Andria, The Fat Free Elotera, and I are featured in JEWCY

February 24, 2011 § Leave a comment

Maya Escobar in Jewcy
Jewcy Art: Maya Escobar
by Margarita Korol, February 24, 2011

In 2007 we dubbed her the Anti-Feminist Feminist Jewish Latina. We stumbled upon performance artist/ Internet curator/ editor Maya Escobar again at the GA in New Orleans where her video installations were making a Marina Abramovich-style scene near Jewcy’s booth. She uses the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. She performs multiple identities, sampling widely from online representations of existing cultural discourses.

click here for full text

GO PUBLIC

February 3, 2011 § Leave a comment

“Viaja con Aerolíneas Públicas” ¿Estás cansado de ser perfilado, acosado y tener que mostrar tu identificación cuando vas a, bueno a… cualquier lugar? Vuela en Aerolíneas Públicas y el control de seguridad en tu aeropuerto local será el último lugar donde te pedirán tus papeles. Aerolíneas Públicas vuela sin escalas a destinos amigables como Nueva Jersey, Illinois y el suroeste de Pennsylvania. Te garantizamos que tú mantendrás tu tarjeta de identificación en tu cartera siempre. VIAJA CON AEREOLÍNEAS PÚBLICAS.

@PublicAirways

“Go Public.” Tired of being profiled, harassed and carded on your way to, well… anywhere? Fly Public Airways and the security checkpoint at your local airport will be the last place anyone asks to see your ID. Public Airways flies non-stop to friendly destinations like New Jersey, Illinois and Southeastern Pennsylvania. We guarantee you’ll keep your card in your wallet for good. GO PUBLIC.

@PublicAirways

Ian Weaver, The Black Knights of the Black Bottom, and Are You My Other?

November 18, 2010 § 1 Comment

On the afternoon of November 18, 2010, on the Island of Facebook, history was made…

Coat of Arms

in response to the Fat Free Elotera post:

Ian Weaver: I take ALL the credit for this (and future) collaborations between these two exceptional artists….! [just needed to make sure I put in that legal boilerplate stuff, just a formality]

Andria Morales: No doubt! We are eternally grateful to the prolific genius of Ian Weaver for the inspired notion of pairing us together.

Maya Escobar: YES!!! So true- we are Are You My Other? because of this Fine Man. We keep trying to figure out just how to pay homage… Latina Black Bottom promo girls? Just saying :)

Ian Weaver: By commenting on my post you have in effect given me the legal authority to profit in part from any future performances, lectures, presentations, and sales of related merchandise. I will work out the percentages later with my BB lawyer, but for conversation sake, let’s just say if you perform jointly at, say, the Mattress Factory or the Renaissance Society that I will net 33.33% of profits from said performance.

Again, I will get my BB lawyer to draw up the papers

Andria Morales: Did we just get served??? So much for the We ♥ BB Knights campaign…

Ian Weaver: Nooooo! You haven’t been served! I can’t do that online; you will be formally served in person presently (I think someone is at your door; delivery guy??? Flowers By Irene???)

Maya Escobar: I think a cut of all “BB profits” is totally fair and should be required.. LOL.. “profit” what an interesting concept… “to make money from art”… am I dreaming? But hey Ian if you can work us in to an of the aforementioned “performances, lectures, presentations, and sales of related merchandise” and oh “performances at, say, the Mattress Factory or the Renaissance SocietyAre You My Other? would be eternally grateful.

Ian Weaver: Done! I am on the phone with Hamza was we speak. I will work the Pittsburgh angle after the holidays.

And seriously, fantastic work by both of you! I got on the blog; really interesting! I am having Maya present in my spring Research class for artists, and if I had the dough I would fly you out Andria and have you guys co-present. But, that would blow my transfer student’s minds!

Andria Morales: I think Maya and I meeting each other in person would blow OUR minds. Lets start a fundraiser!

Maya Escobar: Wow, wow, wow!!! Is it okay with the two of you if I screen-shot this convo and re-post? Ian, I am going to try to see if there are any opps to lecture in other SAIC departments that week so that we could get funding for Andria to come in.

Andria Morales: Summon your internet powers

Ian Weaver: GO FOR IT! I AM OPEN TO IT!!

AM I her or is she ME: The Chronicles of The Fat Free Elotera

November 11, 2010 § 7 Comments

The Fat Free Elotera is a (developing) character on Are You My Other? The Battle Between The Self and The Other, an ongoing self-portrait dialog exchange project, produced by myself (ME) and Philadelphia-based performance and installation artist Andria Morales (AM).  Through a series of weekly exchanged blog posts,  Andria and I publicly negate, deconstruct, and reconstruct our individual histories, identities, and conceptions of self.

The Fat Free Elotera

Click on images below to experience the creation of our latest persona.
Cornfield
The Fat Free Elotera with Frida Kahlo Sunglasses
Mas Maiz


My Elotes Cart
The Fat Free Elotera Challenge


Are You My Other? Block Party
elotera xmas

Internet Kahlo

October 18, 2010 § 3 Comments

While I remain dutifully committed in my quest to find the #1 Frida Kahlo fan, I continue to nurture my own compulsion: collecting and generating realtime results for my favorite deceased painter.

search:
Frida Kahlo Paintings | Frida Kahlo Photos | Frida Kahlo Art | Photos As Frida | Frida Kahlo Products | Frida Kahlo Tattoos

Internet Kahlo Obsessed With Frida Kahlo Gallery

Updating About Me

July 27, 2010 § 1 Comment

Maya Escobar is a conceptual identity artist.

Maya Escobar is a conceptual identity artist

deconstructing the artist (myself), alongside the monument, alongside the monument’s informational text…

______________________________

SELECTED STATEMENTS

______________________________

Bio for About Page 2010:

Maya Escobar is a performance artist, Internet curator, and editor. She uses the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. She performs multiple identities, sampling widely from online representations of existing cultural discourses. Her identifications as a Latina-Jewish artist, dyslexic blogger, activist and educator are indexed by the blogs she keeps, the visual and textual links she posts, the books, articles, and blog posts she cites, the public comments she leaves, and the groups she joins.

Escobar received her MFA from the Sam Fox School of Design & Visual Arts, Washington University in St. Louis, and her BFA from the School of the Art Institute of Chicago. She has exhibited work in Spain, Guatemala, United States, Germany, Venezuela, and Chile.

Twitter Bio for @Maya_Ate_This 2010:

I am a 2nd generation Latina artist, nutrition buff, and fitness enthusiast. Here, I’ll be tweeting what I am eating as well as sharing beauty and fitness tips.

Artista Disléxica Del Internet pt 1 of audition video for Reality TV Show on Discovery En Español 2010:

Short Bio for Acciones Plásticasプリクラ 2009:

Maya Escobar is a Guatemalan-Jewish digital media and performance artist, currently living in St. Louis. Her work addresses issues of cultural hybridity, gender, placelessness, and the construction of identity.

Bio for Conney Conference on Jewish Identity 2009:

Maya Escobar is a Guatemalan Jewish digital media and performance artist. She received a BFA with an emphasis in Art Education from the School of the Art Institute of Chicago and is currently completing her MFA at Washington University in St. Louis. She can usually be found on the web blogging, tweeting, or youtubing. Escobar also serves as the online art editor for Zeek: A Journal of Jewish Thought and Culture. She has taught, performed and exhibited work in Germany, Spain, Guatemala, Puerto Rico and the United States.

About Me for Maya E. on Jewish Wedding Network (2009):

I have always lived between multiple worlds, I come from a Guatemalan Jewish American family of activists and educators. The planning of my wedding is like most things other things we do, a familiar and communal affair. In addition to the Bosa Nova band that will perform, my fiancee’s band rock band Cavalry will be covering various Jewish tunes such as hava negilah and more.

Breaking Down the Elephant Blog Post 2009:

Some people think that I am the true representation of the elephant.
It is true I am an elephant, but not the only elephant.
I try to break up the conception of being the only elephant.
Some people see a small portion of my work and think it is the whole- the representative elephant.
Others understand that each piece connects to another piece and that individually they are only fragments.
When breaking the elephant up into pieces, information slips in through the cracks.
People also respond to this new information- creating a bigger more amorphous elephant.
The amorphous elephant is broken up again and again, so that it is relevant to new individuals new experiences…

Manifesto for MFA Thesis Exhibition Catalog 2009:

As an artist and an individual, I am in constant conversation with the values transposed through multiculturalism. I seek to challenge notions of sameness, unity, and political correctness with pieces that affirm a sense of community for some, while paradoxically alienating others.

Major influxes in international travel, technological advances, immigration, adoption, and intermarriage are causing the borders and boundaries between countries to merge together at an increasingly rapid pace. The imagined spaces of individual cultures are no longer autonomous.

Therefore it is with a conscious move that I, and many colleagues and contemporaries, unapologetically go forward, breaking through traditional conceptions of art and artistic practice. No longer tied down to medium-specific practices, we produce work derivative of a multitude of discourses. The works that we produce, however, are distinct from those in the  fields that our work represents. We are concerned with the past, but we will not allow the past  to solely delineate the future. We hope to form a new definition of artistic practice that will include our constantly shifting environment.

Short Web Bio for Stumble Upon 2008:

MFA Candidate at Washington University in St. Louis. Current art/research centers around mental constructions of space and the social and political implications that result from these imagined boundaries. On this blog I share my random thoughts on hybridity, transnational and transcultural identities, liberal multiculturalism, critical pedagogy, feminist theory, latinidad, jewish life in america, youth culture…

Bio for Acciones Plásticas at the Bruno David Gallery 2007:

Maya Escobar is a Guatemalan Jewish interdisciplinary artist and educator. She is a recent graduate of the School of the Art Institute of Chicago, where she received a BFA with an emphasis in Art Education. She has taught, performed and exhibited work in Spain, Guatemala, Puerto Rico and the United States.  Currently, Escobar is pursuing a MFA in Visual Arts at Washington University in St. Louis.

Bio for Camp JRF 2007:

Maya Escobar is a Guatemalan Jewish interdisciplinary artist and educator. She is currently completing her degree in Art Education at the School of the Art Institute of Chicago. Sharing her non-traditional approach to exploring Jewish identity, Maya will expose campers to a wide variety of contemporary artists, artistic mediums and processes. Campers will have the opportunity to work both independently and as a collective, to produce work that inspires and participates in ongoing personal and communal dialogue.

Artist Statement 2006:

Through the performance of actual and fictitious moments of my life, I explore my personal identity as the daughter of a Guatemalan father and Jewish mother.  I compare the complexities of projected societal, cultural, and gender-determined roles to the lived experiences of Latina and Jewish women in our contemporary American culture. My work translates ongoing anthropological and sociological investigation into accessible narrative forms, incorporating technical skills in multiple mediums. As a commentary to the objectification and exoticization of otherness that I have personally experienced, I reclaim ownership of myself; I transform my body as well my “self” into an object used within the performed ritual, which is then documented through analog and digital photo, video and collage.

Photo Booth Pt 2

July 23, 2010 § Leave a comment

Maya Escobar Photo Booth Performance Art

Being a performance artist is fun. Having a mac allows you to seamlessly document your real life alongside your performance life. Can you tell which pictures are real and which ones are from performances?

do not click here

July 16, 2010 § Leave a comment

Photo Booth

March 4, 2010 § Leave a comment

Maya Escobar Photo Booth

Being a performance artist is fun. Having a mac allows you to seamlessly document your real life alongside your performance life. Can you tell which pictures are real and which ones are from performances?

Latina Women Respond

February 3, 2010 § Leave a comment

Recently Latina Role Model was featured on TikiTiki Blog: stories with cultura, color and sabor, in a post by Carrie Ferguson Weir called Smart Latina vs. Sexy Latina.  Carrie asked readers:

So, has your Smart Latina run up against the Sexy Latina? What do you see when you watch Maya’s video? What does it bring up for you? Why can’t we be both Smart and Sexy? Let’s talk about this, break it down, maybe shatter some stereotypes, and bust our own too.

Check out the PROFOUND difference in the nature of the comments left on this post (comments posted below) vs the ones left on YouTube.

my contribution to post on Tiki Tiki:

I perform over-the-top representations of different identities. I group together these representations (characters) as a means of challenging limited perspectives of what women are like, and in this case, what Latina women are like.

This character is supposed to be an intellectual, accomplished, socially conscious woman- who will forever be seen as the “Sexy Latina.” The low quality video blog is meant to mock scenes in movies, where the hot high school teacher walks down the hall and all the boys undress her in their minds.

But I am not taking a negative or positive stance either. I want to question the role Latinas play in perpetuating this persona, and question if that is even a bad thing? Are we limiting ourselves by continuing to have this same conversation, even though the behavior persists, are we enforcing it by bring more attention to it?

I haven’t always been so impartial. Out of all of the characters in Acciones Plásticas, The Latina Role Model is the one I identified with the most.  My original description of the way this character was perceived by others was much more reactionary and much angrier than it is now. (see below)

The Sexy Latina© from Acciones Plásticas free (stereotype) postcard, 2007

The Sexy Latina© is an educated woman who cares about important social and political issues. She wears suggestive provocative clothing to compensate for giving up her role as a homemaker. She uses her sexuality to obtain positions in the work world.


Latina Role Model from Acciones Plásticas プリクラ 2009

Over the last two years this character has really evolved. Here is the new description of The Latina Role Model, re-imagined as part of my Acciones Plásticas プリクラ collaboration with artist Rio Yañez:

The Latina Role Model is a diploma totin’ intellectual, sexy, social media goddess.

What do you think?  How does the earlier description of The Sexy Latina© differ from this new description of The Latina Role Model?  How do these two images relate to the Latina Role Model YouTube video?

  • This is an excellent post and an excellent video. It really does make you think.

    I am really not qualified to speak from a “Latina perspective” on this topic because I am Anglo. (If you read my blog, you’ll know I’m Sra. López only because I married a Salvadoran.)

    That being the case, I can’t speak from personal experience on Latina stereotypes, but I would like to contribute an opinion or two on topics that are pretty closely related.

    For example, it really bothers me that the Latinas picked as reporters and journalists on Univision and Telemundo seem to be more for the purposes of eye candy than to report the news and add intelligent commentary — not that they aren’t intelligent women, but I think the sexism by the head honchos over there is pretty evident, not just on the news, but on other programming as well… And English language channels aren’t always much better. I think Western women in general – no matter what their race, fight very hard to overcome the sense that we are valued more as objects of sex/beauty, than for what’s inside.

    It’s very frustrating and I don’t envy the difficult job many women have of raising daughters in this world. (I have 2 sons) … With my own self esteem issues, I can’t imagine what a challenge it would be to raise a girl who is confident in herself and who doesn’t let Hollywood, fashion magazines, men, or even other females, get her down.

    I don’t know the solution to achieving true equality, but I think talking about it all is a good start.

  • Very interesting…The role model I immediately identified with was the socially-conscious, smart role model, which made me realize how loaded that role is. Being an accomplished and educated Latina comes with so many expectations — the whole giving back to the community, serving your community, being a role model and mentor for others, etc. — that’s not something that an accomplished non-Latina woman has to worry about (or feel committed to).

    With regards to the sexy role model — I always say that there is no sexier woman than the one that exudes confidence in herself and who she is — the sexy clothes are just extras…

    Great conversation…

  • [...] Tiki Tiki: Stories with Cultura, Color and Sabor, thanks to post by Carrie Ferguson Weir entitled  Smart Latina vs Sexy Latina. Check out the post and be sure to leave your [...]

  • Ana Lilian says:

    I guess I just never even thought of myself as the Sexy Latina…but a cute one yes! LOL! But once I´m on the dance floor, then the sexy comes out and it´s all good.

    But,seriously, I guess I just lack the perceived-Latina sassy-ness as I´ve never felt that bias towards me.
    I will definitely agree with dear Sra. López that the media, especially the Hispanic media, is completely promoting the hot Latina stereotype, and not much of the smart Latina one. Why do their “news” anchors feel they need to have their breast augmented to be taken seriously?

  • Kikita says:

    I think it is inherent in our culture to be “hot” in every sense of the word because we are so passionate.

    I love what Maya was trying to accomplish and say with her video, but I found that she couldn’t hide or deny her Latin sensuality even when she was trying to play the part of an “intellectual, accomplished, socially conscious woman.”

    This DID make me stop and think, but what I realized is that I tend to shoot for a 3rd type. I go for “Classy Latina.” You know, the one that can wear the big hoops and sexy top with a pant suit. Someone like Ingrid Hoffman or Karla Martinez.

  • C. Morales says:

    My impression is that Latina women play into the stereotype because Latino men often expect them to, and they are threatened by a smart woman. It is not just non-Latino men who expect a mujer caliente and nothing more.

  • Liz says:

    How you project yourself, depends on you, no matter what. I, like Ana, never felt that I was looked at differently because I am Latina. I don’t see my self as a Sexy, Hot, Latina(I hope my husband does, though). Hell, I’m 33, been married for 12 years, and have 3 kids. I don’t get “chifles” anymore… ): LOL!

    This is directed towards the younger, single generation. How they present themselves as the future “Latina Generation”, depends on how they are raised. It’s up to us, as moms, to teach our daughters to go and be the BEST they can be. It’s up to me to raise my daughter to know what it right from wrong. Do guys really still think that girls are still destined to be “home/baby makers? Really??

    Forget Hollywood. Forget the Media. Heck, forget the evening news. If those ladies felt that they need to have their lady lumps hanging out in order to get the job, then I feel sorry for them. But, it is what it is.

    I will raise my daughter to know that education is the key to being classy and sexy! Not exposed Humps and Lady Lumps! Also, I will raise my boys to see women and they see themselves. Whether they marry a Latina or not.

    Ay, me pase de mas! he he!

  • SUZ says:

    A smart and fun video commentary on the stereotypes of women in general…the educated intellectual, the hot babe, the innocent women. I like that Maya uses humor to deflect the extremes. Also that she creates a fine line between integrating the different role types. This is interesting because everyone is never just one thing…but we may choose to identify one way.

  • I think it’s part of a male dominated culture. Many women have this problem of having to manage male expectations in their professional lives, whether it is living with objectification or men projecting their need for nurturing from any woman they meet. I’ve had jobs where men thought it was okay to flirt with me and expected me to fulfill some messed up hot secretary fantasy, and I’ve had jobs where men I worked with expected me to be maternal and when I was driven, I was labeled aggressive. I’m not a dog, I’m not a hooker, and I’m definitely not your mother, guys.

    I think we have to teach men when they’re children that women can fill many roles and to expect them to be as capable and androgynous as any man performing the same duties. By the same token, I don’t know how I feel about using gender or sexuality as an asset to get ahead, my feeling is that anything you do that is manipulative in nature, is skirting unethical, if not flat out crossing the line.

    Having a sense of humor about stereotypes though, I don’t know if I see a problem as long as you don’t go too far and reinforce them. If it’s clear it’s a joke and part of the joke is how ridiculous stereotypical behavior really is…

  • Carrie says:

    I love the feedback, ladies. All great points and fabulous reflection.

    I am left wondering this, after reading Ana and Liz’s comments: Is stereotype/perception felt/seen at a greater level when we don’t live in predominately Latino communities?

    This comes to mind because your comments made me realize I never thought too much of my Latina side and my American side until I lived in cities where there weren’t a bunch of Cubans running around me everywhere. My otherness was apparent and pointed out. It was almost like, wow, I am different?

    Interesting!

  • Marta says:

    I don’t fit into the Sexy or Brainy Latina mold at all. Probably because I look very Anglo – light skin, blue eyes. I blend pretty seamlessly into my So Cal suburban life.

    Except for the Latina “chispa.” That’s always the big giveaway right there. =D

  • Liz says:

    Carrie,

    I emailed your post to my niece, whose studying at Penn State, this is what she had to say:

    Well, I agree with her lol. A lot of people especially here in Pennsylvania, see me as exotic because I’m Hispanic. They expect me to speak Spanish all of the time and a lot of them expect me to be kinda stupid and slutty. But when people get to know me, they find out that I’m extremely smart. Smarter than most people they encounter. And it sucks because I’m always having to prove myself to people and to teachers. But in the end, I’m the one that’s dropping jaws for my intellect and not for my attractiveness =)

    The end haha. Hope that helps.

    I am one PROUD Tia!!! (:

  • Carrie says:

    Liz, aha! Thank you for sending the post to your niece and validating my theory. I love how your niece wrote to you and the “stupid and slutty” line made me bust out laughing — especially because she obviously is not.

    Gracias, proud Tia!

    (Maybe she needs to write for the Tiki Tiki? hmmmm?)

  • Veronica says:

    Great video and excellent points.

    I think that this expectation for Latinas to appear sexy is one reason why I reject the hot mom movement. I wish there was just as much social pressure to be smart Latinas, smart moms, smart women as there is to be hot, sexy, etc.

free el es frida kahlo animated gif

January 16, 2010 § Leave a comment

el es frida kahlo will be on view at the Bruno David Gallery in St. Louis, MO from 1/22-3/6. In conjunction with the exhibition, I am offering a FREE embeddable animated el es frida kahlo gif on mayaescobar.com.

el es frida digital giveaway

maya carrying maya

December 16, 2009 § Leave a comment

The wonderful Suzan Shutan has agreed to help me with my resume/cv/statements in exchange for web design and video work.  I couldn’t think of a better collaboration.  Here is one of the many projects (and its many iterations) that I am attempting to catalog for said documents…

tallit rebozo

Tallit Rebozo, from the series Hiddur Mitzvah, Quilted, Embroidered, Woven, and Recycled Fabric, 2006

Modeling Tallit Rebozo

Comodification Series: Modeling Tallit Rebozo, Performance 2006

maya carrying maya

Comodification Series: Maya Carrying Maya, Photo Collage, 2006

Gringa Loves Guatemala, YouTube Video, 2007

maya escobar youtube page

Maya Carrying Maya, YouTube background, 2009

@mayaescobar

Maya Carrying Maya, Twitter background, 2009

Former Myspace Profile Picture, found internet photo (repeated here 3 times), 2006

Becoming Mainstream?

December 2, 2009 § 2 Comments

The Rise of the Hot Jewish Girl- Why American men are lusting after women of the tribe

Time Out’s Get Naked goes shomer negiah

No Sos Frida Kahlo

October 20, 2009 § Leave a comment

from obsessed with frida kahlo

no sos frida kahlo, 2007

puppets, 2007

Nuevos Compañeros: Rio Yañez

September 30, 2009 § Leave a comment

My newest partner in crime is the talented, witty, godzilla and pikapika lovin’ Chicano artist and curator Rio Yañez. I first came across his Ghetto Frida two years ago, while working on the project Obsessed With Frida Kahlo. Immediately I felt some sort of cosmic connection-not to Ghetto Frida- but to her creator. And then to make matters worse better, I found out that he is the son of one my biggest heroes- Yolanda Lopez!

There was really no option other than collaboration.  It was fate.

Last month we finally initiated our long distance partnership through a tweet.  Since then we have been communicating through TwitPic, Facebook, YouTube, phone calls and texts,  and of course mutual shouts in interviews on the blogosphere (mine to RioRio’s  to me.)

Here are a few examples of Rio’s recent work:

Amber Rose by El Rio.

“I’ve been twittering for about a week now at http://twitter.com/rioyanez. I signed up as a way to contact Amber Rose after she started writing and posting about the portrait I created of her. I have to say, the most exciting aspect of twitter is the way people distribute images. The short urls for twitpics that often pop up on tweets evoke a sense of curiosity in me; more so than the many thumbnails that can be found on facebook. I think the lack of a thumbnail is more alluring and it forces you to chose to see the image or not, there’s no middle ground of a provided preview.” (from his blog)

“Artist Curator Rachel-Anne Palacios flanked by Zitlalix and I. I created this portrait to thank Rachel for including me in the recent Frida exhibit she curated and to join the many artists who are on display on the walls of her apartment” (from flickr)

These images represent my first foray into my Raza Zombies series. They were inspired by the single best mainstream comic book of the 21st century: Marvel Zombies. Marvel Zombies re-imagines classic superheroes as flesh eating zombies. After reading it I felt compelled to do some zombie transformations on a few of my own personal heroes. More to come. (from flickr)

Video of Gomez Peña setting the record straight for Rio regarding his Facebook presence.

Rio’s Ghetto Frida Mural in the Mission District

stay tuned for more…

morning judge of character

September 24, 2009 § 2 Comments

http://cdn.cloudfiles.mosso.com/c54102/app3352611253803931.jpg

Interview on Blogadera

September 15, 2009 § 2 Comments

I was interviewed on the Latino Blog Directory site Blogadera

click here for full interview:

Here we are with Maya Escobar. An artist and educator whose art, personality and opinions come to life by way of her blog and social media extensions.  We are thrilled to have her on to talk about her background, blogging and sharing her blogging experience with the rest of the blogadera.

When did you start blogging? What prompted you to pick it up.

I started blogging in 2005, at the time I was completing my degree in art education at the School of the Art Institute of Chicago.  I was interested in connecting with other artists, activists, students and educators to share ideas and resources.

What do you blog about? Why?

I blog about issues that relate to the artworks I am producing (basically concepts I am thinking about). Topics include: the construction of identity, hybridity, sexuality, education, placelessness, immigration, activism, religion, and mental health.

Can you give us a little bit of background on Maya Escobar?

Well… it just so happens that I just posted a new “about me” to my website:

I am a performance artist, Internet curator, and editor. I use the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. I perform multiple identities and sample widely from online representations and existing cultural discourses. My identifications as a Latina-Jewish artist, dyslexic blogger, activist and educator are indexed by the blogs I keep, the visual and textual links I post, the books, articles, and blog posts I cite, the public comments I leave, and the groups I join.

By examining and re-imagining my personal experiences, I attempt to provide others with a framework for questioning societal limitations based on gendered and racialized cultural generalizations.

(if you found that about me too dull there is a post on my blog where I describe myself as an elephant)

Does your blog reflect your culture? Is this intentional or just a natural byproduct?

I hope that my blog reflects a culture of critical inquiry, communal dialogue, and collaboration. (this would be intentional)

What is the state of the Latino Blogosphere? Do you see it growing? Any Examples?

I see more and more Latina and Latino bloggers every day.  But what I find most exciting is when those bloggers are young people and they are blogging with a positive message.  A wonderful example that I have found is MyLatinitas.com the social networking platform hosted by Latinitas Magazine. Here young Latinas are actively sharing their thoughts on politics, culture, education, and family.

You work alot with videos…do you consider yourself a vlogger? If so, can you define that for us!

hmm… I am not really sure if I consider myself to be a vlogger.  When I think of a vlogger, I think of a person who makes videos that contain similar content to content that would be included in a blog post (such as current events, politics, or personal observations.) Maybe, I am a part time vlogger

Any advice for Latinos who want to start blogging?

I think it is important to get a sense of why it is that you want to blog, what will your blog say about you, and how you envision your blog interacting with your personal and professional life.

Write about issues that you are passionate about, in a way that other people can relate to.  Use the Internet for all it can do- link between your own posts and link to posts written by others.  Read other people’s blogs and comment!  If you want people to be interested in the things you are writing about know what they are writing about!

And most importantly when you can, blog in Spanish!

What blogs do you follow or subscribe to? Favorites?

I just started reading VivirLatino which led me to the awesome blog of La Mamita Mala. I have been following Latina Lista for sometime, Rio Yañez and his buddy Maya ChinchillaSergio AntonioJorge Linares…… the list just keeps on growing…

What are you favorite social media sites and how do you use these tools in your day-to-day?

At this point twitter, youtube, flickr and wordpress are the sites that I most commonly use. My activity on all of theses sites crosses over.  For example, I might write a post on my blog, that will include a youtube video and images I posted onto flickr.  Then I send a tweet that includes either a segment of my blog post, an image from the post, or some of the tag words describing the post.

Do you divide social media by purpose, friends, professional v. personal, etc.?

Not really, for the most part my personal life is my professional life.

What’s next for Maya? What do we have to look forward to from you?

I am working with my father on developing my first performance piece entirely in Spanish. We are using a recording of an interview my mother conducted with my abuelita in 1985, as source material for the monologue I will be performing recounting her experiences, but as myself- two generations removed……

I am also planning a piece with fellow artist and blogger Rio Yañez surrounding the Wise Latina phenomenon.  I don’’t want to give too many details away, but I can promise there is going to be a Top 10 list!

wise latina on Twitpic

[more]

check out other Blogadera interviews with Carrie Fergerson and Jo Ann Hernandez

take a picture of me for my myspace

May 11, 2009 § 2 Comments

In October of 2006 my rabbi started blogging. While trying to comment on one of his posts, I accidentally registered my own blog. Within hours of posting a comment, my name began appearing in Google searches. I was now linked to the post I had commented on, previous posts my rabbi had written, comments left by other users and the posts they had written elsewhere within the blogosphere. The rapidity with which I was branded, not only by my own online activity, but also by the online activity of others, seemed incomprehensible.

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I thought about this phenomenon in relationship to, the images that my friends and I had posted on Myspace throughout that year. I unknowingly went from being slightly annoyed and simultaneously amused by the phrase “take a picture of me for my Myspace”, to it becoming completely natural and almost organic to document every moment, every outing, every time my friends and I put on make up, and to take pictures for Myspace. I saw this behavior even further exaggerated in the high school students I was student teaching. Their conversations were dominated with events that had transpired on Myspace, and when they were not talking about Myspace they were taking pictures for Myspace.

When we talked about the factors that contributed to the construction of their individual and collective identities, my students were quick to bring up their style of dress, group of friends, the neighborhood they lived in, and the way they spoke. Yet not a single student referenced their online activity, the pictures they posted, the groups they joined, the comments they left on each others pages. I wondered why it was, that they were so aware of and adept at reflecting upon their experiences in the material offline world, but failed to mention the social network that played such a major role in their day-to-day lives.

DECONSTRUCTING PERSONAL IDENTITY

the chach

(today) I am referring to myself as a performance artist, Internet curator, and editor.  I create and (concurrently) perform multiple online identities, by sampling from different representations of existing cultural discourses. I fragment my personal experiences and invite  others to join in, and modify and regroup those fragments. By doing this I hope to share the process through which I  deconstruct and reconstruct my individual conception of self, so that others can do the same in their lives.

In the series Acciones Plásticas I performed representations of five constructed characters: a religious Jewish woman, a spoiled Jewish girl, a ghetto Latina, a sexy Latina professor, and a Mayan woman. I created low quality YouTube video blogs for four of the characters, the Mayan woman did not have a video, as she would not have had access to YouTube technologies. The videos were strategically placed on popular social networking sites, including YouTube and MySpace. The layout of YouTube contextualized the videos and framed them with user comments and similarly tagged user content. Jewish Girls was picked up by a popular left-wing Jewish blogging site Jewschool, and soon entered the Jewish Blogosphere where it was referred to as the JAP. This repositioning shifted the focus from the portrayal of multiple interwoven identities to a depiction of the Jewish American Princess. The JAP became how people knew my work, validating me while simultaneously conflating my identity with that of this particular character.

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One of the strategies that I employed to counteract idea of “me as The JAP was to group videos from the series  Acciones Plásticas together with three other Youtube videos in a video reel of my work. The first video in the reel,  el es frida kahlo is me dressed as Frida Kahlo where I violently scream I am Frida Kahlo! In second video Be Wife, I wear a bright red bikini top in front of an image of a Mayan temple in Tikal. Traditional Guatemalan marimba music plays in the background, while red text scrolls across the top reading Guatemala’s finest export. The third video Que Sencilla, features me as a little girl, who is being coaxed by an off-camera male voice to perform a dance for the camera.

Someone who is expecting to see a Jewish American Princess, is instead greeted with an enragedel es frida kahlo Latina artist, trying to fight the stigma of being associated with Frida Kahlo. My inclusion of these additional videos was to show the multidimensionality of the five characters initially presented in Acciones Plásticas. The Mayan women does not have her own YouTube video, but with the addition of the Be Wife video, her absence is felt even greater. The face of Guatemala in these videos, is the chest of a mail order bride. Another example can be seen within the four original videos themselves. With the grouping of the ghetto latina with the sexy latina professor, vast cultural and class difference can be seen between the two representations of Latina women. Put together with el es frida kahlo and Be Wife, there are suddenly five Latina performers all acting on one stage.

Jewish Girls Youtube Comments

May 3, 2009 § Leave a comment

Jewish Girls from the series Acciones Plásticas


Responses to Jewish Girls

ongoing intertextual exchange

April 28, 2009 § Leave a comment

The other day I posted a link on facebook to an article by Kevin Kelly on vizual literacy. Both Eric Repice and Eliyahu Enriquez responded to this post, and Eliyahu wrote a post about this exchange on his blog….

The following is a repost of Eliyahu’s post Vizual Literacy

RT/Hat Tip @mayaescobar Tools for Vizuality

Excerpt from Fb Thread Transcript:

In archiving poems in blog format, I find embedding videos with a distinct narrative to the word-piece heightens the sensory experience: simultaneous stimuli, rather than a replacement paradigm with regards to medium. The experimental nature of combining/utilizing moving images with poetry, such as those of Filipino Author, Nick Carbó, hints at what I’m trying to get at, though the idea I’m reaching for may be more a novelty for Literary marketing strategies/accessibility on the web… With an accompanying video in whatever length, the reader is more likely to stay with the poem, rather than a wham-bam!-thank you, sir means of creative dissection. Whereas, to capture the essence of canonization – the written word to a cinematic language, while maintaining their distinction – that’s something I’m currently playing with…

What Would Judas Do?

“I visited a sage, Rav Yosef Shalom Eliashuv, who lives in one of the most secluded ultra-Orthodox communities in Jerusalem. He was in poor health but still taking visitors… Speaking in Hebrew, I told him what, at the time, I felt was the truth. ‘Master, I am attracted to both men and women. What shall I do?’ He responded, ‘My dear one, my friend, you have twice the power of love. Use it carefully’ – Rabbi Steven Greenberg.”

I am attracted to

He loved me.
He loved me not.

I love bringing pleasure too

She loves mi.
She loves mi knot.

The Art of Couch-Hopping

Lark descending.
Lost Ark.

As Queer as A Clockwork Orange

Sources:


Maya Escobar’s YouTube Channel
Nick Carbó’s YouTube Channel
Eliyahu Enriquez’s YouTube Channel

Berlin’s Eruv at the 2009 Conney Conference on Jewish Art

April 15, 2009 § Leave a comment

I will be presenting Berlin’s Eruv at the 2009 Conney Conference: Performing Histories, Inscribing Jewishness at University of Wisconsin Madison.

Berlin’s Eruv is a conceptual project that addresses the assumed non-presence of Jews in Germany. Berlin does not actually have an eruv. There is however, an active Jewish community, one that is frequently overshadowed by the city’s prominent monuments and memorials commemorating Jewish life (death). Berlin’s Eruv weaves together voices from Berlin’s Jewish community in an attempt to construct a metaphorical eruv representative of a living Jewish Community. Just as the eruv exists in the minds of the people who abide by it, Berlin’s Eruv manifests itself through the conversations surrounding the idea of the piece.

*****

I will be showing Berlin’s Eruv at 2009 MFA Thesis Exhibition, opening May 8th at the Kemper Art Museum.

Frida Kahlo at the synagogue: Maya Escobar

April 6, 2009 § 6 Comments

Frida Kahlo at the synagogue: Maya Escobar and the young Jewish-American Creation

by David Sperber in Ma’arav Israeli Arts and Culture Magazine.
translation by Shlomit Nehorai

ARTICLE IN SPANISH & HEBREW

Maya Escobar is no doubt one of the ‘hottest’ things developing in the Jewish-American art scene. Escobar defines herself “dyslexic internet artist”. And in order to view her work you need not wander far.

Her work is mostly created in familiar internet format, and is most often displayed on Youtube. Escobar, daughter to a Jewish mother and Guatemalan father, defines her art work as ongoing personal anthropological-sociological research into the narrative language that uses contemporary media.

The “Acciones Plasticas” work includes short films that present a series of convincing characters and monologues that deal with identity questions. In the first short film in the series she appears dressed up as the Mexican artist Frida Kahlo who became an icon within the feminist discourse. it is commonly argued that Kahlo had some Jewish roots. Escobar is dressed and made up as is famously attributed to Kahlo – the uni brow – while screaming “I am Frida Kahlo, you are Frida Kahlo, we are Frida Kahlo”. In agitation or in ecstasy she tears her custom, messes up her hair, wipes her make up off of her face and returns to being herself. In another short film in the series she carries on with a monologue of a jewish orthodox woman. The text here is so exact that for a minute the line between irony and slapstick to deep seriousness is blurred. In another short film the stereotypical Latin female as a sexual sensual object is presented, when here too the subject is moving between embracing the stereotypes and breaking them. Escobar is presenting different episodes that she had experienced herself and that deal with her hybrid identity as a woman, as a Jew and as a Latin American.

Another work of Escobar is  “my shtreimel” – a video-blog that is also presented on Youtube.
In that piece appears a young man in his twentieths who sits in his room in front of a computer and talk about his Shabbat rituals. The monologue describes an amorphous jewish world in which jewishness lives and materializes without obligation to its institutions and mostly in personal frameworks. A central part in this world is self deprecation: The young man shows his beloved shtreimel and mentions that the shtreimel which looks like the traditional  is actually a women’s hat purchased at a thrift store.

names

In the work “eruv”  (intermingling)  Escobar relates to the fact that in Berlin there is no eruv even though there exists a vibrant jewish community. In a series of photographed interviews with the city’s citizens she transforms the notion eruv – from a halachic-legal notion that creates a conversion of the public space into the private space, into a blending – the creation of a multiple of characters and worlds. The blending (eruv)transforms into a cultural concept that celebrates the different and the unique. The individuals create a splendid mosaic that assembles anew the “collective” as a social concept. The way Escobar deals with the subject is typical to the jewish-american art world that tends to transfer concepts from the practical halachic and transfer them to another world, and so they transform into a metaphor of the personal or social condition. The personal experience is significant to Escobar: ” Like other jewish rituals, the Shabbat encompasses practicalities that materialize private condition in a private space. Except that the understanding of the private space and the public space is fluid and changes at all times. I think that it is very important that people celebrate their Shabbat as a pleasant experience, defined and personal. The Shabbat rituals evolve all the time  – not as an unbending obligation that is transferred from generation to generation, but as a result of a simple choice of the individual to create to him/herself nice and pleasant Shabbat customs. We all have these kind of customs.”

The intercontinental use of the Internet gave birth to a generation of individuals who create for creation’s sake, and the concept of art for art’s sake gets that way a new meaning. The Internet media connects individuals and contributes to mutual influences between people who work separately in far away places. The young work on the Internet challenges the old definitions in relation to what is considered art and what isn’t. Similarly, it adopts new presentation forms that are not the norm in the art world’s mainstream, and breathes new air into the art field.

The discussion into Escobar’s work leads into a wider discussion about the differences between the Jewish thinking in the Israeli discourse into the new understanding of the American world view. The Jewish-artistic engagement in the United States is influenced by the introduction of new-age ideas into the center of the conversation, and is integrating into the effort to create a connection between contemporary culture and the traditional Jewish identity. Within the American-Jewish community there are signs of a move from an organized institutional Jewish expression into a unique and personal expression of the very personal experience. These artists reorganizing the traditions on their own terms, and in this way contributing not insignificantly to the definition of Jewish-American Non-Orthodox Modern-orthodox anew. The link between Jewish culture and Jewish identity to art occupies a central role in this conversation.

The echoes of this tendency can be seen in Israel as well ( in the young Yiddish culture developing in Tel Aviv, for instance ), but generally there is still a deep disconnect between the dominant concepts in Israel and in the United States. In Israel it is common to connect between Judaism to an organized tradition and to a blood line that is based on a genetic continuity. On the other hand, many young Jewish-Americans marry outside their religion, but nevertheless see themselves as an integral part of the Jewish world and expect to not be expelled from it. As opposed to Israelis who experience their Jewishness in terms of disintegration that followed restoration, the Jewish-Americans create new branches where growth and rebirth metaphors fit them better.

The joining of contemporary culture and art to Jewish creativity expresses itself in fashionable characteristics like tattoos, hip-hop music, Internet art and the like, and is often understood as the disconnect with the accepted binary dichotomy between holly and the common. That is why conservative bodies see these art forms as a dangerous provocation. These new cultural concepts interconnect during confrontational discussions with the old cultural concepts. Philologically speaking it can be said that borrowing symbols from one discipline to another interferes with the semiotic systems. In the Kabalistic vernacular it is said that the energy that is released during the friction that is created by the disintegration of the usual vessels – creates  “new light”.

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