December 28, 2012 § Leave a comment
ESCOBAR-MORALES: Resurrection of Hun-Nal-Ye at the Bruno David Gallery in St. Louis, MO. Opening on Friday, February 1, 2013, from 5 to 9 pm. Show runs until February 23rd, 2013.
In the New Media Room, the Bruno David Gallery presents a single-channel video work titled “Resurrection of Hun-Nal-Ye” by Escobar-Morales. The 21-minutes video originated from a performance at the closing for RICH-OO-UH’L, RICH-OO-UH’L at Jolie Laide Gallery in Philadelphia, with sound by Armando Morales.
In the Resurrection of Hun-Nal-Ye (2011), Escobar-Morales perform a funerary ritual, referencing the mythical Mayan tale of the Hero Twins reviving their dead father, the Maize God. In their contemporary interpretation of this ancient story, Escobar-Morales simultaneously represent the body and the soul; the God/ Goddess and twin offspring, in both physical and technological forms using live performance and web based video projection.
ESCOBAR-MORALES is a team comprised of Maya Escobar and Andria Morales. The two artists, based in Chicago and New York respectively, have been working together over the Internet since 2010. They produce digital media and performance art that explores the role of self-representation in visual culture and its ability to deconstruct ingrained ideological conventions. By locating their performances online where they are free from restrictions of time and place, Escobar-Morales is able to concurrently enact multiple personas while simultaneously creating a unified hybrid self.
Maya Escobar was born in Chicago, IL in 1984. Andria Morales was born in 1982 in New York, NY. Escobar received a BFA from the School of the Art Institute of Chicago (2007) and an MFA from Washington University in St. Louis (2009); Morales received a BA from the University of Pennsylvania (2004) and an MFA from Tyler School of Art, Temple University (2008).
Photo by Armando Morales
Nueva Exhibición en el Painted Bride Art Center Destaca la Importancia de la Documentación en la Sociedad Contemporánea
August 27, 2012 § Leave a comment
COMUNICADO DE PRENSA: Agosto 24, 2012
Contactar a: Phil Sumpter, Director de Mercadeo y Comunicaciones email@example.com 215-925-9914 x15
Nueva Exhibición en el Painted Bride Art Center Destaca la Importancia de la Documentación en la Sociedad Contemporánea
Filadelfia, PA. Agosto 10, 2012— En colaboración con la organización cívica, cultural Acción Colombia, el Painted Bride Art Center será este otoño la sede de una exhibición que invita al cuestionamiento crítico con una docena de experimentos socio-visuales que incluyen dibujo, pintura, instalación, actuación, fotografía y otros medios de comunicación. Papeles: Are we what we sign? expone aspectos culturales, legales, y económicos que se encuentran detrás de las transacciones que procuran la participación y cohesión en la sociedad Americana. La exhibición estará en muestra desde el 7 de septiembre hasta octubre 21, 2012, este proyecto es organizado paralelamente a la Conferencia de la Asociación Nacional de Artes y Cultura Latina (NALAC) que tendrá lugar en Filadelfia.
Papeles incluye un extraordinario e influyente grupo de artistas en Filadelfia—algunos ya conocidos y otros surgiendo. La postura de los artistas parte de sus posiciones como inmigrantes y/o descendientes de inmigrantes de naciones Latinoamericanas. Cada uno de ellos interpreta esta identidad como una cualidad abstracta que puede ser fácilmente dada, tomada, impuesta o distorsionada en una variedad de contextos. Del comentario crítico, la añoranza, la sátira, y la resistencia los artistas exponentes han encontrado fuentes de inspiración. Los exponentes incluyen: Andrea Rincón, Andria Morales, Carlos Nuñez, Doris Nogueira-Rogers, el duo Escobar-Morales, Erika Ristovski, Jonas dos Santos, Jorge Figueroa, Lina Cedeño y Pedro Ospina, Michelle Angela Ortiz, Paula Meninato, and Susana Amundaraín.
Papeles: Are we what we sign? es una exhibición bajo la curaduría de Andreina Castillo, Consultora Independiente en Gestoría de Arte y Programas. “Este proyecto se convirtió en un lugar de encuentro para cada uno de nosotros al organizarlo, desde artistas y directores a líderes comunitarios” así lo expreso Castillo. “Cada uno de nosotros (y/o a través de nuestras familias) hemos estado expuestos a las satisfacciones y altibajos en el proceso de migrar. Nosotros invitamos al público general para que busque sus propias dicotomías cuando presencien las cualidades visuales y conceptuales de esta exhibición.”
PAPELES: Are we what we sign? busca servir como un instrumento visual de exanimación al vinculo social con los documentos como símbolos legales de identidad que modelan nuestra ideología individual, aceptación cultural, igualdad de los sexos, acceso económico, oportunidades laborales y logros académicos. Al final, esta exhibición expone nuestra cultura ciudadana dentro de la sociedad Americana. Los conceptos entretejidos en esta exhibición se enlazan con las corrientes en los Estados Unidos, y el proceso global en busca del consenso en reformas, leyes, votos, resoluciones y otras formas contractuales que afectan la formación social como individuo y nuestra vida en comunidad.
La recepción de apertura será durante “El Primer Viernes”, septiembre 7 de 5pm – 7:30pm en el Painted Bride Art Center en el 230 Vine Street, Filadelfia, PA. En este evento, tendra la oportunidad de compartir con los artistas participantes, disfrutar de obras extraordinarias y de música Hispanoamericana en vivo. Ademas de deleitar de unos aperitivos especiales, amablemente ofrecidos por Positano Restaurant, Crudo & Wine Bar. Para mayor información por favor comuniquese con el Painted Bride Art Center al 215.925.9914.
Acción Colombia es una organización sin ánimo de lucro establecida para desarrollar el liderazgo en la comunidad Colombiana y Latinoamericana a través de las artes, cultura y participación ciudadana en el área tri-estatal de Pensilvania, Delaware y Nueva Jersey. Esta exhibición refuerza el compromiso con las artes y las iniciativas ciudadanas relacionadas con la inmigración, temas con los que la organización ha estado trabajando desde su inicio en el 2004.
Painted Bride Art Center es uno de los centros culturales más importantes en Filadelfia, y en el país. Su misión es atraer artistas, audiencias y comunidades rompiendo las barreras de como creamos y experimentamos el arte. Esta institutición cultiva un ambiente de dialogo critico y un intercambio perseverante para transformar vidas y comunidades.
Nosotros le damos la bienvenida a la Asociación Nacional de Arte y Cultura Latina (National Association of Latino Arts and Culture (NALAC) a Filadelfia que tendrá lugar de octubre 17 al 21. La conferencia nacional es una oportunidad para presentar la infraestructura artística de Filadelfia a una audiencia nacional de artistas, trabajadores culturales, curadores, y administradores del arte que de todos los rincones del país estarán participando en la conferencia.
August 24, 2012 § Leave a comment
PAPELES: Are we what we sign? aims to serve as a visual examination of our social bond with papers as legal signifiers of identity that shape individual mobility, cultural acceptance, gender and sexual-orientation equality, economic access, labor opportunities, and educational attainment. Visual artists, community leaders, and arts administrators use this project to reflect upon the socio-cultural impact of documentation processes present in American society.
This exhibition gathers twelve influential—established and emerging—artists working in drawing, painting, installation, printmaking, photography, and mixed media. Participating artists include Andrea Rincon, Andria Morales, Carlos Nuñez, Doris Nogueira-Rogers, Erika Ristovski, the duo Escobar-Morales, Jonas Dos Santos, Jorge Figueroa, Lina Cedeño, Michelle Ortiz, Paula Meninato, and Susana Amundaraín. They propose social-visual experiments from their positions as immigrants and/or descendants of immigrants from Latin American nations. New and existing works in this exhibition illuminate the concept of documentation into powerful narratives of critique, ambiguity, longing, and resilience.
The Painted Bride
230 Vine Street | Philadelphia, PA 19106 | 215.925.9914
September 7 – October 21, 2012
Gallery hours: 12pm – 6pm, Tues – Sat
First Friday receptions: September 7, October 5 | 5-7:30pm
Guest Curator Andreina Castillo | Co-Presented with Acción Colombia
July 26, 2012 § Leave a comment
Performance artists Escobar-Morales perform a funerary ritual, referencing the mythical Mayan tale of the Hero Twins reviving their dead father, the Maize God. In their contemporary interpretation of this ancient story, Escobar-Morales simultaneously represent the body and the soul; the God/ Goddess and twin offspring, in both physical and technological forms using live performance and web based video projection. Performed at Jolie-Laide gallery in Philadelphia.
July 1, 2012 § Leave a comment
April 18, 2012 § Leave a comment
Rio Yañez never ceases to amaze me… This time it’s through his (FIRST!!!) solo exhibition, Pochos and Pixels: The Art of Rio Yañez. Just look at this dual punk rock meets hip hop (ghetto) Frida… Clearly, Rio is an artistic mastermind.
WHAT: Pochos and Pixels: The Art of Rio Yañez.
WHEN: Wednesday, April 11 – Friday, June 15 2012
Monday-Friday: 8:00AM – 10:00PM,
WHERE: UCSB Multicultural Center
University Center room 1504
Santa Barbara, CA 93106-6050
Acciones Plásticas プリクラ collaboration with Rio Yañez (2009)
September 26, 2011 § Leave a comment
Calavera Elotera in Illuminations: Día de los Muertos 2011
Curated by Rene and Rio Yañez
SOMArts Bay Gallery, 934 Brannan St. (between 8th & 9th)
San Francisco, CA 94103
Tues–Fri, 12–7PM, Sat 11–5PM, Sun 11–3PM.
Friday, October 7, 2011, 6–9PM
Opening will feature music, interactive performance and the unveiling of over 30 altars and installations. The evening includes a special performance by Herbert Siguenza, of Culture Clash fame. Siguenza will perform and live paint as renowned artist, Pablo Picasso.
The exhibition continues to examine the ways technology shapes the celebration of Day of the Dead. Once again, a Flickr group enables the exhibition’s curators to accept digital photos as offerings to those who people want to honor. The public can upload their digital contributions here. Selected images will be printed and displayed as part of the exhibit.
March 18, 2011 § 1 Comment
So what’s the deal with the recent AMerican MEdia Output – “Welcome to Arizona” and “Go Public” campaigns?
As a follow up to Are You My Other? our current Internet based self-portrait dialogue exchange project, Escobar-Morales is establishing an online marketing agency. Acting as designers, distributors, and promo models, we plan to produce a series of advertisements addressing contentious topics in the news, such as Arizona’s SB-1070 and the Dream Act.
There are currently three scheduled New News is Old News exhibitions:
The first NNION exhibition opens on May 7th, 2011 at Gallery Aferro in Newark, New Jersey. The second exhibition will be in Cyprus! The third exhibition will be in Brooklyn at the WAH Center and opens in mid-July, 2011.
Please visit the Women Woman Residency KICKSTARTER Project
We ask you…
- who mediates the news?
- how is social media changing your foundation of news?
- can technology keep up with history?
- when was the last time you read the paper?
- is journalism dead?
The Wonder Women residency has selected ten NYC area artists to create work addressing these questions for New News is Old News (NNION). In this eight week residency, curators and artists construct and deconstruct: their understanding and experience of media; the different perspectives of journalism online vs. print; the future of news. Given the changing landscape of news and media, artists have new opportunity to engage and to create work addressing these intersections. The residency culminates with an exhibition of the artists projects (details below).
If you think that is exciting….It gets even better. In June, the curators and three selected NYC artists will travel to Nicosia, Cyprus to continue the dialogue with eight Cypriot artists. In an intensive two-week workshop, the artists will focus on international relations, local policies and news. The projects created will be exhibited in Cyrus and then in NYC.
Help _gaia fund the artists, the projects, and the exhibitions!
_gaia is a collective of women artists and activists creating art, events and opportunities in the visual and media arts, performance and design. Its members actively promote and support the work of local women artists while developing programs that encourage collaboration and create community to help emerging artists in need of studio space, facilities and resources. In pursuit of raising awareness _gaia concentrates on activism, from issues in the local community and the art world to global issues affecting the lives of women.
Wonder Women (WW) is a residency program in its sixth year presented by_gaia, an artist collective. The WW mission is to engage practicing, yet underrepresented artists who are eager to participate in a collective dialogue about the art world and feminism today. See the project blog for information about previous Wonder Women residencies.
The NNION Wonder Women:
Christine DaCruz: the obituaries. Christine has been threading portraits of deceased women.
Mairikke Dau: painting the news. Rikke has created a large still life painting in response to the Arizona shooting, and the various controversies which have risen from the event.
Sharon de la Cruz: Crooked Images. Sharon has created a feature news segment about Aunt Jemima discovering her sexuality.
Melissa MacAlpin: vows and love. Melissa has created a series of comics in response to the Sunday vows section of the NY Times.
Escobar-Morales: American Media Output. Andria Morales and Maya Escobar created an ad agency that is currently focusing on two campaigns around immigration, and Arizona.
Lindsey Muscato: spills from the NY Times. Focusing on the experience of reading the newspaper, Lindsey is drawing segments of the broadsheet, selected from organic spills.
Larysa Myers: extinct technology. Laryssa is creating a casket sized sculpture from discarded video tape.
Cristine Posner: the big oil spill (forgotten). Cristine has collected news articles addressing the June oil spill, and is creating a series of weekly cyanotypes based on the press.
Sharone Vendriger: wikileaks. Sharone is creating a large mobius sculpture referencing transparency in public information.
Nicole Wilson: agency and the news. Nicole has created a video, that looks to the three graces as examples and agents of 21st century news.
January 21, 2011 § Leave a comment
RENACIMIENTO is curated by Rachel Matos.
When addressing the topic of duality and rebirth one must think of the two connected through the process of transformation. The initial duality perhaps emerging out of conflicts in accordance to the individuals own internal precepts and colored by the knowledge of their external experiences leads to this transformation, which bares a reawakening or rebirth.
The artists in Renacimiento share their personal journey through stories of cultural identity, conflictual relationships and the transcendence from their ancestry. In lieu of the new year, it is an introspective view of how we all change and seek to change – Rachel Matos
el es frida kahlo is from the series Obsessed with Frida Kahlo
As a Latina artist I will forever be tied to Frida Kahlo in some way. Frida Kahlo is the reference between who Latina artists want to be, and who everyone else expects us to be. Whether I am mimicking her style, her persona, or trying to escape the embedded attachment between myself and the late painters’ legacy, I will still be connected to Frida Kahlo.
Frida Kahlo constructed her identity though her public persona. Kahlo’s attitude, personal traumas, sexual escapades, clothing, and political affiliations, all informed her body of work. Now regarded as the number one female artist in Mexico, Kahlo’s image has become so embedded in popular culture that when one looks at one of her self portraits one automatically thinks about her tragic bus accident, her tumultuous relationship with Diego, and her bisexuality. Kahlo inscribed her identity, painting her image over and over, constructing a mythology around her persona.
In el es frida kahlo, I stand before a reproduction of one of her paintings. With a mixture of rage, anxiety, and complete fear, I chant “el es Frida Kahlo, ella es Frida Kahlo, el es Frida Kahlo, yo soy, yo soy, yo soy Frida Kahlo,” he is Frida Kahlo, she is Frida Kahlo, I am, I am, I am Frida Kahlo. As I yell, the painting behind behind me begins to fall. I violently tear down my braids and smudge off my makeup while continuing yelling “I am Frida Kahlo, I am Frida Kahlo, yo soy Frida Kahlo!”
January 10, 2011 § 1 Comment
2011 is going to be a good year. I can feel it already. In addition to our upcoming presentation at the 2011 PCA/ACA Conference this April, Andria and I were also accepted to the Wonder Woman Residency at the _gaia studio, in New Jersey. Curated by Maya Joseph-Goteiner and Doris Caçoilo, this year’s theme is: New News is Old News.
New News is Old News
In our society, the importance of news has shifted; some would argue that it has been elasticized or else devalued. As the blogosphere replaces the daily newspaper as the purveyor and distributor of breaking news, the reporting of events is no longer filtered by the journalist/editor. Instead the voice of news is replaced by a dynamic exchange of information.
Already, online, the same article that has appeared black on white in the early print edition has been updated, corrected or even replaced on the web. Newspaper stories no longer fit the Merriam-Webster Dictionary definition of news as “a report of recent events: previously unknown information.” In many respects, we have created an endless source of updated information online, a bottomless pit of patter. We cannot possibly consume all the news and commentary published online, and while few people have the time to read the entire newspaper, even fewer can keep up with the minute-to-minute updates via Twitter, blogs, online publications, and RSS feeds.
A residency that focuses on the ways in which news is presented, represented, distributed, and modified within the space of the web… hmm… can you think of anything more perfect for us?
So what are we doing?
I won’t spill all the beans yet, but here is an excerpt from our preliminary proposal:
Our project takes its cue from the recent Buy Life Digital Death campaign, where celebrities volunteered their virtual lives (activity on Twitter and Facebook) with the goal of raising $1 million for children and families in Africa and India affected by HIV/AIDS. We were fascinated by their use of highly stylized, seductive images of Kim Kardashian (and other participating celebrities) lying in a coffin, and the role these images play in the dissemination of news coverage surrounding this HIV/AIDS campaign.
Almost immediately following Digital Death’s inception, images of a “dead” Kardashian started appearing in news stories everywhere from CNN to Gawker. Now layered with multiple levels of history and meaning, screenshots of the sultry Kardashian lying in a coffin, continue to be re-distributed on personal blogs, Facebook, Tumblr and Twitter pages…
Stay tuned for more project updates here and on Are You My Other?
September 26, 2010 § Leave a comment
I am so excited to announce that on November 5th 2010, I will be presenting at the Critical Mixed Race Studies Conference, Emerging Paradigms in Critical Mixed Race Studies at DePaul University in Chicago.
Creating Resistance: Using the Arts in Challenging Racial Ideologies
A Roundtable Discussion Moderated by Laura Kina with Alejandro T. Acierto, Maya Escobar, Tina Ramirez, and Jonathan Reinert
DePaul University Student Center | 11/5/2010 | 10:15 am
CONFERENCE IS FREE & OPEN TO THE PUBLIC CLICK HERE TO REGISTER
This roundtable focuses on the use of the arts as a strategy to discuss, challenge, and confront ideologies of race and mixed-heritage identities. The panelists involved – each of whom work in different artistic fields – will present their work either via performance or through a discussion of their current work and the process that helped produce such work. The discussion will highlight how identifications of mixed heritage have integrated, collided, or been negotiated within and through their work while also placing their work within the complex relationship between art, activism, and organizing. Additionally, the panelists will address how their creative projects have been used strategically within specific contexts while also reflecting upon the reception of their work among the public. Likewise, they will address the relevance and necessity of this type of work within the “multiracial/post-racial” framework and how their work speaks to those issues to challenge racial expectations and stereotypes.
As experienced cultural producers of various mediums, the panelists will also open up a forum for discussion about their own experience with specific art forms and how those mediums have presented various challenges, limitations, and problems in addressing ideologies of race. The audience will be encouraged to participate in the discussions by contributing their own experiences of using the arts critically and strategically as well as responding to the panelist’s remarks and performances.
Multiple identities align in Behind The Scenes Acciones Plasticas プリクラ
CREATIVE RESISTANCE ROUNDTABLE BIOS
Laura Kina is an artist, independent curator, and scholar whose research focuses on Asian American art and critical mixed race studies. She is an Associate Professor of Art, Media and Design, Vincent de Paul Professor, and Director of Asian American Studies at DePaul University. She is a 2009-2010 DePaul University Humanities Fellow. She earned her MFA from the University of Illinois at Chicago, where she studied under noted painters Kerry James Marshall and Phyllis Bramson, and she earned her BFA from the School of the Art Institute of Chicago. Born in Riverside, California and raised in Poulsbo, WA, the artist currently lives and works in Chicago, IL with her husband, Mitch, and their daughter, Midori, and her stepdaughter, Ariel. Her work has shown internationally is represented in Miami, FL by Diana Lowenstein Fine Arts.
ALEJANDRO T. ACIERTO
Alejandro T. Acierto is an active collaborative musician, improviser, composer and sound artist whose innovative work in contemporary music and performance has led Time-Out New York to call him a “maverick of new music”. His creative output embraces an ambiguous aesthetic that integrates music, sound, performance art, and installation based on historical narratives and his own experience as a third and fourth generation Mexican Filipino American. He recently won the Sidney and Mary Kleinman Prize in Composition and was granted a composers’ residency fellowship at the Virginia Center for the Creative Arts. His work has also been featured by Trifecta Publishing, a curated collection of multimedia works by diverse artists.
Acierto holds a Masters’ degree in Contemporary Performance from Manhattan School of Music and received his Bachelors’ degree in clarinet performance and composition with a minor in Asian American Studies from DePaul University. He has performed and presented his work in Germany, Austria, Italy, France, and across the US. He is a founding member of the New York-based ai ensemble and Chicago-based chamber orchestra ensemble dal niente and is currently freelancing in New York City.
Maya Escobar a performance artist, Internet curator, and editor. She uses the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. She performs multiple identities, sampling widely from online representations of existing cultural discourses. Her identifications as a Latina-Jewish artist, dyslexic blogger, activist and educator are indexed by the blogs she keeps, the visual and textual links she posts, the books, articles, and blog posts she cites, the public comments she leaves, and the groups she joins.
Escobar received her MFA from the Sam Fox School of Design & Visual Arts, Washington University in St. Louis, and her BFA from the School of the Art Institute of Chicago. She has exhibited work in Spain, Guatemala, United States, Germany, Venezuela and Chile.
Tina Ramirez is a Filipino Colombian writer, educator and youth organizer, claiming roots as a country mouse and a city mouse (Kansas-born, Chicago-bred). She has co-developed curriculum with youth spaces such as YAWP! (Young Asians With Power!) and MCYP (Multi-Cultural Youth Project), using creative self-expression as a vehicle to explore identity politics and community-based issues. She was a core organizer with Kitchen Poems, an Asian Pacific American writing workshop, and currently serves on the board for the Leadership Center for Asian Pacific Americans. She has self-published two chapbooks and performed at various venues, including Free Street Theater, Judson Memorial Church, and Insight Arts.
Tina received a B.A. in Literary Studies and Creative Writing from Beloit College and an A.M. from the University of Chicago’s School of Social Service Administration with a focus on youth development, nonprofit administration and education policy. She currently works with community schools in Chicago’s Woodlawn neighborhood.
Jonathan Reinert was born in Tuguegarao, Philippines. At three and half years of age, he was adopted into a German American family in 1987. Jonathan lived in Kirkwood, Missouri for 15 years before leaving to attend college in Chicago where he graduated from DePaul University with a B.A. in Art and Art History and a concentration in painting and drawing. Inspired by the work of Vito Acconci and Chris Burden, Jonathan began experimenting with video performance art toward the end of his college career. His debut performance, “Twenty Twinkies,” was a surprising success and compelled him to pursue a career in video production and documentary filmmaking.
Jonathan has recently finished his studies as graduate student in Asian American Studies at UCLA. His master’s thesis film, Left on Lockett Lane, is an autobiographical work which examines his experiences growing up in the Midwest as an Asian adoptee and was awarded official selection in 2010 Los Angeles Visual Communications Asian Pacific Film Festival. Jonathan will spend the remainder of the year submitting Left on Lockett Lane to various film festivals across the country and is in the process of applying to film schools for the fall of 2011.
September 26, 2010 § 2 Comments
Come join me at the 1st annual Critical Mixed Race Studies Conference, Emerging Paradigms in Critical Mixed Race Studies, at DePaul University in Chicago, November 5-6, 2010.
The CMRS conference brings together scholars from a variety of disciplines nationwide. Recognizing that the diverse disciplines that have nurtured Mixed Race Studies have reached a watershed moment, the 2010 CMRS conference is devoted to the general theme “Emerging Paradigms in Critical Mixed Race Studies.”
Critical Mixed Race Studies (CMRS) is the transracial, transdisciplinary, and transnational critical analysis of the institutionalization of social, cultural, and political orders based on dominant conceptions of race. CMRS emphasizes the mutability of race and the porosity of racial boundaries in order to critique processes of racialization and social stratification based on race. CMRS addresses local and global systemic injustices rooted in systems of racialization.
I will be presenting at the conference on November 5th in a roundtable discussion moderated by Laura Kina, on the use of arts in challenging racial ideologies. My next post will include more information on the roundtable and on my fellow panelists: Alejandro T. Acierto, Tina Ramirez, and Jonathan Reinert.
September 22, 2010 § Leave a comment
II VVVIENAL DE VIDEO ARTE VALPARAÍSO 2010
29 DE SEPTIEMBRE AL 2 DE OCTUBRE
INAUGURACIÓN Y SORTEO GRAN RIFA GRAN
29 DE SEPTIEMBRE 20:00 HRS.
CINE CONDELL / CALLE CONDELL 1585
NOS TOMAMOS EL EX CINE PORNO!!!!
MIÉRCOLES 29 DE SEPTIEMBRE
20:00 Hrs. INAUGURACIÓN.
21:30 Hrs a 23:00 Hrs.
ESTILO EXPERIMENTAL LIBRE + VISUALES
INSTALACIÓN PERFORMÁTICA COLECTIVO COMBI-NATION / PA QUE TE PIQUE
JUEVES 30 DE SEPTIEMBRE
12:00Hrs a 13.00 hRS
CONVERSACIÓN CON RITA FERRER / MODERA GUISELA MUNITA
15:30 Hrs a 22:00 Hrs.
EXHIBICIÓN DE VIDEOS E INSTALACIONES.
21:00 Hrs a 23:00 Hrs
MÚSICA ELECTROACÚSTICA EXPERIMENTAL + VISUALES
DJ FRACASO + VISUALES
VIERNES 1 DE OCTUBRE
12:00Hrs a 13.00 hRS
CONVERSACIÓN CON FRANCISCO HUICHAQUEO “EL DISCURSO POLÍTICO EN LA ESTÉTICA AUDIOVISUAL” / MODERA GUISELA MUNITA
15:30 Hrs a 22:00 Hrs.
EXHIBICIÓN DE VIDEOS E INSTALACIONES.
20:00 Hrs a 21:00 Hrs
TERAPIA GRUPAL / MÚSICA EXPERIMENTAL + VISUALES ANÁLOGAS
21:00 Hrs a 22:00 Hrs
REINOSO SANTANA SMITH (ELECTRÒNICA Y CACHIVACHES VARIOS)
ESTARÁN PRESENTANDO UN HOMENAJE AUDIOVISUAL DEDICADO A LA MEMORIA DEL DR. JORGE KAPLAN MEYER Y SU EQUIPO, QUIENES REALIZARON EL PRIMER TRANSPLANTE DE CORAZÓN EN CHILE. PARA ELLO SE HARÀN VALER DE UNA SERIE DE IMAGENES PERTENECIENTES A LOS REGISTROS DEL DOCTOR KAPLAN Y QUE LLEVA POR NOMBRE “CUIDADANO DE BUEN CORAZÒN”
DURACIÒN: 21 MIN.
ALE PEREZ: WWW.ELPUEBLODECHINA.ORG
SÁBADO 2 DE OCTUBRE
12:00Hrs a 13.00 hRS
PREM SARJO y ROCÍO CASAS BULNES, DIÁLOGO ENTORNO A SU PERFORMANCE RAVOTRIL / MODERA GUISELA MUNITA
15:30 Hrs a 22:00 Hrs.
EXHIBICIÓN DE VIDEOS E INSTALACIONES.
21:00 Hrs a 22:00 Hrs
CEREMONIA DE CLAUSURA.
EDIFICA & PORTALUPPI / VJ DJ
EXPOSITORES II VVVIENAL VIDEO ARTE VALPARAÍSO
CECILIA VICUÑA / GIOVANNI LONGO / FERNANDA BARROS / KLAUDIA KEMPER / PAULO FERNÁNDEZ / SENORITAUGARTE / MELANIA LYNCH / CYNTHIA JACKSON / ZAIDA GONZALES / CARLOS SILVA / JUVENAL BARRÍA / JESSICA BRUNA / PREM SARJO / FRANCISCO HUICHAQUEO / MATIAS BIGGS / VICTOR URZÚA / MARIANA GUZMÁN / FRANCISCA VILLELA/ GIANFRANCO FOSCHINO / PABLO VERGARA / MARÍA JOSÉ ROJAS BOLLO / PABLO ULLOA/ MYRÉN URIARTE / N.A.R / ALVARO HERZ / GABRIELA RIVER A/ FELIPE ROJAS / ELECTRO PY / DJ FRACASO / COME PERRO FUMA GATO/ TETONES / ANTONIA CRUZ / ROSARIO ATEAGA / MISS3SENORITAS / COLECTIVO LEPIDÓPTERO ACCIÓN DE ARTE AUDIOVISUAL
JEAN MARC LAMOURE / CAROLINE DELAPORTE / GEE-JUNG JUN / MOIRA TIERNEY
SELECCIÓN DE VIDEOS CULTORES POPULARES
CENTRO DE LA DIVERSIDAD CULTURAL DE VENEZUELA
SELECCIÓN GENERAL DE VIDEOS REALIZADA POR:
VICTOR HUGO BRAVO
MENRU SILVA AVILA
ITINERANCIA II VVVIENAL DE VIDEO ARTE VALPARAÍSO 2010
COMPILACIÓN DE VIDEOS
PIA MICHELLE 30 SEPTIEMBRE AL 02 DE OCTUBRE
CASA BLANCA 13 Octubre
QUILPUE 8- 9 Octubre
VILLA ALEMANA 8- 9 Octubre
QUINTERO 15-16 Octubre
QUILLOTA 22-23 Octubre
LOS ANDES 22- 23 Octubre
VALPARAÍSO / ANIBAL PINTO
29 – 30 Octubre / LANZAMIENTO PÁGINA WEB
ILUSTRE MUNICIPALIDAD DE VALPARAÍSO
PLATAFORMA CULTURA DIGITAL
June 25, 2010 § Leave a comment
April 8, 2010 § Leave a comment
Muestra de videos en PIA Michelle
Del 12-19 de Abril
Av. Pedro Montt 1842 Galería tres palacios Local 402
El viernes 16 de abril a las 19:00 hrs se proyectarán una serie de Videos que van desde stop motion, intervenciones urbanas y video arte experimental en la Plaza Aníbal Pinto de Valparaíso, previo a esto Pintor Z estará mostrando su trabajo con música de ordenador y visuales.
Esta es una compilación de videos que se realizó a partir del proyecto denominado offline que se realizaría en el Parque O´higgins una semana antes que ocurriera el pasado terremoto , y que por causa de esto no pudo ser efectuado.
La muestra busca dar a conocer el trabajo de artistas chilenos emergentes del área audiovisual experimental tomándose el espacio público y generando una intervención en si misma, además de hacer un cruce con otras miradas y culturas, en este caso con la artista de Guatemala Maya Escobar.
February 5, 2010 § Leave a comment
el es frida kahlo is currently on view in the New Media Room at the Bruno David Gallery in St. Louis, MO.
el es frida kahlo, 2007-present
Frida Kahlo played with the identity that she wanted to project and the identity that was placed on her by others. Kahlo used her clothing, political affiliations, sexual escapades, and personal traumas, to create a character that informed her body of work. She inscribed her identity, painting her image over and over, constructing a mythology around her persona.
In el es frida kahlo I confront the ambivalence I experience as a result of my simultaneous obsession with Frida Kahlo and weariness towards her commodification. Viewed from a tiny pinhole, dressed as Kahlo, I stand before a reproduction of one of her self portraits. With a mixture of rage, anxiety, and complete fear, I chant “el es Frida Kahlo, ella es Frida Kahlo, el es Frida Kahlo, yo soy, yo soy, yo soy Frida Kahlo,” he is Frida Kahlo, she is Frida Kahlo, I am, I am, I am Frida Kahlo. As I yell, the painting behind me begins to fall. I violently tear down my braids and smudge off my makeup while continuing to scream “I am Frida Kahlo, I am Frida Kahlo, yo soy Frida Kahlo!”
el es frida kahlo at the Bruno David Gallery (video filmed and edited by Felicia Chen)
el es frida kahlo YouTube video
FREE el es frida kahlo animated gif avaliable on MayaEscobar.com
January 16, 2010 § Leave a comment
December 24, 2009 § 1 Comment
I met Ben Schachter at the 2009 Conney Conference on Jewish Art: Performing Histories, Inscribing Jewishness, where coincidentally, we both presented Eruv themed works.
In addition to making humorous Jewish themed conceptual art, Ben is a curator and is the man behind Tzit Tzit: Fiber Art and Jewish Identity. I have a few pieces from Hiddur Mitzvah included in the show.
A special exhibit assembled by guest curator Ben Schachter, “Tzit Tzit: Fiber Art and Jewish Identity,” will open with a reception at The Saint Vincent Gallery in the Robert S. Carey Student Center at Saint Vincent College from 6 to 8:30 p.m. Thursday, January 28. Admission is free and open to the public.
The exhibit will continue from Friday, January 29 through Sunday, February 21 during regular Gallery hours: 12 noon to 3 p.m. and 6:30 to 8:30 p.m. Tuesdays, Wednesdays and Thursdays; 12 noon to 3 p.m. Fridays, Saturdays and Sundays. The Gallery is closed on Mondays.
Ms. Silk will present a lecture, “Quilting and Spirituality,” at 6 p.m. Monday, February 9 in room 100 of Prep Hall.
Mr. Schachter, associate professor of fine arts, will give a Gallery tour of the exhibition at 7:30 p.m. Tuesday, February 9.
The exhibit was developed by Mr. Schachter. “I have been studying various aspects of Jewish art for the past three years and this exhibit is an outgrowth of that interest,” Mr. Schachter said. “The artists hail from Los Angeles, New York City, Kansas City, Illinois and Pittsburgh.”
“Fiber art refers to any use of a cloth such as stitching or weaving,” he explained. “The title, Tzit Tzit, refers to the fringe on a prayer shawl, or tallis, worn by many Jews during prayer. While using thread, cloth, pattern making, stitching and other craft materials, each artists’ process creates a language derived from craft techniques that reinterprets the Old Testament, the oral law as written in the Talmud and personal histories. In so doing, both craft theory and Jewish Art are reinvigorated. I learned of these artists through Jewish art conferences I have attended, through exhibitions and through national awards. I think our students and our friends in the region will really enjoy seeing their work.”
Ben Schachter is an artist whose work integrates conceptual art and Jewish law. He sees a connection between the rules artists have created to guide and limit their work and Jewish traditions. His work has been shown nationally and will be on exhibition at the Westmoreland Museum of Art in Greensburg concurrent with this exhibition. He holds an M.F.A. and M.S. degree from Pratt Institute and lives in Pittsburgh with his wife and two children.
Carol Es paints images that powerfully scream of a life of hard labor. As a child she worked endless hours in a sweatshop with her family. Ms. Es’ works are featured in numerous private and public collections, including the Getty Museum, Brooklyn Museum, UCLA Special Collections, the Jaffe Collection and Centre Georges Pompidou in Paris. She is also a two-time recipient of the ARC Grant from the Durfee Foundation and was recently awarded the prestigious Pollock-Krasner Fellowship.
Maya Escobar’s work directly challenges gender roles and illustrates how Jewish tradition empowers women. Ms. Escobar received her master of fine arts degree from the Sam Fox School of Design & Visual Arts, Washington University in St. Louis, and her bachelor of fine arts degree from the School of the Art Institute of Chicago. She has exhibited work in Spain, Guatemala, United States, Germany and Venezuela.
Melanie Dankowicz creates intricate papercut sculptures, marriage contracts, and wall art. An expansion of the medium, Dankowicz’s three-dimensional forms are ephemeral lace-like paper structures, of elegant tracery that has inspired her recent metalwork. She draws inspiration from the countryside of Illinois, where she resides with Harry and their three children.
Leslie Golomb exhibits her work nationally and internationally and is the recipient of numerous awards, including recognition from the National Endowment for the Arts, Pennsylvania Council on the Arts Individual Artists Fellowship Award and a State of the Art Award from the State Museum of Pennsylvania. Her work was recently included in the Three Rivers Arts Festival and Best of Pittsburgh Invitational. Ms. Golomb holds a bachelor in fine arts from Carnegie-Mellon University and a master of fine arts from the School of the Art Institute of Chicago. She served as founder and director of the American Jewish Museum of the Jewish Community Center of Greater Pittsburgh for nine years. She has returned to the studio producing prints and artists books.
Louise Silk began her quest to acquire skills as a quilter after being inspired by an article in Ms. Magazine in 1971 about quilt making as a woman’s art form. Over the past 30 years, her work has been included in Quilt National Biennial Exhibition of Contemporary Quilts as well as many private corporate collections such as USAirways, Paine Webber and PNC Bank. She is a certified Integrated Kabbalistic Healer. She is currently living and working from her loft in the South Side of Pittsburgh, Pennsylvania.
Ms. Golumb and Ms. Silk collaborate and join their printmaking and fiber art into multilayered quilts, runners and tallisim. The images and techniques bring together American folk traditions and Jewish history in surprising ways. Ultimately the perspective of these five artists reinvigorates what Jewish Art is and can become.
Shirah Apple received a master of fine arts degree from the Rinehart School of Sculpture at the Maryland Institute College of Art in 2006. She is a graduate of MICA’s post-baccalaureate certificate program and of Miami University, where she received a bachelor of science degree in business administration.
Further information about the exhibition is available by contacting the Gallery at 724 805-2107, www.stvincent.edu/gallery.
November 26, 2009 § 1 Comment
a guest post by seeNoga.
NOESCO* in a wustlworkshop, photo by stan strembicki
As you doggedly pursue, chase, and snap at the heels of your Self, you do so knowing there is no chance you will ever catch up. For each of us, throughout our individual lives, we will be ever distant from knowing our own selves. When a person pursues his or her Self in an aggressive, determined way, the resulting hyperactive sensibility allows for a greater adaptability and sensitivity. This flexibility can be useful in contemporary human life, but only to a certain extent. It is also due to the fast-paced nature of today’s engineered environments, that there is a strong tendency (especially among young people) to go to extreme lengths in order to sustain within their own lives the hyperactivity and intensity they witness in popular culture and media. Consider the called-for constant reachability via cell-phones and laptops, as well as many other forms of expedition in our ‘lived-in’ world. These accommodations range from aerodynamics to ATMs. As many workers in today’s professional world simultaneously lament and extol their parasitic relationships with a Blackberry or other such Pocket God, I, too, have at many times felt chained to my laptop (i.e. the Internet), fearing I would miss something absolutely critical. Unfortunately, the fact that missing anything important has not happened for the most part, hardly affects the worry and anxiety that it might happen.
Yet still, it seems, this once motivating anxiety is becoming a repressed urge, one which is less and less a bother, the more my environment becomes one seamless, semi-omniscient “news” feed. On the evening of President Barack Obama’s Address to the Nation, Maya Escobar recorded “Obama Tweet: How a New Generation Gets Their Information.” In this video Escobar documented a particular event, an important cultural event, one which incidentally brought the use of Twitter to the fore in popular culture.
Obama Tweet: How a New Generation Gets Their Information, 2008
I was with Escobar on this evening and was struck by the depth of her interaction with the digital realm. She was sitting in front of a T.V. broadcast of the speech, while she was also further mediating that media via her computer, on which she was following Twitter and CNN.com’s coverage of the event. Beyond all that, Escobar was creating her own real-time, indexical document of the event on television along with CNN and Twitter as instantaneous forms of annotations to the President’s speech. Escobar was watching, sitting one more stage removed, behind the lens of a video camera. Because of the way in which she layered the television screen the computer screen and then the interface of any viewer’s monitor, Escobar has effortlessly choreographed a multi-layered, engagement with the very most current of events. However, though I may have somewhat qualified and rationalized instant-communication tools, I still believe there must be a deliberate effort to complement those socially-prescribed media with other, independent forms of digital exchanges. While I do believe in the great social potential of our rapidly advancing communications media, my work seeks to push and pull on parts of these evolving global ‘informachines,’ in an effort to challenge the omnipresence of commercial media.
Look Out, 2008
That sort of layering of non-dimensional spaces is unique to the contemporary world, with the inception of digital technologies, and this collage-like aesthetic is of great interest to the work of Maya Escobar, as much as it is to my own. Although, unlike the deceptively referential works of my counter-part, in many of my works, I use and refer to popular media sources and specific Internet sites indirectly and rarely with any superficial visibility. It is with great deliberation and much hypothesizing that I curate my works in the manner in which I do. I intend my works to avoid specificity and leave wide-open their readings to a much more self-guided analysis by viewers. In the piece “Look Out,” the projected video came directly from YouTube. I simply cut off the last second of the original video, thus shortening it to 17 seconds. I then prepared it as a video-loop for its installation underneath a staircase at the Mildred Lane Kemper Art Museum. Because of its placement, where it fills a theretofore, unaddressed space, it is as though the rolling image is part of the museum structure itself. The particular clip, which I chose after viewing dozens of similarly tagged videos (‘storm,’ ‘tree,’ ‘willow,’ and ‘weeping’), was selected for very specific compositional reasons; reasons which are the very same principles of design taught to anyone working in commercial design or the visual arts: complimentary colors, rule of thirds, dynamic composition and varied textures, to name a few. Because of my focused selection process, this video, although created for very different (and unknown) reasons, still fits very well into the installation space as a deliberately designed, and potentially permanent use of what is otherwise a neglected space. The video became part of the stairwell. By existing within a predetermined, architectural frame, it became part of the space, as opposed to sitting on the surface as a painting does. This projection did not exist in the way that many (most) installations do: as obvious alterations or obtrusive interjections into a space. This work asserts itself as a physical part of the space, as the projector beams through from behind the scrim in the stairwell. It also assumes a living presence, as it reiterates itself, by many reflections and refractions, split and scattered, bouncing around the main hall of the museum. The video functioned as a decorative element but also an illusory window to an outside world, whereas, the space without that piece is simply a pane of glass that looks into the shadowy crotch of a stairwell. I do not mean every square inch should be taken up for some sort of visual activity or illusionary window. Simply, this work proposes how our constructed spaces, in this case a venue for art viewing, might be reinterpreted. Insofar as, a corner can conceivably become a window, as illusory and impermanent as my particular interpretation may be.
October 31, 2009 § 1 Comment
photo by Julian Voloj
Maya and Gonzalo Escobar create Talking about Orchard Street, a multi-sensory interactive installation that explores the generational transmission of Jewish life through dialog. The father-daughter duo traveled from Chicago to New Haven to conduct interviews with former members and friends of Orchard Street Shul and to record locals’ stories of growing up in New Haven during the 1920s and 30s. These stories of everyday life include tales of flirting on the front steps of the shul, eating herring and kichel, speaking Jewish, finding first jobs, going on first dates, learning bar mitzvah portions, and hearing (or having) loud conversations in the women’s section. In Talking about Orchard Street, visitors are invited to sit in comfortable armchairs, sample herring and kichel, listen to excerpts from interviews and engage in dialog with each other.
click here for more information about the Orchard Street Shul Artist Cultural Heritage Project
December 11, 2008 § Leave a comment
Washington University Graduate Open Studios and Art Sale
Saturday, December 13th, 2008
Open Studios: 4-9 p.m.
Washington University MFA students are pleased to announce our Fall 2008 Open Studios and Art Sale, featuring work by more than 40 innovative young artists working in painting, printmaking, photography, sculpture, combined media, installation and video.
From 4-9 our studios will be open to the public and artists will be present to answer questions and interact with visitors. This event presents a unique opportunity to experience the work of emerging artists outside the traditional gallery setting. The event will be accompanied by an art sale from 4-9:00 pm.
The art sale will take place on the third ﬂoor of the MFA Building and will feature original works by MFA students. Payments may be made in cash, or by check with ID only. Proceeds will beneﬁt the Washington MFA Student Organization and will be put towards the growth and development of the MFA program as well as to the individual artist.
The Graduate Program has been ﬂourishing at Washington University. Housed in the distinctive Lewis Center in the heart of University City, MFA students and faculty interact in a collaborative, organic setting, creating a program that is always evolving and pushing the boundaries of contemporary artistic practice. Please join us for this unique event.
February 21, 2008 § 2 Comments
Willie Cole, The Difference between Black and White,
2005-6. Shoes, wood, metal, screws, and staples, 85 x 16″.
ST. LOUIS, MO – War and disaster have profoundly shaped the opening years of the 21st century. In the United States and abroad, acts of violence and terrorism as well as natural catastrophes have resulted in large-scale destruction and displacement affecting the lives of millions. In February, the Mildred Lane Kemper Art Museum at Washington University in St. Louis will present On the Margins, an exhibition exploring the impact of war and disaster through the work of a diverse range of contemporary artists. Curated by Carmon Colangelo — a nationally known printmaker as well as dean of the university’s Sam Fox School of Design & Visual Arts — the exhibition will showcase more than a dozen works, ranging from prints and photographs to video and large-scale installations, by ten artists from around the world.
Several installations play against traditional approaches to war memorial. For example, Fallen (2004-ongoing), by the American artist Jane Hammond, comprises a large field of brightly colored leaves, each bearing the name of a soldier killed in Iraq. Similarly elegiac is Metal Jacket (1992/2001), by South Korea’s Do-Ho Suh, which consists of 3000 dog tags stitched to the liner of a U.S. military jacket. Abidin Travels: Welcome to Baghdad (2006), an interactive video installation by the Iraqi expatriate Adel Abidin, allows viewers to become virtual tourists amidst the wreckage of his native Baghdad.
In conjunction with the exhibition MFA candidates Carianne Noga, Dan Solberg, Erica Millspaugh and I assumed the role of travel agents assisting museum visitors in arranging their virtual flight Baghdad aboard a B52.