Escobar-Morales at the Bruno David Gallery

December 28, 2012 § Leave a comment

ESCOBAR-MORALES: Resurrection of Hun-Nal-Ye at the Bruno David Gallery in St. Louis, MO. Opening on Friday, February 1, 2013, from 5 to 9 pm.  Show runs until February 23rd, 2013.

The Resurrection of Hun-Nal-Ye_3

In the New Media Room, the Bruno David Gallery presents a single-channel video work titled “Resurrection of Hun-Nal-Ye” by Escobar-Morales. The 21-minutes video originated from a performance at the closing for RICH-OO-UH’L, RICH-OO-UH’L at Jolie Laide Gallery in Philadelphia, with sound by Armando Morales.

In the Resurrection of Hun-Nal-Ye (2011), Escobar-Morales perform a funerary ritual, referencing the mythical Mayan tale of the Hero Twins reviving their dead father, the Maize God. In their contemporary interpretation of this ancient story, Escobar-Morales simultaneously represent the body and the soul; the God/ Goddess and twin offspring, in both physical and technological forms using live performance and web based video projection.

ESCOBAR-MORALES is a team comprised of Maya Escobar and Andria Morales. The two artists, based in Chicago and New York respectively, have been working together over the Internet since 2010. They produce digital media and performance art that explores the role of self-representation in visual culture and its ability to deconstruct ingrained ideological conventions. By locating their performances online where they are free from restrictions of time and place, Escobar-Morales is able to concurrently enact multiple personas while simultaneously creating a unified hybrid self.

Maya Escobar was born in Chicago, IL in 1984. Andria Morales was born in 1982 in New York, NY. Escobar received a BFA from the School of the Art Institute of Chicago (2007) and an MFA from Washington University in St. Louis (2009); Morales received a BA from the University of Pennsylvania (2004) and an MFA from Tyler School of Art, Temple University (2008).

Photo by Armando Morales

Escobar-Morales at The Painted Bride in Papeles: Are we what we sign?

August 24, 2012 § Leave a comment

PAPELES: Are we what we sign? aims to serve as a visual examination of our social bond with papers as legal signifiers of identity that shape individual mobility, cultural acceptance, gender and sexual-orientation equality, economic access, labor opportunities, and educational attainment.  Visual artists, community leaders, and arts administrators use this project to reflect upon the socio-cultural impact of documentation processes present in American society.

This exhibition gathers twelve influential—established and emerging—artists working in drawing, painting, installation, printmaking, photography, and mixed media. Participating artists include Andrea Rincon, Andria Morales, Carlos Nuñez, Doris Nogueira-Rogers, Erika Ristovski, the duo Escobar-Morales, Jonas Dos Santos, Jorge Figueroa, Lina Cedeño, Michelle Ortiz, Paula Meninato, and Susana Amundaraín.  They propose social-visual experiments from their positions as immigrants and/or descendants of immigrants from Latin American nations. New and existing works in this exhibition illuminate the concept of documentation into powerful narratives of critique, ambiguity, longing, and resilience.

 

The Painted Bride
230 Vine Street | Philadelphia, PA 19106 | 215.925.9914

September 7 – October 21, 2012
Gallery hours: 12pm – 6pm, Tues – Sat
First Friday receptions: September 7, October 5 | 5-7:30pm
Guest Curator Andreina Castillo | Co-Presented with Acción Colombia

AMerican MEdia Output in Texas

May 11, 2011 § 1 Comment

AMericanMEdiaOutput.com
twitterFacebookLInkedIn

Escobar-Morales

February 22, 2011 § Leave a comment

Escobar-Morales

Artist Statement and Bio
Escobar-Morales is a team comprised of Maya Escobar and Andria Morales. The two artists, based in Chicago and Philadelphia respectively, have been working together over the Internet since 2010. They produce digital media and performance art that explores the role of self-representation in visual culture and its ability to deconstruct ingrained ideological conventions. By locating their performances online where they are free from restrictions of time and place, Escobar-Morales is able to concurrently enact multiple personas while simultaneously creating a unified hybrid self.

Maya Escobar was born in Chicago, IL in 1984.  Andria Morales was born in 1982 in New York, NY.  Escobar received a BFA from the School of the Art Institue of Chicago (2007) and an MFA from Washington University in St. Louis (2009); Morales received a BA from the University of Pennsylvania (2004) and an MFA from Tyler School of Art, Temple University (2008).

Ian Weaver, The Black Knights of the Black Bottom, and Are You My Other?

November 18, 2010 § 1 Comment

On the afternoon of November 18, 2010, on the Island of Facebook, history was made…

Coat of Arms

in response to the Fat Free Elotera post:

Ian Weaver: I take ALL the credit for this (and future) collaborations between these two exceptional artists….! [just needed to make sure I put in that legal boilerplate stuff, just a formality]

Andria Morales: No doubt! We are eternally grateful to the prolific genius of Ian Weaver for the inspired notion of pairing us together.

Maya Escobar: YES!!! So true- we are Are You My Other? because of this Fine Man. We keep trying to figure out just how to pay homage… Latina Black Bottom promo girls? Just saying :)

Ian Weaver: By commenting on my post you have in effect given me the legal authority to profit in part from any future performances, lectures, presentations, and sales of related merchandise. I will work out the percentages later with my BB lawyer, but for conversation sake, let’s just say if you perform jointly at, say, the Mattress Factory or the Renaissance Society that I will net 33.33% of profits from said performance.

Again, I will get my BB lawyer to draw up the papers

Andria Morales: Did we just get served??? So much for the We ♥ BB Knights campaign…

Ian Weaver: Nooooo! You haven’t been served! I can’t do that online; you will be formally served in person presently (I think someone is at your door; delivery guy??? Flowers By Irene???)

Maya Escobar: I think a cut of all “BB profits” is totally fair and should be required.. LOL.. “profit” what an interesting concept… “to make money from art”… am I dreaming? But hey Ian if you can work us in to an of the aforementioned “performances, lectures, presentations, and sales of related merchandise” and oh “performances at, say, the Mattress Factory or the Renaissance SocietyAre You My Other? would be eternally grateful.

Ian Weaver: Done! I am on the phone with Hamza was we speak. I will work the Pittsburgh angle after the holidays.

And seriously, fantastic work by both of you! I got on the blog; really interesting! I am having Maya present in my spring Research class for artists, and if I had the dough I would fly you out Andria and have you guys co-present. But, that would blow my transfer student’s minds!

Andria Morales: I think Maya and I meeting each other in person would blow OUR minds. Lets start a fundraiser!

Maya Escobar: Wow, wow, wow!!! Is it okay with the two of you if I screen-shot this convo and re-post? Ian, I am going to try to see if there are any opps to lecture in other SAIC departments that week so that we could get funding for Andria to come in.

Andria Morales: Summon your internet powers

Ian Weaver: GO FOR IT! I AM OPEN TO IT!!

Emerging Paradigms in Critical Mixed Race Studies

September 26, 2010 § 2 Comments

Come join me at the 1st annual Critical Mixed Race Studies Conference, Emerging Paradigms in Critical Mixed Race Studies, at DePaul University in Chicago, November 5-6, 2010.

The CMRS conference brings together scholars from a variety of disciplines nationwide. Recognizing that the diverse disciplines that have nurtured Mixed Race Studies have reached a watershed moment, the 2010 CMRS conference is devoted to the general theme “Emerging Paradigms in Critical Mixed Race Studies.”

Critical Mixed Race Studies (CMRS) is the transracial, transdisciplinary, and transnational critical analysis of the institutionalization of social, cultural, and political orders based on dominant conceptions of race. CMRS emphasizes the mutability of race and the porosity of racial boundaries in order to critique processes of racialization and social stratification based on race. CMRS addresses local and global systemic injustices rooted in systems of racialization.

I will be presenting at the conference on November 5th in a roundtable discussion moderated by Laura Kina, on the use of arts in challenging racial ideologies. My next post will include more information on the roundtable and on my fellow panelists: Alejandro T. Acierto, Tina Ramirez, and Jonathan Reinert.

Solberg/Cruzen at the Craig Elmer Modern

February 19, 2010 § Leave a comment

Jacob Cruzen and Dan Solberg

The Boys at Mi Ranchito, 2010

Jacob Cruzen and Dan Solberg are taking Saint Louis by storm with their exhibition Solberg/Cruzen, opening tomorrow night at the Craig Elmer Modern. Solberg/Cruzen promises to be filled with positivity, mysticism, and finely crafted objects.

Solberg/Cruzen Exhibition of New Work
February 20th – March 20th
Craig Elmer Modern
3194 South Grand
St Louis, MO 63116

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