MÚSICA ELECTROACÚSTICA EXPERIMENTAL + VISUALES
DJ FRACASO + VISUALES
ELECTRO PY

VIERNES 1 DE OCTUBRE

12:00Hrs a 13.00 hRS
CONVERSACIÓN CON FRANCISCO HUICHAQUEO “EL DISCURSO POLÍTICO EN LA ESTÉTICA AUDIOVISUAL” / MODERA GUISELA MUNITA

15:30 Hrs a 22:00 Hrs.
EXHIBICIÓN DE VIDEOS E INSTALACIONES.

20:00 Hrs a 21:00 Hrs
TERAPIA GRUPAL / MÚSICA EXPERIMENTAL + VISUALES ANÁLOGAS

21:00 Hrs a 22:00 Hrs
REINOSO SANTANA SMITH (ELECTRÒNICA Y CACHIVACHES VARIOS)

ESTARÁN PRESENTANDO UN HOMENAJE AUDIOVISUAL DEDICADO A LA MEMORIA DEL DR. JORGE KAPLAN MEYER Y SU EQUIPO, QUIENES REALIZARON EL PRIMER TRANSPLANTE DE CORAZÓN EN CHILE. PARA ELLO SE HARÀN VALER DE UNA SERIE DE IMAGENES PERTENECIENTES A LOS REGISTROS DEL DOCTOR KAPLAN Y QUE LLEVA POR NOMBRE “CUIDADANO DE BUEN CORAZÒN”
DURACIÒN: 21 MIN.

ALE PEREZ: WWW.ELPUEBLODECHINA.ORG

SÁBADO 2 DE OCTUBRE

12:00Hrs a 13.00 hRS
PREM SARJO y ROCÍO CASAS BULNES, DIÁLOGO ENTORNO A SU PERFORMANCE RAVOTRIL / MODERA GUISELA MUNITA

15:30 Hrs a 22:00 Hrs.
EXHIBICIÓN DE VIDEOS E INSTALACIONES.

21:00 Hrs a 22:00 Hrs
CEREMONIA DE CLAUSURA.
EDIFICA & PORTALUPPI / VJ DJ

EXPOSITORES II VVVIENAL VIDEO ARTE VALPARAÍSO

CHILE

CECILIA VICUÑA / GIOVANNI LONGO / FERNANDA BARROS / KLAUDIA KEMPER / PAULO FERNÁNDEZ / SENORITAUGARTE / MELANIA LYNCH / CYNTHIA JACKSON / ZAIDA GONZALES / CARLOS SILVA / JUVENAL BARRÍA / JESSICA BRUNA / PREM SARJO / FRANCISCO HUICHAQUEO / MATIAS BIGGS / VICTOR URZÚA / MARIANA GUZMÁN / FRANCISCA VILLELA/ GIANFRANCO FOSCHINO / PABLO VERGARA / MARÍA JOSÉ ROJAS BOLLO / PABLO ULLOA/ MYRÉN URIARTE / N.A.R / ALVARO HERZ / GABRIELA RIVER A/ FELIPE ROJAS / ELECTRO PY / DJ FRACASO / COME PERRO FUMA GATO/ TETONES / ANTONIA CRUZ / ROSARIO ATEAGA / MISS3SENORITAS / COLECTIVO LEPIDÓPTERO ACCIÓN DE ARTE AUDIOVISUAL

FRANCIA
JEAN MARC LAMOURE / CAROLINE DELAPORTE / GEE-JUNG JUN / MOIRA TIERNEY

ALEMANIA
DAVID BUOB

POLONIA
MARCIN POLAK
ARKADIUSZ SYLWERSTROWICZ

INGLATERRA
MMMMM

CUBA
ANALÍA AMAYA

GUATEMALA
MAYA ESCOBAR

SELECCIÓN DE VIDEOS CULTORES POPULARES
CENTRO DE LA DIVERSIDAD CULTURAL DE VENEZUELA

SELECCIÓN GENERAL DE VIDEOS REALIZADA POR:
VICTOR HUGO BRAVO
FRANCISCO HUICHAQUEO
CONSUELO ARRIAGADA
MENRU SILVA AVILA

ITINERANCIA II VVVIENAL DE VIDEO ARTE VALPARAÍSO 2010
COMPILACIÓN DE VIDEOS

PIA MICHELLE 30 SEPTIEMBRE AL 02 DE OCTUBRE
CASA BLANCA 13 Octubre
QUILPUE 8- 9 Octubre
VILLA ALEMANA 8- 9 Octubre
QUINTERO 15-16 Octubre
QUILLOTA 22-23 Octubre
LOS ANDES 22- 23 Octubre
VALPARAÍSO / ANIBAL PINTO
29 – 30 Octubre / LANZAMIENTO PÁGINA WEB
WWW.VALPOV.ORG

PATROCINAN
ILUSTRE MUNICIPALIDAD DE VALPARAÍSO
ARTENLINEA
ARTEK
ESCANER CULTURAL
PLATAFORMA CULTURA DIGITAL
PIA MICHELLE
SABORIZANTE

PRODUCE CRUCE

Taking it to Tumblr

September 20, 2010 § Leave a comment

Prompted by a Google Alert and a recommendation from my friend Carrie Ferguson Weir, I decided it was time for me to set up shop on Tumblr.

below are some of my favorite Tumbls:

Beauty Girls via www.andriabibiloni.com
Andria Morales

In addition to my own Tumblr blog, I also started a Frida Kahlo FANATIC blog Obsessed with Frida Kahlo*.

some of my Frida Tumbls:
Reflex Art Gallery - Yasumasa Morimura
Yasumasa Morimura
ldiggity:  frida. (graphite matchbook drawing) jason d’aquino on view now @ the last rites gallery 
Jason D’Aquino

*Obsessed with Frida Kahlo, is a project I initiated in 2007 with Mexican artist Brenda Hernandez. Watch the video below to find out more:

Updating About Me

July 27, 2010 § 1 Comment

Maya Escobar is a conceptual identity artist.

Maya Escobar is a conceptual identity artist

deconstructing the artist (myself), alongside the monument, alongside the monument’s informational text…

______________________________

SELECTED STATEMENTS

______________________________

Bio for About Page 2010:

Maya Escobar is a performance artist, Internet curator, and editor. She uses the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. She performs multiple identities, sampling widely from online representations of existing cultural discourses. Her identifications as a Latina-Jewish artist, dyslexic blogger, activist and educator are indexed by the blogs she keeps, the visual and textual links she posts, the books, articles, and blog posts she cites, the public comments she leaves, and the groups she joins.

Escobar received her MFA from the Sam Fox School of Design & Visual Arts, Washington University in St. Louis, and her BFA from the School of the Art Institute of Chicago. She has exhibited work in Spain, Guatemala, United States, Germany, Venezuela, and Chile.

Twitter Bio for @Maya_Ate_This 2010:

I am a 2nd generation Latina artist, nutrition buff, and fitness enthusiast. Here, I’ll be tweeting what I am eating as well as sharing beauty and fitness tips.

Artista Disléxica Del Internet pt 1 of audition video for Reality TV Show on Discovery En Español 2010:

Short Bio for Acciones Plásticasプリクラ 2009:

Maya Escobar is a Guatemalan-Jewish digital media and performance artist, currently living in St. Louis. Her work addresses issues of cultural hybridity, gender, placelessness, and the construction of identity.

Bio for Conney Conference on Jewish Identity 2009:

Maya Escobar is a Guatemalan Jewish digital media and performance artist. She received a BFA with an emphasis in Art Education from the School of the Art Institute of Chicago and is currently completing her MFA at Washington University in St. Louis. She can usually be found on the web blogging, tweeting, or youtubing. Escobar also serves as the online art editor for Zeek: A Journal of Jewish Thought and Culture. She has taught, performed and exhibited work in Germany, Spain, Guatemala, Puerto Rico and the United States.

About Me for Maya E. on Jewish Wedding Network (2009):

I have always lived between multiple worlds, I come from a Guatemalan Jewish American family of activists and educators. The planning of my wedding is like most things other things we do, a familiar and communal affair. In addition to the Bosa Nova band that will perform, my fiancee’s band rock band Cavalry will be covering various Jewish tunes such as hava negilah and more.

Breaking Down the Elephant Blog Post 2009:

Some people think that I am the true representation of the elephant.
It is true I am an elephant, but not the only elephant.
I try to break up the conception of being the only elephant.
Some people see a small portion of my work and think it is the whole- the representative elephant.
Others understand that each piece connects to another piece and that individually they are only fragments.
When breaking the elephant up into pieces, information slips in through the cracks.
People also respond to this new information- creating a bigger more amorphous elephant.
The amorphous elephant is broken up again and again, so that it is relevant to new individuals new experiences…

Manifesto for MFA Thesis Exhibition Catalog 2009:

As an artist and an individual, I am in constant conversation with the values transposed through multiculturalism. I seek to challenge notions of sameness, unity, and political correctness with pieces that affirm a sense of community for some, while paradoxically alienating others.

Major influxes in international travel, technological advances, immigration, adoption, and intermarriage are causing the borders and boundaries between countries to merge together at an increasingly rapid pace. The imagined spaces of individual cultures are no longer autonomous.

Therefore it is with a conscious move that I, and many colleagues and contemporaries, unapologetically go forward, breaking through traditional conceptions of art and artistic practice. No longer tied down to medium-specific practices, we produce work derivative of a multitude of discourses. The works that we produce, however, are distinct from those in the  fields that our work represents. We are concerned with the past, but we will not allow the past  to solely delineate the future. We hope to form a new definition of artistic practice that will include our constantly shifting environment.

Short Web Bio for Stumble Upon 2008:

MFA Candidate at Washington University in St. Louis. Current art/research centers around mental constructions of space and the social and political implications that result from these imagined boundaries. On this blog I share my random thoughts on hybridity, transnational and transcultural identities, liberal multiculturalism, critical pedagogy, feminist theory, latinidad, jewish life in america, youth culture…

Bio for Acciones Plásticas at the Bruno David Gallery 2007:

Maya Escobar is a Guatemalan Jewish interdisciplinary artist and educator. She is a recent graduate of the School of the Art Institute of Chicago, where she received a BFA with an emphasis in Art Education. She has taught, performed and exhibited work in Spain, Guatemala, Puerto Rico and the United States.  Currently, Escobar is pursuing a MFA in Visual Arts at Washington University in St. Louis.

Bio for Camp JRF 2007:

Maya Escobar is a Guatemalan Jewish interdisciplinary artist and educator. She is currently completing her degree in Art Education at the School of the Art Institute of Chicago. Sharing her non-traditional approach to exploring Jewish identity, Maya will expose campers to a wide variety of contemporary artists, artistic mediums and processes. Campers will have the opportunity to work both independently and as a collective, to produce work that inspires and participates in ongoing personal and communal dialogue.

Artist Statement 2006:

Through the performance of actual and fictitious moments of my life, I explore my personal identity as the daughter of a Guatemalan father and Jewish mother.  I compare the complexities of projected societal, cultural, and gender-determined roles to the lived experiences of Latina and Jewish women in our contemporary American culture. My work translates ongoing anthropological and sociological investigation into accessible narrative forms, incorporating technical skills in multiple mediums. As a commentary to the objectification and exoticization of otherness that I have personally experienced, I reclaim ownership of myself; I transform my body as well my “self” into an object used within the performed ritual, which is then documented through analog and digital photo, video and collage.

Savvy Latina: Smart. Sexy. Stylish.

July 24, 2010 § Leave a comment

Recently I had the honor of being featured on Savvy Latina.

Savvy Latina is more than just an online publication; it’s a lifestyle.

Savvy Latina is here to fill a void for today’s successful, stylized & sophisticated Latina. Savvy Latina is dedicated to keeping in step and following topics important to today’s Latina.

Savvy Latina offers in-depth coverage of key figures in Latino culture, entertainments rising and accomplished stars, business leaders, politicians, policy makers and the Savviest Latinas.

Image is everything but knowledge is the key. Savvy Latina is dedicated to keeping Today’s Latina looking good and well informed with the newest and latest. Savvy Latina’s mission is to make sure today’s Latina has a source dedicated to just who she is, a publication with a wealth of information on various topics important as well as entertaining to her.

Savvy Latina was founded by a Latina and dedicated to Latinas with traditional beliefs but that are also craving some of the finer things in life that are well deserved as a result of our hard work and dedication we have put in to advance not only themselves but Latinas as a whole socially and economically.

Today’s Latinas are not only influencing but are now directing government policy, business practices, arts, entertainment, fashion and a whole lot more.

We are proud to present to you Savvy Latina. We hope you love it as much as we do.

OffLine Photos

June 25, 2010 § Leave a comment

OffLine Video Art Exhibition in Valparaiso, Chile. Photos and videos by Menru Silva

Jaime Silva, Jessica Bruna, Juvenal Barría, Cynthia Jackson, Maya Escobar, Señorita Ugarte, Paulo Fernandez, and Kenru La Hermana Gemela Altiplánica

el es frida kahlo

Be Wife

Offline en Chile

April 8, 2010 § Leave a comment

afiche offline valpo

Muestra de videos en PIA Michelle
Del 12-19 de Abril
Av. Pedro Montt 1842 Galería tres palacios Local 402
Valparaiso, Chile

El viernes 16 de abril a las 19:00 hrs se proyectarán una serie de Videos que van desde stop motion, intervenciones urbanas y video arte experimental en la Plaza Aníbal Pinto de Valparaíso, previo a esto Pintor Z estará mostrando su trabajo con música de ordenador y visuales.

Esta es una compilación de videos que se realizó a partir del proyecto denominado offline que se realizaría en el Parque O´higgins una semana antes que ocurriera el pasado terremoto , y que por causa de esto no pudo ser efectuado.

La muestra busca dar a conocer el trabajo de artistas chilenos emergentes del área audiovisual experimental tomándose el espacio público y generando una intervención en si misma, además de hacer un cruce con otras miradas y culturas, en este caso con la artista de Guatemala Maya Escobar.

belated valentines day love from el rio

February 15, 2010 § 1 Comment

Sorry for the delay in this post. I have been in Chicago tied up with CAA, so much so, that the lovely Hallmark holiday of love, almost slipped through my fingers. But have no fear, I am back with full force, presenting my now frequent colllaborator Rio Yañez’s pop culture, commodified, chicano, arty valentines amazingness.

From his El Rio flickr page:

What’s up to all my friends, lovers, and drunken makeout partners! El Rio’s Valentine’s Day Cards are back in the ring to take another swing for 2010! This is the 4th year of my cards and it’s turned into my longest running project. Enjoy!

As always, please post these cards on the pages of your friends, enemies, sexting partners, craigslist hookups, and friends with benefits.

Issues, 2010

Stimulus, 2010

Sotomayor, 2010

Supa Freaks, 2008

http://farm1.static.flickr.com/151/388897878_c877ddd9a4_o.jpg

El Rio’s Valentine’s Day Cards # 2, 2007

Moz Lov, 2009

el es frida kahlo at the gallery

February 5, 2010 § Leave a comment

el es frida kahlo is currently on view in the New Media Room at the Bruno David Gallery in St. Louis, MO.

el es frida kahlo

el es frida kahlo, 2007-present

Frida Kahlo played with the identity that she wanted to project and the identity that was placed on her by others. Kahlo used her clothing, political affiliations, sexual escapades, and personal traumas, to create a character that informed her body of work. She inscribed her identity, painting her image over and over, constructing a mythology around her persona.

In el es frida kahlo I confront the ambivalence I experience as a result of my simultaneous obsession with Frida Kahlo and weariness towards her commodification. Viewed from a tiny pinhole, dressed as Kahlo, I stand before a reproduction of one of her self portraits. With a mixture of rage, anxiety, and complete fear, I chant “el es Frida Kahlo, ella es Frida Kahlo, el es Frida Kahlo, yo soy, yo soy, yo soy Frida Kahlo,” he is Frida Kahlo, she is Frida Kahlo, I am, I am, I am Frida Kahlo. As I yell, the painting behind me begins to fall. I violently tear down my braids and smudge off my makeup while continuing to scream “I am Frida Kahlo, I am Frida Kahlo, yo soy Frida Kahlo!”

el es frida kahlo at the Bruno David Gallery (video filmed and edited by Felicia Chen)

el es frida kahlo YouTube video

FREE el es frida kahlo animated gif avaliable on MayaEscobar.com

link to translation of recent review by David Sperber in Ma’arav Israeli Arts and Culture Magazine:

Frida Kahlo at the synagogue: Maya Escobar and the young Jewish-American Creation

Latina Women Respond

February 3, 2010 § Leave a comment

Recently Latina Role Model was featured on TikiTiki Blog: stories with cultura, color and sabor, in a post by Carrie Ferguson Weir called Smart Latina vs. Sexy Latina.  Carrie asked readers:

So, has your Smart Latina run up against the Sexy Latina? What do you see when you watch Maya’s video? What does it bring up for you? Why can’t we be both Smart and Sexy? Let’s talk about this, break it down, maybe shatter some stereotypes, and bust our own too.

Check out the PROFOUND difference in the nature of the comments left on this post (comments posted below) vs the ones left on YouTube.

my contribution to post on Tiki Tiki:

I perform over-the-top representations of different identities. I group together these representations (characters) as a means of challenging limited perspectives of what women are like, and in this case, what Latina women are like.

This character is supposed to be an intellectual, accomplished, socially conscious woman- who will forever be seen as the “Sexy Latina.” The low quality video blog is meant to mock scenes in movies, where the hot high school teacher walks down the hall and all the boys undress her in their minds.

But I am not taking a negative or positive stance either. I want to question the role Latinas play in perpetuating this persona, and question if that is even a bad thing? Are we limiting ourselves by continuing to have this same conversation, even though the behavior persists, are we enforcing it by bring more attention to it?

I haven’t always been so impartial. Out of all of the characters in Acciones Plásticas, The Latina Role Model is the one I identified with the most.  My original description of the way this character was perceived by others was much more reactionary and much angrier than it is now. (see below)

The Sexy Latina© from Acciones Plásticas free (stereotype) postcard, 2007

The Sexy Latina© is an educated woman who cares about important social and political issues. She wears suggestive provocative clothing to compensate for giving up her role as a homemaker. She uses her sexuality to obtain positions in the work world.


Latina Role Model from Acciones Plásticas プリクラ 2009

Over the last two years this character has really evolved. Here is the new description of The Latina Role Model, re-imagined as part of my Acciones Plásticas プリクラ collaboration with artist Rio Yañez:

The Latina Role Model is a diploma totin’ intellectual, sexy, social media goddess.

What do you think?  How does the earlier description of The Sexy Latina© differ from this new description of The Latina Role Model?  How do these two images relate to the Latina Role Model YouTube video?

  • This is an excellent post and an excellent video. It really does make you think.

    I am really not qualified to speak from a “Latina perspective” on this topic because I am Anglo. (If you read my blog, you’ll know I’m Sra. López only because I married a Salvadoran.)

    That being the case, I can’t speak from personal experience on Latina stereotypes, but I would like to contribute an opinion or two on topics that are pretty closely related.

    For example, it really bothers me that the Latinas picked as reporters and journalists on Univision and Telemundo seem to be more for the purposes of eye candy than to report the news and add intelligent commentary — not that they aren’t intelligent women, but I think the sexism by the head honchos over there is pretty evident, not just on the news, but on other programming as well… And English language channels aren’t always much better. I think Western women in general – no matter what their race, fight very hard to overcome the sense that we are valued more as objects of sex/beauty, than for what’s inside.

    It’s very frustrating and I don’t envy the difficult job many women have of raising daughters in this world. (I have 2 sons) … With my own self esteem issues, I can’t imagine what a challenge it would be to raise a girl who is confident in herself and who doesn’t let Hollywood, fashion magazines, men, or even other females, get her down.

    I don’t know the solution to achieving true equality, but I think talking about it all is a good start.

  • Very interesting…The role model I immediately identified with was the socially-conscious, smart role model, which made me realize how loaded that role is. Being an accomplished and educated Latina comes with so many expectations — the whole giving back to the community, serving your community, being a role model and mentor for others, etc. — that’s not something that an accomplished non-Latina woman has to worry about (or feel committed to).

    With regards to the sexy role model — I always say that there is no sexier woman than the one that exudes confidence in herself and who she is — the sexy clothes are just extras…

    Great conversation…

  • [...] Tiki Tiki: Stories with Cultura, Color and Sabor, thanks to post by Carrie Ferguson Weir entitled  Smart Latina vs Sexy Latina. Check out the post and be sure to leave your [...]

  • Ana Lilian says:

    I guess I just never even thought of myself as the Sexy Latina…but a cute one yes! LOL! But once I´m on the dance floor, then the sexy comes out and it´s all good.

    But,seriously, I guess I just lack the perceived-Latina sassy-ness as I´ve never felt that bias towards me.
    I will definitely agree with dear Sra. López that the media, especially the Hispanic media, is completely promoting the hot Latina stereotype, and not much of the smart Latina one. Why do their “news” anchors feel they need to have their breast augmented to be taken seriously?

  • Kikita says:

    I think it is inherent in our culture to be “hot” in every sense of the word because we are so passionate.

    I love what Maya was trying to accomplish and say with her video, but I found that she couldn’t hide or deny her Latin sensuality even when she was trying to play the part of an “intellectual, accomplished, socially conscious woman.”

    This DID make me stop and think, but what I realized is that I tend to shoot for a 3rd type. I go for “Classy Latina.” You know, the one that can wear the big hoops and sexy top with a pant suit. Someone like Ingrid Hoffman or Karla Martinez.

  • C. Morales says:

    My impression is that Latina women play into the stereotype because Latino men often expect them to, and they are threatened by a smart woman. It is not just non-Latino men who expect a mujer caliente and nothing more.

  • Liz says:

    How you project yourself, depends on you, no matter what. I, like Ana, never felt that I was looked at differently because I am Latina. I don’t see my self as a Sexy, Hot, Latina(I hope my husband does, though). Hell, I’m 33, been married for 12 years, and have 3 kids. I don’t get “chifles” anymore… ): LOL!

    This is directed towards the younger, single generation. How they present themselves as the future “Latina Generation”, depends on how they are raised. It’s up to us, as moms, to teach our daughters to go and be the BEST they can be. It’s up to me to raise my daughter to know what it right from wrong. Do guys really still think that girls are still destined to be “home/baby makers? Really??

    Forget Hollywood. Forget the Media. Heck, forget the evening news. If those ladies felt that they need to have their lady lumps hanging out in order to get the job, then I feel sorry for them. But, it is what it is.

    I will raise my daughter to know that education is the key to being classy and sexy! Not exposed Humps and Lady Lumps! Also, I will raise my boys to see women and they see themselves. Whether they marry a Latina or not.

    Ay, me pase de mas! he he!

  • SUZ says:

    A smart and fun video commentary on the stereotypes of women in general…the educated intellectual, the hot babe, the innocent women. I like that Maya uses humor to deflect the extremes. Also that she creates a fine line between integrating the different role types. This is interesting because everyone is never just one thing…but we may choose to identify one way.

  • I think it’s part of a male dominated culture. Many women have this problem of having to manage male expectations in their professional lives, whether it is living with objectification or men projecting their need for nurturing from any woman they meet. I’ve had jobs where men thought it was okay to flirt with me and expected me to fulfill some messed up hot secretary fantasy, and I’ve had jobs where men I worked with expected me to be maternal and when I was driven, I was labeled aggressive. I’m not a dog, I’m not a hooker, and I’m definitely not your mother, guys.

    I think we have to teach men when they’re children that women can fill many roles and to expect them to be as capable and androgynous as any man performing the same duties. By the same token, I don’t know how I feel about using gender or sexuality as an asset to get ahead, my feeling is that anything you do that is manipulative in nature, is skirting unethical, if not flat out crossing the line.

    Having a sense of humor about stereotypes though, I don’t know if I see a problem as long as you don’t go too far and reinforce them. If it’s clear it’s a joke and part of the joke is how ridiculous stereotypical behavior really is…

  • Carrie says:

    I love the feedback, ladies. All great points and fabulous reflection.

    I am left wondering this, after reading Ana and Liz’s comments: Is stereotype/perception felt/seen at a greater level when we don’t live in predominately Latino communities?

    This comes to mind because your comments made me realize I never thought too much of my Latina side and my American side until I lived in cities where there weren’t a bunch of Cubans running around me everywhere. My otherness was apparent and pointed out. It was almost like, wow, I am different?

    Interesting!

  • Marta says:

    I don’t fit into the Sexy or Brainy Latina mold at all. Probably because I look very Anglo – light skin, blue eyes. I blend pretty seamlessly into my So Cal suburban life.

    Except for the Latina “chispa.” That’s always the big giveaway right there. =D

  • Liz says:

    Carrie,

    I emailed your post to my niece, whose studying at Penn State, this is what she had to say:

    Well, I agree with her lol. A lot of people especially here in Pennsylvania, see me as exotic because I’m Hispanic. They expect me to speak Spanish all of the time and a lot of them expect me to be kinda stupid and slutty. But when people get to know me, they find out that I’m extremely smart. Smarter than most people they encounter. And it sucks because I’m always having to prove myself to people and to teachers. But in the end, I’m the one that’s dropping jaws for my intellect and not for my attractiveness =)

    The end haha. Hope that helps.

    I am one PROUD Tia!!! (:

  • Carrie says:

    Liz, aha! Thank you for sending the post to your niece and validating my theory. I love how your niece wrote to you and the “stupid and slutty” line made me bust out laughing — especially because she obviously is not.

    Gracias, proud Tia!

    (Maybe she needs to write for the Tiki Tiki? hmmmm?)

  • Veronica says:

    Great video and excellent points.

    I think that this expectation for Latinas to appear sexy is one reason why I reject the hot mom movement. I wish there was just as much social pressure to be smart Latinas, smart moms, smart women as there is to be hot, sexy, etc.

free el es frida kahlo animated gif

January 16, 2010 § Leave a comment

el es frida kahlo will be on view at the Bruno David Gallery in St. Louis, MO from 1/22-3/6. In conjunction with the exhibition, I am offering a FREE embeddable animated el es frida kahlo gif on mayaescobar.com.

el es frida digital giveaway

behind the scenes acciones plásticas purikura

January 13, 2010 § 1 Comment

The Latina HipsterThe Latina Role ModelThe Homegirl

Here are some behind the scenes images from the many Acciones Plásticas プリクラ photo shoots.

The Latina Hipster  (performance still)

The Latina Hipster

The Homegirl  (performance still)

The Homegirl

Becoming The Homegirl (performance still)

The Homegirl putting on fake nails (lovin’ the shabbos candlesticks and theory books in the background)

The Avodah Girl (performance still)

The Avodah Girl

The 612er  (performance still)

The 612er

———————————————————

Check out this inspiring write-up on Acciones Plásticas プリクラ on Truth and Healing Project.

excerpt below:

goodness.   I’ve been thinking a lot about the intersections between new media and traditional forms of knowledge and how these intersections can be ways of supporting tradition, innovation, resistance and liberation.  As a media-maker, I’ve thought a lot about non-traditional forms of telling stories and the value of stories to allow us as individuals and communities  to grow and remain in movement.  I want to both  honor our traditions and create space for challenge in order to support growth.   This is particularly challenging when, as indigenos, we are usually FORCED  into the frozen stance (as my sister Whisper says)  of the “American Imaginary”.    Born out of a flat analysis, the “American Imaginary”  boxes us into specific archetypes and narratives that,  though perhaps grounded in truth,  metaphorically and at times literally  “freeze” us and immobilize us from engaging in healthy movement and LIFE.  As a guatemalan-born/ mixed -id’d/ mayan-adoptee I’ve  dreamed about new and innovative ways to create forums and craft form that embodies the intersections of say,  mayan id, transracial queer, working class, single teen mama id.   For example, as a queerasfuck femme I’ve LITERALLY dreamed of beginning a series of corsets created out of huipil’s with stories attached to each… though I have yet to begin work on that.  I am so excited by the thoughts of spaces for dialogue, beauty, challenge & examination of the COMPLEX identities embodies by the our contemporary indigena communities. .  Fierce and phenomenal chicana and radical latina artists  have had HUGE impacts on me but I’ve been hungry to see this come from other guatemelan/ mayan artists.  Today, I got a taste of a  contemporary and GUATEMALAN artist who is  actively engaged in a similar examination!  I came across this blog (and art work)  and it was as if an answer was given to me in the form of possibilities.  A sweet affirmation that this form of mayan/guatemalan  art CAN and DOES exist.

No Sos Frida Kahlo

October 20, 2009 § Leave a comment

from obsessed with frida kahlo

no sos frida kahlo, 2007

puppets, 2007

Nuevos Compañeros: Rio Yañez

September 30, 2009 § Leave a comment

My newest partner in crime is the talented, witty, godzilla and pikapika lovin’ Chicano artist and curator Rio Yañez. I first came across his Ghetto Frida two years ago, while working on the project Obsessed With Frida Kahlo. Immediately I felt some sort of cosmic connection-not to Ghetto Frida- but to her creator. And then to make matters worse better, I found out that he is the son of one my biggest heroes- Yolanda Lopez!

There was really no option other than collaboration.  It was fate.

Last month we finally initiated our long distance partnership through a tweet.  Since then we have been communicating through TwitPic, Facebook, YouTube, phone calls and texts,  and of course mutual shouts in interviews on the blogosphere (mine to RioRio’s  to me.)

Here are a few examples of Rio’s recent work:

Amber Rose by El Rio.

“I’ve been twittering for about a week now at http://twitter.com/rioyanez. I signed up as a way to contact Amber Rose after she started writing and posting about the portrait I created of her. I have to say, the most exciting aspect of twitter is the way people distribute images. The short urls for twitpics that often pop up on tweets evoke a sense of curiosity in me; more so than the many thumbnails that can be found on facebook. I think the lack of a thumbnail is more alluring and it forces you to chose to see the image or not, there’s no middle ground of a provided preview.” (from his blog)

“Artist Curator Rachel-Anne Palacios flanked by Zitlalix and I. I created this portrait to thank Rachel for including me in the recent Frida exhibit she curated and to join the many artists who are on display on the walls of her apartment” (from flickr)

These images represent my first foray into my Raza Zombies series. They were inspired by the single best mainstream comic book of the 21st century: Marvel Zombies. Marvel Zombies re-imagines classic superheroes as flesh eating zombies. After reading it I felt compelled to do some zombie transformations on a few of my own personal heroes. More to come. (from flickr)

Video of Gomez Peña setting the record straight for Rio regarding his Facebook presence.

Rio’s Ghetto Frida Mural in the Mission District

stay tuned for more…

Interview on Blogadera

September 15, 2009 § 2 Comments

I was interviewed on the Latino Blog Directory site Blogadera

click here for full interview:

Here we are with Maya Escobar. An artist and educator whose art, personality and opinions come to life by way of her blog and social media extensions.  We are thrilled to have her on to talk about her background, blogging and sharing her blogging experience with the rest of the blogadera.

When did you start blogging? What prompted you to pick it up.

I started blogging in 2005, at the time I was completing my degree in art education at the School of the Art Institute of Chicago.  I was interested in connecting with other artists, activists, students and educators to share ideas and resources.

What do you blog about? Why?

I blog about issues that relate to the artworks I am producing (basically concepts I am thinking about). Topics include: the construction of identity, hybridity, sexuality, education, placelessness, immigration, activism, religion, and mental health.

Can you give us a little bit of background on Maya Escobar?

Well… it just so happens that I just posted a new “about me” to my website:

I am a performance artist, Internet curator, and editor. I use the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. I perform multiple identities and sample widely from online representations and existing cultural discourses. My identifications as a Latina-Jewish artist, dyslexic blogger, activist and educator are indexed by the blogs I keep, the visual and textual links I post, the books, articles, and blog posts I cite, the public comments I leave, and the groups I join.

By examining and re-imagining my personal experiences, I attempt to provide others with a framework for questioning societal limitations based on gendered and racialized cultural generalizations.

(if you found that about me too dull there is a post on my blog where I describe myself as an elephant)

Does your blog reflect your culture? Is this intentional or just a natural byproduct?

I hope that my blog reflects a culture of critical inquiry, communal dialogue, and collaboration. (this would be intentional)

What is the state of the Latino Blogosphere? Do you see it growing? Any Examples?

I see more and more Latina and Latino bloggers every day.  But what I find most exciting is when those bloggers are young people and they are blogging with a positive message.  A wonderful example that I have found is MyLatinitas.com the social networking platform hosted by Latinitas Magazine. Here young Latinas are actively sharing their thoughts on politics, culture, education, and family.

You work alot with videos…do you consider yourself a vlogger? If so, can you define that for us!

hmm… I am not really sure if I consider myself to be a vlogger.  When I think of a vlogger, I think of a person who makes videos that contain similar content to content that would be included in a blog post (such as current events, politics, or personal observations.) Maybe, I am a part time vlogger

Any advice for Latinos who want to start blogging?

I think it is important to get a sense of why it is that you want to blog, what will your blog say about you, and how you envision your blog interacting with your personal and professional life.

Write about issues that you are passionate about, in a way that other people can relate to.  Use the Internet for all it can do- link between your own posts and link to posts written by others.  Read other people’s blogs and comment!  If you want people to be interested in the things you are writing about know what they are writing about!

And most importantly when you can, blog in Spanish!

What blogs do you follow or subscribe to? Favorites?

I just started reading VivirLatino which led me to the awesome blog of La Mamita Mala. I have been following Latina Lista for sometime, Rio Yañez and his buddy Maya ChinchillaSergio AntonioJorge Linares…… the list just keeps on growing…

What are you favorite social media sites and how do you use these tools in your day-to-day?

At this point twitter, youtube, flickr and wordpress are the sites that I most commonly use. My activity on all of theses sites crosses over.  For example, I might write a post on my blog, that will include a youtube video and images I posted onto flickr.  Then I send a tweet that includes either a segment of my blog post, an image from the post, or some of the tag words describing the post.

Do you divide social media by purpose, friends, professional v. personal, etc.?

Not really, for the most part my personal life is my professional life.

What’s next for Maya? What do we have to look forward to from you?

I am working with my father on developing my first performance piece entirely in Spanish. We are using a recording of an interview my mother conducted with my abuelita in 1985, as source material for the monologue I will be performing recounting her experiences, but as myself- two generations removed……

I am also planning a piece with fellow artist and blogger Rio Yañez surrounding the Wise Latina phenomenon.  I don’’t want to give too many details away, but I can promise there is going to be a Top 10 list!

wise latina on Twitpic

[more]

check out other Blogadera interviews with Carrie Fergerson and Jo Ann Hernandez

take a picture of me for my myspace

May 11, 2009 § 2 Comments

In October of 2006 my rabbi started blogging. While trying to comment on one of his posts, I accidentally registered my own blog. Within hours of posting a comment, my name began appearing in Google searches. I was now linked to the post I had commented on, previous posts my rabbi had written, comments left by other users and the posts they had written elsewhere within the blogosphere. The rapidity with which I was branded, not only by my own online activity, but also by the online activity of others, seemed incomprehensible.

http://farm1.static.flickr.com/140/407330068_cef67d7d48.jpg?v=0

I thought about this phenomenon in relationship to, the images that my friends and I had posted on Myspace throughout that year. I unknowingly went from being slightly annoyed and simultaneously amused by the phrase “take a picture of me for my Myspace”, to it becoming completely natural and almost organic to document every moment, every outing, every time my friends and I put on make up, and to take pictures for Myspace. I saw this behavior even further exaggerated in the high school students I was student teaching. Their conversations were dominated with events that had transpired on Myspace, and when they were not talking about Myspace they were taking pictures for Myspace.

When we talked about the factors that contributed to the construction of their individual and collective identities, my students were quick to bring up their style of dress, group of friends, the neighborhood they lived in, and the way they spoke. Yet not a single student referenced their online activity, the pictures they posted, the groups they joined, the comments they left on each others pages. I wondered why it was, that they were so aware of and adept at reflecting upon their experiences in the material offline world, but failed to mention the social network that played such a major role in their day-to-day lives.

DECONSTRUCTING PERSONAL IDENTITY

the chach

(today) I am referring to myself as a performance artist, Internet curator, and editor.  I create and (concurrently) perform multiple online identities, by sampling from different representations of existing cultural discourses. I fragment my personal experiences and invite  others to join in, and modify and regroup those fragments. By doing this I hope to share the process through which I  deconstruct and reconstruct my individual conception of self, so that others can do the same in their lives.

In the series Acciones Plásticas I performed representations of five constructed characters: a religious Jewish woman, a spoiled Jewish girl, a ghetto Latina, a sexy Latina professor, and a Mayan woman. I created low quality YouTube video blogs for four of the characters, the Mayan woman did not have a video, as she would not have had access to YouTube technologies. The videos were strategically placed on popular social networking sites, including YouTube and MySpace. The layout of YouTube contextualized the videos and framed them with user comments and similarly tagged user content. Jewish Girls was picked up by a popular left-wing Jewish blogging site Jewschool, and soon entered the Jewish Blogosphere where it was referred to as the JAP. This repositioning shifted the focus from the portrayal of multiple interwoven identities to a depiction of the Jewish American Princess. The JAP became how people knew my work, validating me while simultaneously conflating my identity with that of this particular character.

http://farm4.static.flickr.com/3362/3521552366_98c65eccfe.jpg?v=0

One of the strategies that I employed to counteract idea of “me as The JAP was to group videos from the series  Acciones Plásticas together with three other Youtube videos in a video reel of my work. The first video in the reel,  el es frida kahlo is me dressed as Frida Kahlo where I violently scream I am Frida Kahlo! In second video Be Wife, I wear a bright red bikini top in front of an image of a Mayan temple in Tikal. Traditional Guatemalan marimba music plays in the background, while red text scrolls across the top reading Guatemala’s finest export. The third video Que Sencilla, features me as a little girl, who is being coaxed by an off-camera male voice to perform a dance for the camera.

Someone who is expecting to see a Jewish American Princess, is instead greeted with an enragedel es frida kahlo Latina artist, trying to fight the stigma of being associated with Frida Kahlo. My inclusion of these additional videos was to show the multidimensionality of the five characters initially presented in Acciones Plásticas. The Mayan women does not have her own YouTube video, but with the addition of the Be Wife video, her absence is felt even greater. The face of Guatemala in these videos, is the chest of a mail order bride. Another example can be seen within the four original videos themselves. With the grouping of the ghetto latina with the sexy latina professor, vast cultural and class difference can be seen between the two representations of Latina women. Put together with el es frida kahlo and Be Wife, there are suddenly five Latina performers all acting on one stage.

Jewish Girls Youtube Comments

May 3, 2009 § Leave a comment

Jewish Girls from the series Acciones Plásticas


Responses to Jewish Girls

Artista disléxica del Internet

April 21, 2009 § 1 Comment

Por David Sperber en Ma’arav Israeli Arts and Culture Magazine
Traducción de Gonzalo Escobar (de Traducción de Shlomit Nehorai)

Maya Escobar es sin ninguna duda una de las personas más de moda en el desarrollo del arte judío-estadounidense. Escobar se define como “artista disléxica del Internet”. Y para ver su trabajo uno no necesita ir muy lejos.

Su trabajo es creado principalmente en el formato familiar del Internet, y se puede ver más frecuentemente en Youtube. Escobar es hija de madre Judía y de padre Guatemalteco, ella define su trabajo personal y versátil de arte como una investigación antropológica-sociológica dentro de la narrativa que utiliza medios electrónicos contemporáneos.

Acciones Plásticas incluye películas de corto metraje que presentan una serie de caracteres persuasivos y monólogos en los que se cuestiona la identidad. En la primera película de corto metraje de la serie aparece, vestida como la artista mexicana Frida Kahlo quien se convirtió en un ícono dentro del discurso feminista. Se argumenta comúnmente que Kahlo tenía algunas raíces judías. Escobar aparece vestida como Kahlo con sus famosas cejas mientras que grita “Yo soy Frida Kahlo.  Usted es Frida Kahlo.  Nosotros somos Frida Kahlo”. En agitación o en éxtasis se desgarra su ropa, se despeina, se quita el maquillaje y vuelve a ser ella misma.

el es frida kahlo

En la otra película de corto metraje de la serie, ella continúa con un monólogo de una mujer ortodoxa judía. El texto aquí es tan exacto que por un minuto la línea entre la ironía y la comedia burda y la seriedad profunda es borrosa.

En otra película de corto metraje se presenta  el estereotipo de mujer latina como objeto sensual sexual, cuando aquí el tema se desenvuelve también entre la aprobación y la destrucción de los estereotipos. Escobar presenta diversos episodios basados en la realidad que ella misma ha experimentado enfocados en su identidad híbrida como mujer, como judía y como latinoamericana.

Otro trabajo de Escobar es  My Shtreimel (Mi sombrero de peluche judío de Europa Oriental) – un vídeo-blog que también se puede encontrar en Youtube. En esta sección aparece un joven de más de veinte años que está sentado frente a una  computadora y habla de sus rituales del Shabbat (el día de descanso para los judíos). El monólogo describe un mundo judío amorfo en el cual la esencia judía viva y material no es obligatoria a sus instituciones, sobre todo en el marco personal. Una parte central en este mundo es la auto depreciación de uno mismo: El joven muestra su querido shtreimel y menciona que el shtreimel que se ve como el sombrero tradicional es realmente un sombrero de mujer comprado en una tienda de segunda.

berlin's eruv

En el trabajo “eruv”*  (entremezclarse)  Escobar relata el hecho que en Berlín no hay ningún eruv aun cuando allí existe una comunidad judía vibrante. En una serie de entrevistas fotografiadas con los habitantes de la ciudad ella transforma la noción del eruv – en una noción legal halajá (recopilación de las principales leyes judías) que crea una transformación del espacio público en el espacio privado, en una mezcla – la creación múltiple de caracteres y de mundos. El eruv se transforma en un concepto cultural que celebra lo diferente y lo único. Los individuos crean un mosaico espléndido que ensambla un grupo “colectivo” diferente como concepto social. La forma en que Escobar trata el tema es típico al mundo judío-estadounidense del arte que tiende a transferir los conceptos del halajá práctico y para transferirlo a otro mundo, y así se transforma en una metáfora de la condición personal o social. La experiencia personal es significativa a Escobar.  Como otros rituales judíos, el Shabbat abarca los sentidos prácticos que materializan la condición privada en un espacio privado. Excepto que el entendimiento del espacio privado y del espacio público es fluido y cambia siempre. Yo pienso que es muy importante de que la gente celebre su Shabbat como experiencia agradable, definida y personal. Los rituales del Shabbat evolucionan con el tiempo – no como obligación inamovible que se transfiere de generación en generación, pero como resultado de una opción simple del individuo de crear él/ella las mismas costumbres agradables de Shabbat. Todos tenemos esta clase de costumbres.”

El uso intercontinental del Internet dio a luz a una generación de individuos que crean algo solo por el hecho de crear algo, y el concepto del crear arte por el hecho del crear arte consigue de esa manera un nuevo significado. Los medios de comunicación del Internet conectan a individuos y contribuyen mutuamente a entrelazar a la gente que trabaja por separado en lugares lejanos. El trabajo nuevo del Internet desafía las viejas definiciones en lo referente a lo qué se considera arte y a lo que no es. De igual manera, adopta nuevas formas de la presentación que no son la norma en la corriente principal del mundo del arte, y le revigoriza al campo del arte.

La discusión del trabajo de Escobar conduce a una discusión más amplia sobre las diferencias entre el pensamiento judío en la conversación israelita en la nueva comprensión de la opinión estadounidense del mundo. El compromiso judío-artístico en los Estados Unidos está influenciado por la introducción de las ideas de la nueva era en el centro de la conversación, y está integrando en el esfuerzo de crear una conexión entre la cultura contemporánea y la identidad judía tradicional. Dentro de la comunidad estadounidense-judía hay muestras de un movimiento de una expresión judía institucional organizada en una expresión única y personal de  experiencias muy personales. Estos artistas que reorganizan las tradiciones en sus propios términos, y de esta manera contribuye no insignificantemente a la definición  Ortodoxo-Moderno No-Ortodoxo Judío-Estadounidense nuevamente. El acoplamiento entre la cultura judía y la identidad judía al arte ocupa un papel central en esta conversación.

Los ecos de esta tendencia se pueden encontrar también en Israel (por ejemplo, en la cultura joven de Yiddish {idioma hablado por los judíos de Europa Oriental}  en Tel Aviv), pero generalmente todavía hay una desconexión profunda entre los conceptos dominantes en Israel y en los Estados Unidos. En Israel es común la conexión  entre el judaísmo con una tradición organizada y con el linaje o la línea de sangre y la consanguinidad basada en una continuidad genética. Por otra parte, muchos judío-estadounidenses jóvenes se casan fuera de su religión, pero sin embargo ellos se ven como parte integral del mundo judío y saben que no serán expulsados por esto. En comparación con los israelíes que experimentan su identidad judía en términos de desintegración que siguió la restauración, los judío-estadounidenses crean  nuevas ramas donde las metáforas del crecimiento y del renacimiento se acoplan mejor.

La unión de la cultura y del arte contemporáneos a la creatividad judía se expresa en características de moda como tatuajes, música hip-hop, arte del Internet y otras formas similares, y se entiende a menudo como la desconexión con la dicotomía dualista aceptada entre lo sagrado y lo mundano. Esto es porqué los tradicionalistas consideran estas formas de arte como provocación peligrosa. La interconexión cultural de estos nuevos conceptos durante discusiones desafiantes con los viejos conceptos culturales. Filológicamente hablando se puede decir que pedir prestados símbolos a partir de una disciplina a otra interfiere con los sistemas semióticos. En el lenguaje Cabalístico (kabbalah o  cábala  es una de las principales corrientes de la mística judía) se dice que la energía creada durante la fricción  producida por la desintegración de las cosas va a crear generalmente “nueva luz”.

* De acuerdo a la religión judía durante el Shabbat lo judíos no pueden hacer ningún trabajo, ni tampoco llevar cosas fuera de sus casas o de las murallas de su ciudad. Cuando la ciudad o pueblo no tiene murallas, se tiene que construir un “eruv”, que es una construcción de cables y postes para así poder marcar los límites físicos del pueblo y esto se convierte en una estructura virtual imaginaria.

Bitch Magazine

December 20, 2007 § 3 Comments

Acciones Plásticas was discussed in current issue of Bitch Magazine Lost and Found #38. The article is entitled The Princess Diaries: In an Age of Ostentation the J.A.P. is Back written by Julia Appel, a rabbinical student at Hebrew College.

To view the full article (pdf version) click here

bitch

One blogger on Jewschool questioned the artistic success of a new piece by a performance artist named Maya Escobar entitled Acciones Plasticas (Plastic Dolls), in which the artist impersonates in short video segments various stereotypes that make up her identity. Her send-up of the J.A.P. was familiar to me from my years spent in a heavily Jewish, upper-middle-class suburb of Boston. Escobar’s J.A.P. flips her straight dark hair and fiddles with her silver jewelry as she talks insipidly about her high-school popularity and rejection of male suitors. The blogger wrote by way of illustration, “She…nails the J.A.P. with a monologue so infuriatingly vapid and unaware it’s as excruciating as the real-life experience.”

Bitch Magazine Photo

[...]Using the Jewish American Princess in a deadpan manner can result in a sophisticated social critique that reveals how ridiculous the stereotype itself. The key is absurdity: Take Sarah Silverman, who frequently conjures the J.A.P. in her comedy, with mixed results [...] Maya Escobar’s piece also falls in this category: by contextualizing the character in her video as a “doll” she reveals how ridiculous it is to take the character seriously.

But what about the less-successful attempts at deploying the term? The reason “J.A. P.” is ripe for reclamation is because it stands at the border between resonantly hateful and outdated. Although not as widely used as it once was, it still packs a punch. Therefore, if the context is not skillfully executed, the attempt serves not to interrogate or reclaim, but rather only to perpetuate the myth[...]

Cultural Identity Dialog Exchange

November 16, 2007 § 1 Comment

Below are selected excerpts from a grant proposal that I recently submitted to Washington University, for a cultural identity dialog exchange between Guatemalan Youth living within the diaspora and those living in Guatemala.

Please contact me if you are interested in collaborating, participating (either yourself or your child) and funders.

Within most North American contexts I am inevitably the only Guatemalan representative. As a child I yearned for this paternal classification. I wanted desperately to be a Guatemalan. However, upon entering academia I immediately became the Guatemalan. As an artist, this categorization places me in the awkward position of being unable to produce work without feeling and seeming inauthentic, voyeuristic, and exploitative.

In order to directly confront these insecurities and consequential perceptions, I will expose myself to the very environment where I feel most uncomfortable: Guatemala. I will present myself exactly as I do in the United States with the self-imposed title: Guatemalan Jewish Interdisciplinary Artist and Educator. Working as a researcher, artist, educator, student, performer and public speaker I will interact with all of the communities represented by the aforementioned title.

[...]In this lesson, students will critically analyze the ways in which Guatemalans have been depicted both historically and presently. They will look at national and international examples of these depictions, produced by: historians, anthropologists, sociologists, the media, and artists. Considering the mediums that have been utilized in these depictions (newspapers, magazines, history books, movies, paintings, the internet, etc.), and their availability to the general public, students will evaluate the impact of these depictions on the formation of their personal identity.

Students will then discuss their feelings towards Guatemalan youth living in the US, who have inevitably been equally (in not more so) effected by these depictions. They will then analyze the specific elements these depictions falsely portray or leave unsaid, thus identifying the important things they want Guatemalan youth living in the US to know about their culture. [...]

• What role does an individual play in defining their identity?
• How is identity affected by: surrounding community, geographic location, socio-economic background, religious beliefs, political affiliation, gender, sexuality, level of education, access to technology?
• What responsibilities accompany self-imposed cultural allegiance?
• What responsibilities accompany societal-imposed cultural allegiance?

student work from Cuyotenango, Guatemala

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