August 6, 2013 § Leave a comment
Do you love nursing your baby? Does your little one “perform” every time he or she is at your breast? I am working on new breastfeeding series that will include the sounds of nursing babies. I am looking for moms to contribute audio recordings of babies feeding. If you are interested in having the sounds of your baby feeding included in the piece please let me know.
February 14, 2013 § Leave a comment
Wonderful Valentines day love from the always magical El Rio. Love em’ share em’.
Nueva Exhibición en el Painted Bride Art Center Destaca la Importancia de la Documentación en la Sociedad Contemporánea
August 27, 2012 § Leave a comment
COMUNICADO DE PRENSA: Agosto 24, 2012
Contactar a: Phil Sumpter, Director de Mercadeo y Comunicaciones email@example.com 215-925-9914 x15
Nueva Exhibición en el Painted Bride Art Center Destaca la Importancia de la Documentación en la Sociedad Contemporánea
Filadelfia, PA. Agosto 10, 2012— En colaboración con la organización cívica, cultural Acción Colombia, el Painted Bride Art Center será este otoño la sede de una exhibición que invita al cuestionamiento crítico con una docena de experimentos socio-visuales que incluyen dibujo, pintura, instalación, actuación, fotografía y otros medios de comunicación. Papeles: Are we what we sign? expone aspectos culturales, legales, y económicos que se encuentran detrás de las transacciones que procuran la participación y cohesión en la sociedad Americana. La exhibición estará en muestra desde el 7 de septiembre hasta octubre 21, 2012, este proyecto es organizado paralelamente a la Conferencia de la Asociación Nacional de Artes y Cultura Latina (NALAC) que tendrá lugar en Filadelfia.
Papeles incluye un extraordinario e influyente grupo de artistas en Filadelfia—algunos ya conocidos y otros surgiendo. La postura de los artistas parte de sus posiciones como inmigrantes y/o descendientes de inmigrantes de naciones Latinoamericanas. Cada uno de ellos interpreta esta identidad como una cualidad abstracta que puede ser fácilmente dada, tomada, impuesta o distorsionada en una variedad de contextos. Del comentario crítico, la añoranza, la sátira, y la resistencia los artistas exponentes han encontrado fuentes de inspiración. Los exponentes incluyen: Andrea Rincón, Andria Morales, Carlos Nuñez, Doris Nogueira-Rogers, el duo Escobar-Morales, Erika Ristovski, Jonas dos Santos, Jorge Figueroa, Lina Cedeño y Pedro Ospina, Michelle Angela Ortiz, Paula Meninato, and Susana Amundaraín.
Papeles: Are we what we sign? es una exhibición bajo la curaduría de Andreina Castillo, Consultora Independiente en Gestoría de Arte y Programas. “Este proyecto se convirtió en un lugar de encuentro para cada uno de nosotros al organizarlo, desde artistas y directores a líderes comunitarios” así lo expreso Castillo. “Cada uno de nosotros (y/o a través de nuestras familias) hemos estado expuestos a las satisfacciones y altibajos en el proceso de migrar. Nosotros invitamos al público general para que busque sus propias dicotomías cuando presencien las cualidades visuales y conceptuales de esta exhibición.”
PAPELES: Are we what we sign? busca servir como un instrumento visual de exanimación al vinculo social con los documentos como símbolos legales de identidad que modelan nuestra ideología individual, aceptación cultural, igualdad de los sexos, acceso económico, oportunidades laborales y logros académicos. Al final, esta exhibición expone nuestra cultura ciudadana dentro de la sociedad Americana. Los conceptos entretejidos en esta exhibición se enlazan con las corrientes en los Estados Unidos, y el proceso global en busca del consenso en reformas, leyes, votos, resoluciones y otras formas contractuales que afectan la formación social como individuo y nuestra vida en comunidad.
La recepción de apertura será durante “El Primer Viernes”, septiembre 7 de 5pm – 7:30pm en el Painted Bride Art Center en el 230 Vine Street, Filadelfia, PA. En este evento, tendra la oportunidad de compartir con los artistas participantes, disfrutar de obras extraordinarias y de música Hispanoamericana en vivo. Ademas de deleitar de unos aperitivos especiales, amablemente ofrecidos por Positano Restaurant, Crudo & Wine Bar. Para mayor información por favor comuniquese con el Painted Bride Art Center al 215.925.9914.
Acción Colombia es una organización sin ánimo de lucro establecida para desarrollar el liderazgo en la comunidad Colombiana y Latinoamericana a través de las artes, cultura y participación ciudadana en el área tri-estatal de Pensilvania, Delaware y Nueva Jersey. Esta exhibición refuerza el compromiso con las artes y las iniciativas ciudadanas relacionadas con la inmigración, temas con los que la organización ha estado trabajando desde su inicio en el 2004.
Painted Bride Art Center es uno de los centros culturales más importantes en Filadelfia, y en el país. Su misión es atraer artistas, audiencias y comunidades rompiendo las barreras de como creamos y experimentamos el arte. Esta institutición cultiva un ambiente de dialogo critico y un intercambio perseverante para transformar vidas y comunidades.
Nosotros le damos la bienvenida a la Asociación Nacional de Arte y Cultura Latina (National Association of Latino Arts and Culture (NALAC) a Filadelfia que tendrá lugar de octubre 17 al 21. La conferencia nacional es una oportunidad para presentar la infraestructura artística de Filadelfia a una audiencia nacional de artistas, trabajadores culturales, curadores, y administradores del arte que de todos los rincones del país estarán participando en la conferencia.
November 16, 2010 § Leave a comment
Camilla Fojas, Director of Latin American and Latino Studies at DePaul University
- November 5th Welcoming Remarks by DePaul’s Liberal Arts & Sciences Dean Charles Suchar and conference organizers Camilla Fojas, Wei Ming Dariotis, and Laura Kina.
- November 5th Keynote Address by Andrew Jolivette “Critical Mixed Race Studies: New Directions in the Politics of Race and Representation”
- November 6th Keynote Address by Mary Beltran “Everywhere and Nowhere: Mediated Mixed Race and Mixed Race Critical Studies”
- November 6th Keynote Address by Louie Gong “Halfs and Have Nots”
November 12, 2010 § 3 Comments
¿Sabes una cosa? ¡A los Chicagüenses les encanta comer elotes! En el verano, puedes encontrar elotes en muchos vecindarios, especialmente en los parques.
Aquí hay una colección de vídeos donde el tema principal son los elotes. Si tú tienes un vídeo de elotes, por favor compártelo aquí.
Y pronto tendremos recetas saludables e interesantes de elotes en Are You My Other?
September 27, 2010 § Leave a comment
Over at Are You My Other? AM and I have been having some pretty intense conversations about what it means to become oneself. Needless to say, when I saw this video of DJ Pauly D as DJ Pauly D, I was speechless.
because this is somehow oddly fascinating and YES because we are still watching
want more? here is a recent Snooki tumbl.
September 26, 2010 § 2 Comments
Come join me at the 1st annual Critical Mixed Race Studies Conference, Emerging Paradigms in Critical Mixed Race Studies, at DePaul University in Chicago, November 5-6, 2010.
The CMRS conference brings together scholars from a variety of disciplines nationwide. Recognizing that the diverse disciplines that have nurtured Mixed Race Studies have reached a watershed moment, the 2010 CMRS conference is devoted to the general theme “Emerging Paradigms in Critical Mixed Race Studies.”
Critical Mixed Race Studies (CMRS) is the transracial, transdisciplinary, and transnational critical analysis of the institutionalization of social, cultural, and political orders based on dominant conceptions of race. CMRS emphasizes the mutability of race and the porosity of racial boundaries in order to critique processes of racialization and social stratification based on race. CMRS addresses local and global systemic injustices rooted in systems of racialization.
I will be presenting at the conference on November 5th in a roundtable discussion moderated by Laura Kina, on the use of arts in challenging racial ideologies. My next post will include more information on the roundtable and on my fellow panelists: Alejandro T. Acierto, Tina Ramirez, and Jonathan Reinert.
February 15, 2010 § 1 Comment
Sorry for the delay in this post. I have been in Chicago tied up with CAA, so much so, that the lovely Hallmark holiday of love, almost slipped through my fingers. But have no fear, I am back with full force, presenting my now frequent colllaborator Rio Yañez’s pop culture, commodified, chicano, arty valentines amazingness.
From his El Rio flickr page:
What’s up to all my friends, lovers, and drunken makeout partners! El Rio’s Valentine’s Day Cards are back in the ring to take another swing for 2010! This is the 4th year of my cards and it’s turned into my longest running project. Enjoy!
As always, please post these cards on the pages of your friends, enemies, sexting partners, craigslist hookups, and friends with benefits.
Supa Freaks, 2008
El Rio’s Valentine’s Day Cards # 2, 2007
Moz Lov, 2009
February 5, 2010 § Leave a comment
el es frida kahlo is currently on view in the New Media Room at the Bruno David Gallery in St. Louis, MO.
el es frida kahlo, 2007-present
Frida Kahlo played with the identity that she wanted to project and the identity that was placed on her by others. Kahlo used her clothing, political affiliations, sexual escapades, and personal traumas, to create a character that informed her body of work. She inscribed her identity, painting her image over and over, constructing a mythology around her persona.
In el es frida kahlo I confront the ambivalence I experience as a result of my simultaneous obsession with Frida Kahlo and weariness towards her commodification. Viewed from a tiny pinhole, dressed as Kahlo, I stand before a reproduction of one of her self portraits. With a mixture of rage, anxiety, and complete fear, I chant “el es Frida Kahlo, ella es Frida Kahlo, el es Frida Kahlo, yo soy, yo soy, yo soy Frida Kahlo,” he is Frida Kahlo, she is Frida Kahlo, I am, I am, I am Frida Kahlo. As I yell, the painting behind me begins to fall. I violently tear down my braids and smudge off my makeup while continuing to scream “I am Frida Kahlo, I am Frida Kahlo, yo soy Frida Kahlo!”
el es frida kahlo at the Bruno David Gallery (video filmed and edited by Felicia Chen)
el es frida kahlo YouTube video
FREE el es frida kahlo animated gif avaliable on MayaEscobar.com
December 24, 2009 § 1 Comment
I met Ben Schachter at the 2009 Conney Conference on Jewish Art: Performing Histories, Inscribing Jewishness, where coincidentally, we both presented Eruv themed works.
In addition to making humorous Jewish themed conceptual art, Ben is a curator and is the man behind Tzit Tzit: Fiber Art and Jewish Identity. I have a few pieces from Hiddur Mitzvah included in the show.
A special exhibit assembled by guest curator Ben Schachter, “Tzit Tzit: Fiber Art and Jewish Identity,” will open with a reception at The Saint Vincent Gallery in the Robert S. Carey Student Center at Saint Vincent College from 6 to 8:30 p.m. Thursday, January 28. Admission is free and open to the public.
The exhibit will continue from Friday, January 29 through Sunday, February 21 during regular Gallery hours: 12 noon to 3 p.m. and 6:30 to 8:30 p.m. Tuesdays, Wednesdays and Thursdays; 12 noon to 3 p.m. Fridays, Saturdays and Sundays. The Gallery is closed on Mondays.
Ms. Silk will present a lecture, “Quilting and Spirituality,” at 6 p.m. Monday, February 9 in room 100 of Prep Hall.
Mr. Schachter, associate professor of fine arts, will give a Gallery tour of the exhibition at 7:30 p.m. Tuesday, February 9.
The exhibit was developed by Mr. Schachter. “I have been studying various aspects of Jewish art for the past three years and this exhibit is an outgrowth of that interest,” Mr. Schachter said. “The artists hail from Los Angeles, New York City, Kansas City, Illinois and Pittsburgh.”
“Fiber art refers to any use of a cloth such as stitching or weaving,” he explained. “The title, Tzit Tzit, refers to the fringe on a prayer shawl, or tallis, worn by many Jews during prayer. While using thread, cloth, pattern making, stitching and other craft materials, each artists’ process creates a language derived from craft techniques that reinterprets the Old Testament, the oral law as written in the Talmud and personal histories. In so doing, both craft theory and Jewish Art are reinvigorated. I learned of these artists through Jewish art conferences I have attended, through exhibitions and through national awards. I think our students and our friends in the region will really enjoy seeing their work.”
Ben Schachter is an artist whose work integrates conceptual art and Jewish law. He sees a connection between the rules artists have created to guide and limit their work and Jewish traditions. His work has been shown nationally and will be on exhibition at the Westmoreland Museum of Art in Greensburg concurrent with this exhibition. He holds an M.F.A. and M.S. degree from Pratt Institute and lives in Pittsburgh with his wife and two children.
Carol Es paints images that powerfully scream of a life of hard labor. As a child she worked endless hours in a sweatshop with her family. Ms. Es’ works are featured in numerous private and public collections, including the Getty Museum, Brooklyn Museum, UCLA Special Collections, the Jaffe Collection and Centre Georges Pompidou in Paris. She is also a two-time recipient of the ARC Grant from the Durfee Foundation and was recently awarded the prestigious Pollock-Krasner Fellowship.
Maya Escobar’s work directly challenges gender roles and illustrates how Jewish tradition empowers women. Ms. Escobar received her master of fine arts degree from the Sam Fox School of Design & Visual Arts, Washington University in St. Louis, and her bachelor of fine arts degree from the School of the Art Institute of Chicago. She has exhibited work in Spain, Guatemala, United States, Germany and Venezuela.
Melanie Dankowicz creates intricate papercut sculptures, marriage contracts, and wall art. An expansion of the medium, Dankowicz’s three-dimensional forms are ephemeral lace-like paper structures, of elegant tracery that has inspired her recent metalwork. She draws inspiration from the countryside of Illinois, where she resides with Harry and their three children.
Leslie Golomb exhibits her work nationally and internationally and is the recipient of numerous awards, including recognition from the National Endowment for the Arts, Pennsylvania Council on the Arts Individual Artists Fellowship Award and a State of the Art Award from the State Museum of Pennsylvania. Her work was recently included in the Three Rivers Arts Festival and Best of Pittsburgh Invitational. Ms. Golomb holds a bachelor in fine arts from Carnegie-Mellon University and a master of fine arts from the School of the Art Institute of Chicago. She served as founder and director of the American Jewish Museum of the Jewish Community Center of Greater Pittsburgh for nine years. She has returned to the studio producing prints and artists books.
Louise Silk began her quest to acquire skills as a quilter after being inspired by an article in Ms. Magazine in 1971 about quilt making as a woman’s art form. Over the past 30 years, her work has been included in Quilt National Biennial Exhibition of Contemporary Quilts as well as many private corporate collections such as USAirways, Paine Webber and PNC Bank. She is a certified Integrated Kabbalistic Healer. She is currently living and working from her loft in the South Side of Pittsburgh, Pennsylvania.
Ms. Golumb and Ms. Silk collaborate and join their printmaking and fiber art into multilayered quilts, runners and tallisim. The images and techniques bring together American folk traditions and Jewish history in surprising ways. Ultimately the perspective of these five artists reinvigorates what Jewish Art is and can become.
Shirah Apple received a master of fine arts degree from the Rinehart School of Sculpture at the Maryland Institute College of Art in 2006. She is a graduate of MICA’s post-baccalaureate certificate program and of Miami University, where she received a bachelor of science degree in business administration.
Further information about the exhibition is available by contacting the Gallery at 724 805-2107, www.stvincent.edu/gallery.
December 13, 2009 § 1 Comment
If I haven’t mentioned it before, I am quite the fan of awful horrible animated gifs. As I continue to work with seeNoga and Rio Yañez on the Jewish characters from Acciones Plásticas プリクラ: The Jewess Blogging Queen, The Avodah Girl and The 612er; I thought I would share this terrible image created early on in our collaboration. There is also another version (which I can no longer find) where in last frame of the gif sequence, it rains diet cokes. :)
November 26, 2009 § Leave a comment
November 22, 2009 § Leave a comment
November 2, 2009 § 4 Comments
In 2008 I traveled to Berlin as part of exchange program with my University. Prior to this visit, I had never been to Germany- nor did I have any particular reservations about going or not going, but it seemed everyone else had their own opinion on the matter.
“Germany, how can you go there as a Jew?” “There are Jews in Germany? I thought they were all dead?” “You are so brave to go to Germany…”
Ultimately people’s projections as to my intentions for going to Germany became the filter through which I experienced Berlin.
While I was in Berlin I conducted interviews with members of the community concerning the highly visible presence of the monuments and memorials commemorating Jewish life (death) have impacted their individual and communal Jewish identities. Other topics included: the notion of German Jews vs Jews living in Germany and how this differs from an American Jewish identity, their status as diaspora Jews and their relationship to Israel, their thoughts on the European Union, anti-semitism and the widespread use of facebook as a mode of connection.
The title of the piece Berlin’s Eruv is a play on the fact that there is not actually an eruv in Berlin. An eruv is a rabbinically sanctioned demarcation of space that transforms public space into private space for the purposes of the Sabbath, allowing Orthodox Jews to carry in public places, a practice which is otherwise prohibited. Modern eruvs are often made of wire strung between utility poles, a gesture towards a “walled courtyard,” indicating an enclosed, private space.
Just as the eruv exists in the minds of the people who abide by it, Berlin’s Eruv manifests itself through the conversations surrounding the idea of the piece. The interviews I conducted in Berlin relied on the presence of institutionalized markers of Jewish identity, to give weight to the idea non-presence of the living Jewish community.
Berlin’s Eruv Talk
11/8/09 @ 10:30 am
KAM Isaiah Israel
1100 E Hyde Park Blvd
Chicago, IL 60615-2810
November 1, 2009 § 4 Comments
Acciones Plásticas プリクラ
The Latina Hipster
a bad-ass Morrissey-lovin’, tuff-girl sexy chica
The Latina Role Model
a diploma totin’ intellectual, sexy, social media goddess
a hybridized version of Escobar’s Midwestern Chach and Yañez’s West Coast Chola.
In Acciones Plásticas Escobar created a multi-faceted “doll” by assuming the role of designer and distributor, and even posing as the actual doll itself. Each doll was a satirical characterization of some of the many roles that have been projected upon her, and into which she has, at points, inevitably fallen. In conjunction with these images, she developed a short series of low-definition youtube video blogs through which she inhabits the lives of “real women” who have each been visibly defined by societal constructs.
Recently, Yañez has been utilizing Japanese photobooths (known as Purikura or “print-club”) as an artist’s tool for creating portraits. These booths are much more common in Japan than their United States counterparts. As a catalyst for creative expression and social interaction they are used primarily by young urban Japanese girls. A standard feature in all Purikura booths allows the user to digitally decorate their portraits after they take them. The options are vast and include wild characters, excessive starbursts of light, pre-made phrases and the option to draw your own text directly on the image. Purikura gives the subjects near-divine powers of self-expression in crafting their own portraits.
The two artists who met over the web, decided to bring together Escobar’s highly charged and evocative Acciones Plásticas characters with Yanez’s notorious Chicano graphic-art style and new found obsession with Purikura images, as a way of addressing the construction of Latina identities.
Maya posed as The Latina Hipster: a bad-ass Morrissey-lovin’, tuff-girl sexy chica; The Latina Role Model: a diploma totin’ intellectual, sexy, social media goddess; and finally, The Homegirl: a hybridized version of Escobar’s Midwestern Chach (or Chachi Mama) and Yañez’s West Coast Chola.
Maya sent digital images to Rio, who in turn drew portraits of her as each of these constructed identities. He approached each portrait with a Purikura sensibility and decorated them each as the characters represented might accessorize themselves.
The final series of portraits is the result of negotiating multiple identities and influences. Guatemalan, Jewish, and Chicano sensibilities reflected back through a Japanese Purikura aesthetic. Acciones Plásticas プリクラ challenge and question the thin line between archetype and stereotype. The Purikura elements present the novel signifiers of each social construct represented in the series.
This collaboration is the first of many to come as Maya and Rio explore the commonalities and differences of their cultural identities.
For more information on Acciones Plásticas プリクラcheck out Rio’s blog and stay tuned for guest post by seeNoga aka Carianne Noga on meeting the Chach Homegirl in real life.
(video of the Chach featured below)
October 20, 2009 § Leave a comment
no sos frida kahlo, 2007
October 12, 2009 § Leave a comment
September 30, 2009 § Leave a comment
My newest partner in crime is the talented, witty, godzilla and pikapika lovin’ Chicano artist and curator Rio Yañez. I first came across his Ghetto Frida two years ago, while working on the project Obsessed With Frida Kahlo. Immediately I felt some sort of cosmic connection-not to Ghetto Frida- but to her creator. And then to make matters worse better, I found out that he is the son of one my biggest heroes- Yolanda Lopez!
There was really no option other than collaboration. It was fate.
Last month we finally initiated our long distance partnership through a tweet. Since then we have been communicating through TwitPic, Facebook, YouTube, phone calls and texts, and of course mutual shouts in interviews on the blogosphere (mine to Rio & Rio’s to me.)
Here are a few examples of Rio’s recent work:
“I’ve been twittering for about a week now at http://twitter.com/rioyanez. I signed up as a way to contact Amber Rose after she started writing and posting about the portrait I created of her. I have to say, the most exciting aspect of twitter is the way people distribute images. The short urls for twitpics that often pop up on tweets evoke a sense of curiosity in me; more so than the many thumbnails that can be found on facebook. I think the lack of a thumbnail is more alluring and it forces you to chose to see the image or not, there’s no middle ground of a provided preview.” (from his blog)
“Artist Curator Rachel-Anne Palacios flanked by Zitlalix and I. I created this portrait to thank Rachel for including me in the recent Frida exhibit she curated and to join the many artists who are on display on the walls of her apartment” (from flickr)
These images represent my first foray into my Raza Zombies series. They were inspired by the single best mainstream comic book of the 21st century: Marvel Zombies. Marvel Zombies re-imagines classic superheroes as flesh eating zombies. After reading it I felt compelled to do some zombie transformations on a few of my own personal heroes. More to come. (from flickr)
Video of Gomez Peña setting the record straight for Rio regarding his Facebook presence.
Rio’s Ghetto Frida Mural in the Mission District
stay tuned for more…