New Futuro featured in The Atlantic’s series on economic progress

November 4, 2012 § Leave a comment

New Futuro, founded in 2008, works with community organizations and schools in urban Latino neighborhoods to provide students and their families with access to the college materials they’ll need, all of which are available in both English and Spanish translations. The company’s web platform offers America’s largest Hispanic scholarship database and hundreds of articles featuring useful advice on college planning, as well as profiles of successful minorities who’ve reached high levels in their careers. New Futuro also publishes a bilingual print magazine, which is distributed for free in high schools and through nonprofit and community partners.

read the full article in The Atlantic: New Futuro Narrows the Education Gap for Latino Students

Chicago Teens: Learn how to prepare, apply, and pay for college

October 26, 2012 § Leave a comment

THE LARGEST COLLEGE PREP FAIR FOR LATINO STUDENTS & FAMILIES COMES TO CHICAGO!

NOVEMBER 10, 2012 NAVY PIER EXHIBITION HALL | 10 AM – 6 PM

New Futuro is hosting 3 more bilingual Road to College Workshops leading up to Chicago’s Largest Free College Prep Fair for Latinos on November 10, 2012 at Navy Pier. Thousands of dollars in scholarships, information and other resources will be given at these events.

REGISTER FOR THE FREE BILINGUAL COLLEGE WORKSHOPS
YOU CAN WIN $1,000 AT EACH WORKSHOP!

  • SAT, OCT 27- Daley College
  • SAT, NOV 3 – Unity Junior High School
  • SUN, NOV 4- Humboldt Park Field House

 

REGISTER FOR THE FREE BILINGUAL COLLEGE PREP FAIR

Escobar-Morales at The Painted Bride in Papeles: Are we what we sign?

August 24, 2012 § Leave a comment

PAPELES: Are we what we sign? aims to serve as a visual examination of our social bond with papers as legal signifiers of identity that shape individual mobility, cultural acceptance, gender and sexual-orientation equality, economic access, labor opportunities, and educational attainment.  Visual artists, community leaders, and arts administrators use this project to reflect upon the socio-cultural impact of documentation processes present in American society.

This exhibition gathers twelve influential—established and emerging—artists working in drawing, painting, installation, printmaking, photography, and mixed media. Participating artists include Andrea Rincon, Andria Morales, Carlos Nuñez, Doris Nogueira-Rogers, Erika Ristovski, the duo Escobar-Morales, Jonas Dos Santos, Jorge Figueroa, Lina Cedeño, Michelle Ortiz, Paula Meninato, and Susana Amundaraín.  They propose social-visual experiments from their positions as immigrants and/or descendants of immigrants from Latin American nations. New and existing works in this exhibition illuminate the concept of documentation into powerful narratives of critique, ambiguity, longing, and resilience.

 

The Painted Bride
230 Vine Street | Philadelphia, PA 19106 | 215.925.9914

September 7 – October 21, 2012
Gallery hours: 12pm – 6pm, Tues – Sat
First Friday receptions: September 7, October 5 | 5-7:30pm
Guest Curator Andreina Castillo | Co-Presented with Acción Colombia

Digital. Creative. Conceptual. Think Tank Team.

March 27, 2012 § Leave a comment

Ladies and Gents, life is good.  I am the Creative Director for New Futuro.

New Futuro provides Latino families with fully bilingual resources and tools to get students into college and beyond! We are committed to making you an education rockstar!  We will  teach you how to get into the college of your dreams with money to pay for it.  It’s all about making the right classes at the right time, knowing the right people, and getting involved with the right groups.  College is your future,  so why should it be a challenge to get there?  New Futuro will help you achieve your dreams through education! 

Read more about my #awesome creative team here.

AMerican MEdia Output in New Jersey

May 17, 2011 § Leave a comment

You saw Escobar-Morales as promo models in TX, “promoting” Arizona Tourism…

And here we are as marketing executives in NJ.

Andria was live at Gallery Aferro and I skyped in from Chicago.

Stay tuned for more details on the performance and the results from AMerican MEdia Output‘s #targetaudiencesurvey.

AMerican MEdia Output in Texas

May 11, 2011 § 1 Comment

AMericanMEdiaOutput.com
twitterFacebookLInkedIn

Negotiating Latina Identity through Performance Art on the Web

April 14, 2011 § 1 Comment

Andria and I will be presenting  Are You My Other? next week at the 2011 National Popular Culture Association Conference in San Antonio, TX.

Negotiating Latina Identity through Performance Art on the Web
with Maya Escobar and Andria Morales

Challenging mainstream and academic representations of Latina identity, performance artists Maya Escobar and Andria Morales publicly negate, deconstruct, and reconstruct their individual histories, identities, and conceptions of self. In their current project Are You My Other? a self-portrait dialog exchange blog, Escobar and Morales draw from popular culture, Latino/a cultural iconography, and their lived experiences to create and virtually perform conflicting representations of Latina selves. From devoted homemaker to hockey player, reggaetonera to construction worker, conceptual artist to human corn on the cob, the artists model the multiplicity of identity.

Due to their shared physical similarities, followers of their online exchange often mistake Escobar and Morales for one another. The merging of their identities is further perpetuated through their activities on social networking sites such as Facebook and Twitter. By locating these performances within the space of the web, where they are free from restrictions of time and place, the artists are able to concurrently enact multiple personas while simultaneously forming a unified (Latina) hybrid self.

Entrevista en Sí Se Puede

March 7, 2011 § 2 Comments


an example of my Internet Art

Last week I had the on honor of being interviewed by my papi on Sí Se Puede. We talked about Internet art, the implications of growing up online, linguistic performances on twitter, public vs private, and more.

If you missed it you can listen here:

Andria, The Fat Free Elotera, and I are featured in JEWCY

February 24, 2011 § Leave a comment

Maya Escobar in Jewcy
Jewcy Art: Maya Escobar
by Margarita Korol, February 24, 2011

In 2007 we dubbed her the Anti-Feminist Feminist Jewish Latina. We stumbled upon performance artist/ Internet curator/ editor Maya Escobar again at the GA in New Orleans where her video installations were making a Marina Abramovich-style scene near Jewcy’s booth. She uses the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. She performs multiple identities, sampling widely from online representations of existing cultural discourses.

click here for full text

GO PUBLIC

February 3, 2011 § Leave a comment

“Viaja con Aerolíneas Públicas” ¿Estás cansado de ser perfilado, acosado y tener que mostrar tu identificación cuando vas a, bueno a… cualquier lugar? Vuela en Aerolíneas Públicas y el control de seguridad en tu aeropuerto local será el último lugar donde te pedirán tus papeles. Aerolíneas Públicas vuela sin escalas a destinos amigables como Nueva Jersey, Illinois y el suroeste de Pennsylvania. Te garantizamos que tú mantendrás tu tarjeta de identificación en tu cartera siempre. VIAJA CON AEREOLÍNEAS PÚBLICAS.

@PublicAirways

“Go Public.” Tired of being profiled, harassed and carded on your way to, well… anywhere? Fly Public Airways and the security checkpoint at your local airport will be the last place anyone asks to see your ID. Public Airways flies non-stop to friendly destinations like New Jersey, Illinois and Southeastern Pennsylvania. We guarantee you’ll keep your card in your wallet for good. GO PUBLIC.

@PublicAirways

Why did you have to pick this weekend to be a Chicano?

January 14, 2011 § Leave a comment

Mayra Ramirez

Mayra Ramirez makes my heart pitter patter….
(here is a repost of one of her latest posts on her blog Hella Breezys)

It’s hard for me to fully express my disappointment and frustration with Arizona’s law makers… last week they passed HB 2281 witch bans “Ethnic Studies” in the states K-12 grade classrooms. I cannot emphasize how important it is to be able to learn about the history of our peoples, of our ancestors, and to be able to find pride and empowerment in that. It’s such a sad and scary time in both Arizona and the country. Here is a great article about HB 2281 that I found very interesting…

So now I want to share my favorite Save by the Bell episode where Slater finds his Chicano Power!!! I feel it’s a great example of why having Ethnic Studies in our classrooms is so crucial…

FUCK ARIZONA’S ETHNOCENTRIC LAWS… WE NEED TO FIGHT FOR THE RIGHT TO LEARN OUR HISTORY, OUR CULTURE AND THE ACCOMPLISHMENTS OF OUR RAZA… TIERRA, JUSTICIA, Y LIBERTAD!!!

RIGHT ON MAYRA!!!

And be sure to check out her collaboration with the always amazing Rio Yañez

Gallery of Gifs pt 2

January 5, 2011 § Leave a comment

If you enjoyed Gallery of Gifs (pt 1) check out these bad boys:
(click images to view posts on Are You My Other?)




Explosion of Latina Bloggers

August 7, 2010 § 4 Comments

LATINAS ARE EVERYWHERE!

click image to watch video on Today Mom’s

Check out interview with Blogueras Carrie Ferguson Weir of TikiTikiBlog.com and Bilingual In The Boonies, Melanie Edwards of ModernMami.com and Ana Flores of SpanglishBaby.com at BlogHer.

And don’t miss post on Wired Latinos on Blogs by Latinas founder Monique Frausto.

Savvy Latina: Smart. Sexy. Stylish.

July 24, 2010 § Leave a comment

Recently I had the honor of being featured on Savvy Latina.

Savvy Latina is more than just an online publication; it’s a lifestyle.

Savvy Latina is here to fill a void for today’s successful, stylized & sophisticated Latina. Savvy Latina is dedicated to keeping in step and following topics important to today’s Latina.

Savvy Latina offers in-depth coverage of key figures in Latino culture, entertainments rising and accomplished stars, business leaders, politicians, policy makers and the Savviest Latinas.

Image is everything but knowledge is the key. Savvy Latina is dedicated to keeping Today’s Latina looking good and well informed with the newest and latest. Savvy Latina’s mission is to make sure today’s Latina has a source dedicated to just who she is, a publication with a wealth of information on various topics important as well as entertaining to her.

Savvy Latina was founded by a Latina and dedicated to Latinas with traditional beliefs but that are also craving some of the finer things in life that are well deserved as a result of our hard work and dedication we have put in to advance not only themselves but Latinas as a whole socially and economically.

Today’s Latinas are not only influencing but are now directing government policy, business practices, arts, entertainment, fashion and a whole lot more.

We are proud to present to you Savvy Latina. We hope you love it as much as we do.

el es frida kahlo at the gallery

February 5, 2010 § Leave a comment

el es frida kahlo is currently on view in the New Media Room at the Bruno David Gallery in St. Louis, MO.

el es frida kahlo

el es frida kahlo, 2007-present

Frida Kahlo played with the identity that she wanted to project and the identity that was placed on her by others. Kahlo used her clothing, political affiliations, sexual escapades, and personal traumas, to create a character that informed her body of work. She inscribed her identity, painting her image over and over, constructing a mythology around her persona.

In el es frida kahlo I confront the ambivalence I experience as a result of my simultaneous obsession with Frida Kahlo and weariness towards her commodification. Viewed from a tiny pinhole, dressed as Kahlo, I stand before a reproduction of one of her self portraits. With a mixture of rage, anxiety, and complete fear, I chant “el es Frida Kahlo, ella es Frida Kahlo, el es Frida Kahlo, yo soy, yo soy, yo soy Frida Kahlo,” he is Frida Kahlo, she is Frida Kahlo, I am, I am, I am Frida Kahlo. As I yell, the painting behind me begins to fall. I violently tear down my braids and smudge off my makeup while continuing to scream “I am Frida Kahlo, I am Frida Kahlo, yo soy Frida Kahlo!”

el es frida kahlo at the Bruno David Gallery (video filmed and edited by Felicia Chen)

el es frida kahlo YouTube video

FREE el es frida kahlo animated gif avaliable on MayaEscobar.com

link to translation of recent review by David Sperber in Ma’arav Israeli Arts and Culture Magazine:

Frida Kahlo at the synagogue: Maya Escobar and the young Jewish-American Creation

Latina Women Respond

February 3, 2010 § Leave a comment

Recently Latina Role Model was featured on TikiTiki Blog: stories with cultura, color and sabor, in a post by Carrie Ferguson Weir called Smart Latina vs. Sexy Latina.  Carrie asked readers:

So, has your Smart Latina run up against the Sexy Latina? What do you see when you watch Maya’s video? What does it bring up for you? Why can’t we be both Smart and Sexy? Let’s talk about this, break it down, maybe shatter some stereotypes, and bust our own too.

Check out the PROFOUND difference in the nature of the comments left on this post (comments posted below) vs the ones left on YouTube.

my contribution to post on Tiki Tiki:

I perform over-the-top representations of different identities. I group together these representations (characters) as a means of challenging limited perspectives of what women are like, and in this case, what Latina women are like.

This character is supposed to be an intellectual, accomplished, socially conscious woman- who will forever be seen as the “Sexy Latina.” The low quality video blog is meant to mock scenes in movies, where the hot high school teacher walks down the hall and all the boys undress her in their minds.

But I am not taking a negative or positive stance either. I want to question the role Latinas play in perpetuating this persona, and question if that is even a bad thing? Are we limiting ourselves by continuing to have this same conversation, even though the behavior persists, are we enforcing it by bring more attention to it?

I haven’t always been so impartial. Out of all of the characters in Acciones Plásticas, The Latina Role Model is the one I identified with the most.  My original description of the way this character was perceived by others was much more reactionary and much angrier than it is now. (see below)

The Sexy Latina© from Acciones Plásticas free (stereotype) postcard, 2007

The Sexy Latina© is an educated woman who cares about important social and political issues. She wears suggestive provocative clothing to compensate for giving up her role as a homemaker. She uses her sexuality to obtain positions in the work world.


Latina Role Model from Acciones Plásticas プリクラ 2009

Over the last two years this character has really evolved. Here is the new description of The Latina Role Model, re-imagined as part of my Acciones Plásticas プリクラ collaboration with artist Rio Yañez:

The Latina Role Model is a diploma totin’ intellectual, sexy, social media goddess.

What do you think?  How does the earlier description of The Sexy Latina© differ from this new description of The Latina Role Model?  How do these two images relate to the Latina Role Model YouTube video?

  • This is an excellent post and an excellent video. It really does make you think.

    I am really not qualified to speak from a “Latina perspective” on this topic because I am Anglo. (If you read my blog, you’ll know I’m Sra. López only because I married a Salvadoran.)

    That being the case, I can’t speak from personal experience on Latina stereotypes, but I would like to contribute an opinion or two on topics that are pretty closely related.

    For example, it really bothers me that the Latinas picked as reporters and journalists on Univision and Telemundo seem to be more for the purposes of eye candy than to report the news and add intelligent commentary — not that they aren’t intelligent women, but I think the sexism by the head honchos over there is pretty evident, not just on the news, but on other programming as well… And English language channels aren’t always much better. I think Western women in general – no matter what their race, fight very hard to overcome the sense that we are valued more as objects of sex/beauty, than for what’s inside.

    It’s very frustrating and I don’t envy the difficult job many women have of raising daughters in this world. (I have 2 sons) … With my own self esteem issues, I can’t imagine what a challenge it would be to raise a girl who is confident in herself and who doesn’t let Hollywood, fashion magazines, men, or even other females, get her down.

    I don’t know the solution to achieving true equality, but I think talking about it all is a good start.

  • Very interesting…The role model I immediately identified with was the socially-conscious, smart role model, which made me realize how loaded that role is. Being an accomplished and educated Latina comes with so many expectations — the whole giving back to the community, serving your community, being a role model and mentor for others, etc. — that’s not something that an accomplished non-Latina woman has to worry about (or feel committed to).

    With regards to the sexy role model — I always say that there is no sexier woman than the one that exudes confidence in herself and who she is — the sexy clothes are just extras…

    Great conversation…

  • [...] Tiki Tiki: Stories with Cultura, Color and Sabor, thanks to post by Carrie Ferguson Weir entitled  Smart Latina vs Sexy Latina. Check out the post and be sure to leave your [...]

  • Ana Lilian says:

    I guess I just never even thought of myself as the Sexy Latina…but a cute one yes! LOL! But once I´m on the dance floor, then the sexy comes out and it´s all good.

    But,seriously, I guess I just lack the perceived-Latina sassy-ness as I´ve never felt that bias towards me.
    I will definitely agree with dear Sra. López that the media, especially the Hispanic media, is completely promoting the hot Latina stereotype, and not much of the smart Latina one. Why do their “news” anchors feel they need to have their breast augmented to be taken seriously?

  • Kikita says:

    I think it is inherent in our culture to be “hot” in every sense of the word because we are so passionate.

    I love what Maya was trying to accomplish and say with her video, but I found that she couldn’t hide or deny her Latin sensuality even when she was trying to play the part of an “intellectual, accomplished, socially conscious woman.”

    This DID make me stop and think, but what I realized is that I tend to shoot for a 3rd type. I go for “Classy Latina.” You know, the one that can wear the big hoops and sexy top with a pant suit. Someone like Ingrid Hoffman or Karla Martinez.

  • C. Morales says:

    My impression is that Latina women play into the stereotype because Latino men often expect them to, and they are threatened by a smart woman. It is not just non-Latino men who expect a mujer caliente and nothing more.

  • Liz says:

    How you project yourself, depends on you, no matter what. I, like Ana, never felt that I was looked at differently because I am Latina. I don’t see my self as a Sexy, Hot, Latina(I hope my husband does, though). Hell, I’m 33, been married for 12 years, and have 3 kids. I don’t get “chifles” anymore… ): LOL!

    This is directed towards the younger, single generation. How they present themselves as the future “Latina Generation”, depends on how they are raised. It’s up to us, as moms, to teach our daughters to go and be the BEST they can be. It’s up to me to raise my daughter to know what it right from wrong. Do guys really still think that girls are still destined to be “home/baby makers? Really??

    Forget Hollywood. Forget the Media. Heck, forget the evening news. If those ladies felt that they need to have their lady lumps hanging out in order to get the job, then I feel sorry for them. But, it is what it is.

    I will raise my daughter to know that education is the key to being classy and sexy! Not exposed Humps and Lady Lumps! Also, I will raise my boys to see women and they see themselves. Whether they marry a Latina or not.

    Ay, me pase de mas! he he!

  • SUZ says:

    A smart and fun video commentary on the stereotypes of women in general…the educated intellectual, the hot babe, the innocent women. I like that Maya uses humor to deflect the extremes. Also that she creates a fine line between integrating the different role types. This is interesting because everyone is never just one thing…but we may choose to identify one way.

  • I think it’s part of a male dominated culture. Many women have this problem of having to manage male expectations in their professional lives, whether it is living with objectification or men projecting their need for nurturing from any woman they meet. I’ve had jobs where men thought it was okay to flirt with me and expected me to fulfill some messed up hot secretary fantasy, and I’ve had jobs where men I worked with expected me to be maternal and when I was driven, I was labeled aggressive. I’m not a dog, I’m not a hooker, and I’m definitely not your mother, guys.

    I think we have to teach men when they’re children that women can fill many roles and to expect them to be as capable and androgynous as any man performing the same duties. By the same token, I don’t know how I feel about using gender or sexuality as an asset to get ahead, my feeling is that anything you do that is manipulative in nature, is skirting unethical, if not flat out crossing the line.

    Having a sense of humor about stereotypes though, I don’t know if I see a problem as long as you don’t go too far and reinforce them. If it’s clear it’s a joke and part of the joke is how ridiculous stereotypical behavior really is…

  • Carrie says:

    I love the feedback, ladies. All great points and fabulous reflection.

    I am left wondering this, after reading Ana and Liz’s comments: Is stereotype/perception felt/seen at a greater level when we don’t live in predominately Latino communities?

    This comes to mind because your comments made me realize I never thought too much of my Latina side and my American side until I lived in cities where there weren’t a bunch of Cubans running around me everywhere. My otherness was apparent and pointed out. It was almost like, wow, I am different?

    Interesting!

  • Marta says:

    I don’t fit into the Sexy or Brainy Latina mold at all. Probably because I look very Anglo – light skin, blue eyes. I blend pretty seamlessly into my So Cal suburban life.

    Except for the Latina “chispa.” That’s always the big giveaway right there. =D

  • Liz says:

    Carrie,

    I emailed your post to my niece, whose studying at Penn State, this is what she had to say:

    Well, I agree with her lol. A lot of people especially here in Pennsylvania, see me as exotic because I’m Hispanic. They expect me to speak Spanish all of the time and a lot of them expect me to be kinda stupid and slutty. But when people get to know me, they find out that I’m extremely smart. Smarter than most people they encounter. And it sucks because I’m always having to prove myself to people and to teachers. But in the end, I’m the one that’s dropping jaws for my intellect and not for my attractiveness =)

    The end haha. Hope that helps.

    I am one PROUD Tia!!! (:

  • Carrie says:

    Liz, aha! Thank you for sending the post to your niece and validating my theory. I love how your niece wrote to you and the “stupid and slutty” line made me bust out laughing — especially because she obviously is not.

    Gracias, proud Tia!

    (Maybe she needs to write for the Tiki Tiki? hmmmm?)

  • Veronica says:

    Great video and excellent points.

    I think that this expectation for Latinas to appear sexy is one reason why I reject the hot mom movement. I wish there was just as much social pressure to be smart Latinas, smart moms, smart women as there is to be hot, sexy, etc.

Latina Role Model on Tiki Tiki

January 21, 2010 § Leave a comment

Latina Role Model is on Tiki Tiki: Stories with Cultura, Color and Sabor, thanks to post by Carrie Ferguson Weir entitled  Smart Latina vs Sexy Latina. Check out the post and be sure to leave your responses!

Latina Role Model on Tiki Tiki

behind the scenes acciones plásticas purikura

January 13, 2010 § 1 Comment

The Latina HipsterThe Latina Role ModelThe Homegirl

Here are some behind the scenes images from the many Acciones Plásticas プリクラ photo shoots.

The Latina Hipster  (performance still)

The Latina Hipster

The Homegirl  (performance still)

The Homegirl

Becoming The Homegirl (performance still)

The Homegirl putting on fake nails (lovin’ the shabbos candlesticks and theory books in the background)

The Avodah Girl (performance still)

The Avodah Girl

The 612er  (performance still)

The 612er

———————————————————

Check out this inspiring write-up on Acciones Plásticas プリクラ on Truth and Healing Project.

excerpt below:

goodness.   I’ve been thinking a lot about the intersections between new media and traditional forms of knowledge and how these intersections can be ways of supporting tradition, innovation, resistance and liberation.  As a media-maker, I’ve thought a lot about non-traditional forms of telling stories and the value of stories to allow us as individuals and communities  to grow and remain in movement.  I want to both  honor our traditions and create space for challenge in order to support growth.   This is particularly challenging when, as indigenos, we are usually FORCED  into the frozen stance (as my sister Whisper says)  of the “American Imaginary”.    Born out of a flat analysis, the “American Imaginary”  boxes us into specific archetypes and narratives that,  though perhaps grounded in truth,  metaphorically and at times literally  “freeze” us and immobilize us from engaging in healthy movement and LIFE.  As a guatemalan-born/ mixed -id’d/ mayan-adoptee I’ve  dreamed about new and innovative ways to create forums and craft form that embodies the intersections of say,  mayan id, transracial queer, working class, single teen mama id.   For example, as a queerasfuck femme I’ve LITERALLY dreamed of beginning a series of corsets created out of huipil’s with stories attached to each… though I have yet to begin work on that.  I am so excited by the thoughts of spaces for dialogue, beauty, challenge & examination of the COMPLEX identities embodies by the our contemporary indigena communities. .  Fierce and phenomenal chicana and radical latina artists  have had HUGE impacts on me but I’ve been hungry to see this come from other guatemelan/ mayan artists.  Today, I got a taste of a  contemporary and GUATEMALAN artist who is  actively engaged in a similar examination!  I came across this blog (and art work)  and it was as if an answer was given to me in the form of possibilities.  A sweet affirmation that this form of mayan/guatemalan  art CAN and DOES exist.

acciones plásticas goes プリクラ chicano style

November 1, 2009 § 4 Comments

Acciones Plásticas プリクラ

Acciones Plásticas プリクラ is a collaboration between artists Maya Escobar and Rio Yañez.

The Latina Hipster
a bad-ass Morrissey-lovin’, tuff-girl sexy chica


The Latina Role Model
a diploma totin’ intellectual, sexy, social media goddess


The Homegirl
a hybridized version of Escobar’s Midwestern Chach and Yañez’s West Coast Chola.

In Acciones Plásticas Escobar created a multi-faceted “doll” by assuming the role of designer and distributor, and even posing as the actual doll itself.  Each doll was a satirical characterization of some of the many roles that have been projected upon her, and into which she has, at points, inevitably fallen. In conjunction with these images, she developed a short series of low-definition youtube video blogs through which she inhabits the lives of “real women” who have each been visibly defined by societal constructs.

Recently, Yañez has been utilizing Japanese photobooths (known as Purikura or “print-club”) as an artist’s tool for creating portraits. These booths are much more common in Japan than their United States counterparts. As a catalyst for creative expression and social interaction they are used primarily by young urban Japanese girls. A standard feature in all Purikura booths allows the user to digitally decorate their portraits after they take them. The options are vast and include wild characters, excessive starbursts of light, pre-made phrases and the option to draw your own text directly on the image. Purikura gives the subjects near-divine powers of self-expression in crafting their own portraits.

The two artists who met over the web, decided to bring together Escobar’s highly charged and evocative Acciones Plásticas characters with Yanez’s notorious Chicano graphic-art style and new found obsession with Purikura images, as a way of addressing the construction of Latina identities.

Maya posed as The Latina Hipster: a bad-ass Morrissey-lovin’, tuff-girl sexy chica; The Latina Role Model: a diploma totin’ intellectual, sexy, social media goddess; and finally, The Homegirl: a hybridized version of Escobar’s Midwestern Chach (or Chachi Mama) and Yañez’s West Coast Chola.

Maya sent digital images to Rio, who in turn drew portraits of her as each of these constructed identities. He approached each portrait with a Purikura sensibility and decorated them each as the characters represented might accessorize themselves.

The final series of portraits is the result of negotiating multiple identities and influences. Guatemalan, Jewish, and Chicano sensibilities reflected back through a Japanese Purikura aesthetic. Acciones Plásticas プリクラ challenge and question the thin line between archetype and stereotype. The Purikura elements present the novel signifiers of each social construct represented in the series.

This collaboration is the first of many to come as Maya and Rio explore the commonalities and differences of their cultural identities.

For more information on Acciones Plásticas プリクラcheck out Rio’s blog and stay tuned for guest post by seeNoga aka Carianne Noga on meeting the Chach Homegirl in real life.

(video of the Chach featured below)

Mercedes Sosa y Shakira

October 9, 2009 § 3 Comments

Mercedes Sosa y Shakira grabando La Maza

Nuevos Compañeros: Rio Yañez

September 30, 2009 § Leave a comment

My newest partner in crime is the talented, witty, godzilla and pikapika lovin’ Chicano artist and curator Rio Yañez. I first came across his Ghetto Frida two years ago, while working on the project Obsessed With Frida Kahlo. Immediately I felt some sort of cosmic connection-not to Ghetto Frida- but to her creator. And then to make matters worse better, I found out that he is the son of one my biggest heroes- Yolanda Lopez!

There was really no option other than collaboration.  It was fate.

Last month we finally initiated our long distance partnership through a tweet.  Since then we have been communicating through TwitPic, Facebook, YouTube, phone calls and texts,  and of course mutual shouts in interviews on the blogosphere (mine to RioRio’s  to me.)

Here are a few examples of Rio’s recent work:

Amber Rose by El Rio.

“I’ve been twittering for about a week now at http://twitter.com/rioyanez. I signed up as a way to contact Amber Rose after she started writing and posting about the portrait I created of her. I have to say, the most exciting aspect of twitter is the way people distribute images. The short urls for twitpics that often pop up on tweets evoke a sense of curiosity in me; more so than the many thumbnails that can be found on facebook. I think the lack of a thumbnail is more alluring and it forces you to chose to see the image or not, there’s no middle ground of a provided preview.” (from his blog)

“Artist Curator Rachel-Anne Palacios flanked by Zitlalix and I. I created this portrait to thank Rachel for including me in the recent Frida exhibit she curated and to join the many artists who are on display on the walls of her apartment” (from flickr)

These images represent my first foray into my Raza Zombies series. They were inspired by the single best mainstream comic book of the 21st century: Marvel Zombies. Marvel Zombies re-imagines classic superheroes as flesh eating zombies. After reading it I felt compelled to do some zombie transformations on a few of my own personal heroes. More to come. (from flickr)

Video of Gomez Peña setting the record straight for Rio regarding his Facebook presence.

Rio’s Ghetto Frida Mural in the Mission District

stay tuned for more…

Interview on Blogadera

September 15, 2009 § 2 Comments

I was interviewed on the Latino Blog Directory site Blogadera

click here for full interview:

Here we are with Maya Escobar. An artist and educator whose art, personality and opinions come to life by way of her blog and social media extensions.  We are thrilled to have her on to talk about her background, blogging and sharing her blogging experience with the rest of the blogadera.

When did you start blogging? What prompted you to pick it up.

I started blogging in 2005, at the time I was completing my degree in art education at the School of the Art Institute of Chicago.  I was interested in connecting with other artists, activists, students and educators to share ideas and resources.

What do you blog about? Why?

I blog about issues that relate to the artworks I am producing (basically concepts I am thinking about). Topics include: the construction of identity, hybridity, sexuality, education, placelessness, immigration, activism, religion, and mental health.

Can you give us a little bit of background on Maya Escobar?

Well… it just so happens that I just posted a new “about me” to my website:

I am a performance artist, Internet curator, and editor. I use the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. I perform multiple identities and sample widely from online representations and existing cultural discourses. My identifications as a Latina-Jewish artist, dyslexic blogger, activist and educator are indexed by the blogs I keep, the visual and textual links I post, the books, articles, and blog posts I cite, the public comments I leave, and the groups I join.

By examining and re-imagining my personal experiences, I attempt to provide others with a framework for questioning societal limitations based on gendered and racialized cultural generalizations.

(if you found that about me too dull there is a post on my blog where I describe myself as an elephant)

Does your blog reflect your culture? Is this intentional or just a natural byproduct?

I hope that my blog reflects a culture of critical inquiry, communal dialogue, and collaboration. (this would be intentional)

What is the state of the Latino Blogosphere? Do you see it growing? Any Examples?

I see more and more Latina and Latino bloggers every day.  But what I find most exciting is when those bloggers are young people and they are blogging with a positive message.  A wonderful example that I have found is MyLatinitas.com the social networking platform hosted by Latinitas Magazine. Here young Latinas are actively sharing their thoughts on politics, culture, education, and family.

You work alot with videos…do you consider yourself a vlogger? If so, can you define that for us!

hmm… I am not really sure if I consider myself to be a vlogger.  When I think of a vlogger, I think of a person who makes videos that contain similar content to content that would be included in a blog post (such as current events, politics, or personal observations.) Maybe, I am a part time vlogger

Any advice for Latinos who want to start blogging?

I think it is important to get a sense of why it is that you want to blog, what will your blog say about you, and how you envision your blog interacting with your personal and professional life.

Write about issues that you are passionate about, in a way that other people can relate to.  Use the Internet for all it can do- link between your own posts and link to posts written by others.  Read other people’s blogs and comment!  If you want people to be interested in the things you are writing about know what they are writing about!

And most importantly when you can, blog in Spanish!

What blogs do you follow or subscribe to? Favorites?

I just started reading VivirLatino which led me to the awesome blog of La Mamita Mala. I have been following Latina Lista for sometime, Rio Yañez and his buddy Maya ChinchillaSergio AntonioJorge Linares…… the list just keeps on growing…

What are you favorite social media sites and how do you use these tools in your day-to-day?

At this point twitter, youtube, flickr and wordpress are the sites that I most commonly use. My activity on all of theses sites crosses over.  For example, I might write a post on my blog, that will include a youtube video and images I posted onto flickr.  Then I send a tweet that includes either a segment of my blog post, an image from the post, or some of the tag words describing the post.

Do you divide social media by purpose, friends, professional v. personal, etc.?

Not really, for the most part my personal life is my professional life.

What’s next for Maya? What do we have to look forward to from you?

I am working with my father on developing my first performance piece entirely in Spanish. We are using a recording of an interview my mother conducted with my abuelita in 1985, as source material for the monologue I will be performing recounting her experiences, but as myself- two generations removed……

I am also planning a piece with fellow artist and blogger Rio Yañez surrounding the Wise Latina phenomenon.  I don’’t want to give too many details away, but I can promise there is going to be a Top 10 list!

wise latina on Twitpic

[more]

check out other Blogadera interviews with Carrie Fergerson and Jo Ann Hernandez

take a picture of me for my myspace

May 11, 2009 § 2 Comments

In October of 2006 my rabbi started blogging. While trying to comment on one of his posts, I accidentally registered my own blog. Within hours of posting a comment, my name began appearing in Google searches. I was now linked to the post I had commented on, previous posts my rabbi had written, comments left by other users and the posts they had written elsewhere within the blogosphere. The rapidity with which I was branded, not only by my own online activity, but also by the online activity of others, seemed incomprehensible.

http://farm1.static.flickr.com/140/407330068_cef67d7d48.jpg?v=0

I thought about this phenomenon in relationship to, the images that my friends and I had posted on Myspace throughout that year. I unknowingly went from being slightly annoyed and simultaneously amused by the phrase “take a picture of me for my Myspace”, to it becoming completely natural and almost organic to document every moment, every outing, every time my friends and I put on make up, and to take pictures for Myspace. I saw this behavior even further exaggerated in the high school students I was student teaching. Their conversations were dominated with events that had transpired on Myspace, and when they were not talking about Myspace they were taking pictures for Myspace.

When we talked about the factors that contributed to the construction of their individual and collective identities, my students were quick to bring up their style of dress, group of friends, the neighborhood they lived in, and the way they spoke. Yet not a single student referenced their online activity, the pictures they posted, the groups they joined, the comments they left on each others pages. I wondered why it was, that they were so aware of and adept at reflecting upon their experiences in the material offline world, but failed to mention the social network that played such a major role in their day-to-day lives.

DECONSTRUCTING PERSONAL IDENTITY

the chach

(today) I am referring to myself as a performance artist, Internet curator, and editor.  I create and (concurrently) perform multiple online identities, by sampling from different representations of existing cultural discourses. I fragment my personal experiences and invite  others to join in, and modify and regroup those fragments. By doing this I hope to share the process through which I  deconstruct and reconstruct my individual conception of self, so that others can do the same in their lives.

In the series Acciones Plásticas I performed representations of five constructed characters: a religious Jewish woman, a spoiled Jewish girl, a ghetto Latina, a sexy Latina professor, and a Mayan woman. I created low quality YouTube video blogs for four of the characters, the Mayan woman did not have a video, as she would not have had access to YouTube technologies. The videos were strategically placed on popular social networking sites, including YouTube and MySpace. The layout of YouTube contextualized the videos and framed them with user comments and similarly tagged user content. Jewish Girls was picked up by a popular left-wing Jewish blogging site Jewschool, and soon entered the Jewish Blogosphere where it was referred to as the JAP. This repositioning shifted the focus from the portrayal of multiple interwoven identities to a depiction of the Jewish American Princess. The JAP became how people knew my work, validating me while simultaneously conflating my identity with that of this particular character.

http://farm4.static.flickr.com/3362/3521552366_98c65eccfe.jpg?v=0

One of the strategies that I employed to counteract idea of “me as The JAP was to group videos from the series  Acciones Plásticas together with three other Youtube videos in a video reel of my work. The first video in the reel,  el es frida kahlo is me dressed as Frida Kahlo where I violently scream I am Frida Kahlo! In second video Be Wife, I wear a bright red bikini top in front of an image of a Mayan temple in Tikal. Traditional Guatemalan marimba music plays in the background, while red text scrolls across the top reading Guatemala’s finest export. The third video Que Sencilla, features me as a little girl, who is being coaxed by an off-camera male voice to perform a dance for the camera.

Someone who is expecting to see a Jewish American Princess, is instead greeted with an enragedel es frida kahlo Latina artist, trying to fight the stigma of being associated with Frida Kahlo. My inclusion of these additional videos was to show the multidimensionality of the five characters initially presented in Acciones Plásticas. The Mayan women does not have her own YouTube video, but with the addition of the Be Wife video, her absence is felt even greater. The face of Guatemala in these videos, is the chest of a mail order bride. Another example can be seen within the four original videos themselves. With the grouping of the ghetto latina with the sexy latina professor, vast cultural and class difference can be seen between the two representations of Latina women. Put together with el es frida kahlo and Be Wife, there are suddenly five Latina performers all acting on one stage.

Cultural Identity Dialog Exchange

November 16, 2007 § 1 Comment

Below are selected excerpts from a grant proposal that I recently submitted to Washington University, for a cultural identity dialog exchange between Guatemalan Youth living within the diaspora and those living in Guatemala.

Please contact me if you are interested in collaborating, participating (either yourself or your child) and funders.

Within most North American contexts I am inevitably the only Guatemalan representative. As a child I yearned for this paternal classification. I wanted desperately to be a Guatemalan. However, upon entering academia I immediately became the Guatemalan. As an artist, this categorization places me in the awkward position of being unable to produce work without feeling and seeming inauthentic, voyeuristic, and exploitative.

In order to directly confront these insecurities and consequential perceptions, I will expose myself to the very environment where I feel most uncomfortable: Guatemala. I will present myself exactly as I do in the United States with the self-imposed title: Guatemalan Jewish Interdisciplinary Artist and Educator. Working as a researcher, artist, educator, student, performer and public speaker I will interact with all of the communities represented by the aforementioned title.

[...]In this lesson, students will critically analyze the ways in which Guatemalans have been depicted both historically and presently. They will look at national and international examples of these depictions, produced by: historians, anthropologists, sociologists, the media, and artists. Considering the mediums that have been utilized in these depictions (newspapers, magazines, history books, movies, paintings, the internet, etc.), and their availability to the general public, students will evaluate the impact of these depictions on the formation of their personal identity.

Students will then discuss their feelings towards Guatemalan youth living in the US, who have inevitably been equally (in not more so) effected by these depictions. They will then analyze the specific elements these depictions falsely portray or leave unsaid, thus identifying the important things they want Guatemalan youth living in the US to know about their culture. [...]

• What role does an individual play in defining their identity?
• How is identity affected by: surrounding community, geographic location, socio-economic background, religious beliefs, political affiliation, gender, sexuality, level of education, access to technology?
• What responsibilities accompany self-imposed cultural allegiance?
• What responsibilities accompany societal-imposed cultural allegiance?

student work from Cuyotenango, Guatemala

nuestro mundo

Nuevos Compañeros 2

June 11, 2007 § 1 Comment

Please Check for updates, as I continue to add more to this post.

Dianna Montano

Dianna Montano is currently finishing her BFA in sculpture/ installation/ new media art at Colorado State Univeristy in Albuquerque, NM.

When I found her Ay Chico (Lengua Afuera) Music Video, on youtube I immediately contacted her and asked her if she would be interested in collaborating. She gladly agreed, so I am introducing her work as continuation to the
Nuevos Compañeros post.

Dianna says:

Critiquing the onslaught of perversion, and obsession of Latina women. This video subverts the stereotype, by overtly portraying what is all too prevalent in mainstream culture. Latina women are poised as nothing more than sex objects. With this, the woman literally becomes the “spicy latina” everyone desires. It also relates to how Latina women deal with the stereotypes and expectations that are imposed by sources such as family, religion, and the media. For Latinas, sexual power is in constant conflict.


Below is an installation shot of her piece:


My “Spicy Latina” piece in its full glory. It doesn’t get any better than chili pepper lights, Mexican sarape blankets, a traditional Virgin de Guadalupe, and a gold dangly. ay ay ay!!

Check out this post Identity Issues Affecting Puerto Rican Girls: An Artist Speaks to hear more on the Spicy Latina.

I have been told “Oh you just look like you like to have sex” (by both men and women.) I have come to expect this as the norm: being called a spicy latina, hot tamale, firecracker and other such fiery terms. Cofer states that “advertisers have designated “sizzling” and “smoldering” as the adjectives of choice for describing not only the foods but the women of Latin America.”

Maya Escobar isn’t even Jewish

June 8, 2007 § 17 Comments

UPDATE: PHOTOS

2005

On an almost daily basis, I receive emails from people asking if I am in fact actually Jewish. Although I do find it somewhat bizarre that they find satisfaction in my acknowledgment of what I have already stated numerous times, I usually respond. Come to think of it, the occasions where I have been accepted as a Jew (without further questioning) have been few and far between.

  • “ No you can’t be Jewish you are Hispanic”
  • “You don’t look Jewish”
  • “Escobar… is that a Sephardic name?”

Recently I discovered that without our knowledge, the validity of my own and my brother Gonzalo’s Jewishness has come into question (to the point where documentation has been requested) from people that we are now very close with.

Below are some of the examples of comments (not emails, I do not share the content of emails without permission) from youtube:

roundedwhtcollar Am I the only one who thinks this reprobate Turd is NOT in fact a Jew?

Rafaelpicc But is her las name jewish? or converted?

ReptorY her last name isnt jewish.

xruchy you are not jewish i guess… tus videos= cero aporte

raquelita40 she’s half Jewish/ half Guatemalan.

nakedjanet i am also suspicious. for one thing, escobar is not a typical Jewish name. For another, Jewish girls are usually a whole lot smarter, and have a whole lot more substance, than this girl has

(from chaptzem blogspot) There is no way she is Jewish- there may be a small chance her family are anusim or something.

But what gets even more bizarre is that interspersed with in those comments are horrible anti-semitic statements:

johnnycastle86xx all the jews have to die, stupid jewish puta de mierda. Que mierda que Hitler no mato a tu familia, asi tu no hubieras nacido. muerte a los judios y muerte a israel.

mocrostyle3600 AnotherJewish nasty bitch

mrrimfire She’s an ugly cockroach

filet there’s a nice Jewishcrew- club… Its re-open and called Auschwitz. the drinks are on the house!!! but only for jewish people

roshanpinto13 i want to put you in a concentration camp bitch if your people want israel so bad why don’t you go there and rid the world from your hideous jewish ways

So in light of my sarcasric sense of humor I entitled this post : Maya Escobar isn’t even Jewish I wonder what will come of that statement… From Judaism 101: Who Is a Jew?

First, traditional Judaism maintains that a person is a Jew if his mother is a Jew, regardless of who his father is. The liberal movements, on the other hand, consider a person to be Jewish if either of his parents was Jewish and the child was raised Jewish. Thus, if the child of a Jewish father and a Christian mother is raised Jewish, the child is a Jew according to the Reform movement, but not according to the Orthodox movement. On the other hand, if the child of a Christian father and a Jewish mother is not raised Jewish, the child is a Jew according to the Orthodox movement, but not according to the Reform movement! The matter becomes even more complicated, because the status of that children’s children also comes into question.

In my case my mother is Jewish and my father is not. Yet it is my father that pushed me to go to Hebrew school until I was 16. Rain or shine my parents have been attending Shabbat services at JRC for almost 20 years. I remember being so mad as a child that my friends got to go out on Friday nights, and I was stuck with my family not even allowed to watch TV when we got home from services. Vickie Korey left the nicest comment on my Rabbi Brant Rosen’s blog:

I remember Maya at Friday night services at JRC, sometimes listening intently, sometimes reading, but always being present. When one of the children of our extended spiritual family grows to be such a fine, thoughtful and accomplished young woman we are all proud. Gonzolo and Tina have worked hard to set a strong foundation for Maya and I am so pleased for her and her family.

A few months ago I met with my Rabbi to discuss my (art) work. During our discussion I mentioned to him how my father is feeling really nervous about me having an orthodox wedding where he will not be included in the ceremony. Brant said something to me that really touched my heart. Your father is the essence of what a Jew is, he is a stranger in a strange land. I agree with him whole-heartedly, and if you ask most JRC members I am sure they would agree as well. However that does not change the fact that he is not considered to be Jewish by our neighbors, and even if he converted, to them it would not be halakhic unless he went through orthodox conversion.

So who is a Jew? Who determines this?

As I stated in a previous post I will be working as the art director this summer for Camp JRF. I am in the process of creating this summer’s curriculum that will be geared towards answering these very questions and challenging notions of Jewish Identity. Below is a very rough sketch of my plan…. (Please let me know if you have any suggestions, or would be interested in contributing any resources)

The Changing Face of Jewish Identity: an exploration of self and what it means to be a Jew in our contemporary society

To introduce the concept of a changing Jewish Identity will discuss the following:

  • How do we define ourselves/ how do others define us?
  • Who is a Jew?
  • Can someone be more or less Jewish/ who decides this?
  • What is our role in society?
  • What characteristics make up a Jew?

Mediums Mixed media sculpture

Art Exhibitions The Jewish Identity Project Too Jewish Challenging Tradition Identities

Written Works by Ilan Stavans Achy Obejas Rebecca Walker

Campers will produce mixed media sculptures that reflect their perception of what it means to be a Jew

Pre- Activities:

  • We will begin as an ice breaker/ intro to project identifying the characteristics that make up Jews.
  • Followed by a discussion on contemporary representations of Jews in Popular culture

Project Campers working in groups of 3-4 will have the option of creating either abstract or representational mixed media sculptures that to them represent Jewish identity. Prior to the construction of their piece students will need to create a (flexible) proposal that outlines their piece.

  • Will it be site specific (interact with a certain location)?
  • What form will it take?
  • Will it have a function?
  • What materials will be used based on the above?

If they end up going with more representational sculptures I thought it would be really cool to photograph the sculptures and to place them in various Jewish settings and non-Jewish settings (baseball stadium, temple, Shabbat dinner, work, school….)

Identity Issues Affecting Puerto Rican Girls: An Artist Speaks

May 23, 2007 § 19 Comments

In her essay The Myth of the Latina Woman/ Just Met a Girl Named Maria, Judith Ortiz Cofer describes her Puerto Rican upbringing in a strict Catholic home in New Jersey, where she was taught to behave like a proper señorita. Cofer explains that the conflicting messages she received as a child, were those commonly propagated by Puerto Rican mothers. “They encourage their daughters to look and act like women and to dress in clothes that our Anglo friends and their mothers found to mature for our age.”

When the mere notion of latinidad equates passion and sexuality to gringos, why is it that Latino men are the first ones to point finger and to call these same women suelta (loose) or facil (easy)? Wouldn’t they understand? Have they not been subjected to the same treatment? Perhaps it is comes down to the way they were raised.

In the Latino culture ideas of masculinity and femininity are delineated very early on. Author Evelyn P. Stevens, first introduced this concept know as machismo and marianismo in 1973. Machismo grants supreme authority of the man over the woman. Under this doctrine women, who are considered to be morally and spiritually superior to men are able to endure abuse. They grow up expected to follow the sexual code of marianismo, and are submissive to the man’s authority.

Puerto Rican culture places women into one of two categories the virgin or the whore; mujeres de la casa (women of the home) or mujeres de la calle (women of the street). Una mujer de la casa, is expected to be pure, giving and compassionate. While, una mujer de la calle is considered to be sluty, wild, and dangerous.

In Honor and the American Dream: Culture and Identity in a Chicano Community, author Ruth Horowitz says the following:

The very presence of a woman outside the household implicates them in promiscuity and/or sexual misconduct. Puerto Rican girls learn this good girl/bad girl dichotomy most clearly in the recruitment into reproductive labor… A good girl cooks, cleans, takes care of younger siblings, and helps her parents. In contrast una muchacha de la calle is a transgressive women who has gone beyond patriarchal control whose sexuality is unbounded and therefore dangerous.

While in Puerto Rico this January, I had the privilege of meeting the incredibly talented video artist, Tamara Liz Rivera Boria. Tamara and I instantly bonded, finding similarity in the content of our work, and decided that we needed to collaborate.

I conducted a short series of interviews with her (documented with the camera from my laptop), where she describes her work as it plays on the screen behind her…


click on above image to view video

Interview with Puerto Rican Artist Tamara Liz Rivera Boria

Maya: Tamara, what can you tell me about muchachas de la calle and muchachas de las casa?

Tamara: De la casa and de la calle girls might as well be related. They exchange roles sometimes, de la casa girl wanting to be de la calle, and vice versa.

Maya: How has this affected you?

Tamara: I was raised in a catholic home, in a catholic school. I can tell you, I have been fucked up. I didn’t want to be told what to do, or what to believe in.How can you tell someone that using a condom is a sin? I had many issues over the years being raised like that. Even though my parents are not Catholic extremists. They were pretty easy going that’s how they could understand me or deal with me. Deep inside it made a mark, no matter how much I tried to live and understand the world. I became insane trying to understand other people lifestyle because indeed I might have been raised inside a bubble. I still am kind of in there, don’t wanting to look at how things really are.

Maya: What role does your cultural upbringing play in your work?

Tamara: Recently I made a video called él, baño de marîa. In this video I present various symbolism about religion, pecados (sins), sexuality, purity, faith among other things. Mainly because our culture has raised us thinking inside the box, controlling us with Christianity, especially Catholicism. Being pure, waiting till marriage although most don’t do it, is deep inside the mind. Like it is wrong to embrace sexuality.

Aglubium, is another video I made in collaboration with Ralph Vazquez and Rebecca Adorno. In this video I am drowning, or trying to kill myself by submerging my head in the water. It’s aggressive, and it’s beautiful. We just want to end, we don’t want to think. We don’t want to face fears. We don’t want to wait, we want to get it over. We want to drown our fears. We don’t want to face reality. Escape its what we do.

Maya: How do you escape?

Tamara: Most people (Puerto Ricans) use drugs. Puerto Ricans that do not use illegal drugs, use legal pills, alcohol or even coffee. Everyone has an addiction. It’s a shame but I have seen most of my friends doing drugs. I been there, I done that but I never had an addiction. My new boyfriend said I was an alcoholic, he didn’t believe me when I said I wasn’t. It wasn’t till he lived with me for over a moth when he saw that I didn’t drink for so long that he believed me, and with the cigarettes the same.

For some weird reason I can try things for as long as I want and not create any addiction. I wish it were the same with those that surround me. But in the arts almost all the people I know use some kind of drugs, are the ones that worry me the most are the most intelligent that keep using. I guess they are not that smart…

Maya: Is there an alternative to escape?

Tamara: I can see clearly that with true art I can make a difference, I can say what I understand to be real and important. I might help somebody. Other people just ignore what is going on (Puerto Rico). So many things had happen here, that demanded the people marching up the streets in protest, because our government is insane. But people don’t, they just “sit quietly”. They don’t want to get involved, they think they cannot change anything. They believe they have no power, when indeed I say, with all your power, what would you do? – I love that flaming lips song-

Maya: How does this affect Puerto Rican girls?

Tamara: Puerto Rican girls have many issues. Not only because of gringos (Americans) our identity issues extend into religion and the ways women are portrayed in the reggaeton culture. Girls want to be thin like gringas (American girls), they don’t like they’re beautiful curves, ass and tits. They always feel fat no matter how thin they are. I bet this happen everywhere, but these are issues we shouldn’t have.

Accepting ourselves, as we are its what we should do. Because we are not gringas! We are not blonde and white! But boys see these girls in TV, and everywhere and they expect girls like that. It’s the gringo media. I’ve forgotten all about this, but I also had these issues. I think I kind of still do, I just ignore most of the time.

Maya: You mentioned Reggaeton, what message do you think Reggaeton is sending to young women?

Tamara: Reggaeton is a part of that movement leads ladies to feeling less than the man, like he has to buy her. Girls learn to use their sexual power way to early with reggaeton. It is a confrontation for some, between what they like (reggaeton movement, lifestyle) and the religious foundation they might have. But since it probably was forced (religion) they escaped thru reggaeton. Ultimately ending in ugly situations.

Maya: Okay , I agree with you. But I am not going to lie, I love reggaeton… are you sure you don’t secretly like it?

Tamara: I don’t dig reggaeton; I see how girls embrace being just a piece of meat, especially high schools girls. How much is this necklace, like a million? Said a girl, the boy answered – no. The girl said – well then, work and buy me this necklace.

Yesterday I heard a senior girl say that to her boyfriend at a hotel, it was their prom. Girls parade in lil’ dresses, easily they could have been mistaken for high-class whores. I won’t even comment on the dancing. It has gotten worse, every time. Since parents are so young they allow they’re children to behave like this. I mean, I see a problem with these situations. Boys catch another boy,looking at their girls, no matter if its sexual or if they just passed and look because its simply there, they get all worked up and want to fight. What is that dumbass looking at? So basically, what, people cant look at each other now? Girls can’t stand if you look at them either. Puerto Rico was not like that; you went to the mall, smiled and people smiled back at you.

The reggaeton anger and sexual damage can be easily identified. Even kindergarten boys are sexually harassing little girls. My mom is a teacher and I have heard some stories. I haven’t analyzed reggaeton issues deeply; this is just for what I have seen.

Maya: Thank you for your insight Tamara, I can’t wait to see what you produce next. I hope we can collaborate together in the future.

Tamara: I know I could make more sense out of my ideas, since they’re not organized very well, but it doesn’t matter. This is just the beginning of many wonderful works to come, ideas to flow… I’m glad that I can collaborate with you.

“Everything that surrounds me, mi entorno, makes a part of who I am and what I say in my videos. Little by little its somehow implicated.”

As I begrudgingly stated in my interview with Tamara, I am a fan of reggaeton. Like most, I don’t even acknowledge the lyrics or really think too much beyond the beat of the music. Yet now I find myself wondering, are most girls conscious of the message? I guess to some extent they must be, after all as Tamara shared many sing the lyrics as they grind (rub up) on men.

In my research I found extensive commentary regarding the direction of Salsa and its implications on women in the Puerto Rican community. However, as it is relatively new form of music, the writing concerning Reggaeton seems to be incredibly limited.

So I turned to a more contemporary source and found a blog entitled REGGAETONICA, written by Raquel Z. Rivera; author of New York Ricans from the Hip Hop Zone. In a recent post: From White to Mulata: The Darkening Powers of Reggaetón, she shares an email addressing this very issue:

I think reggaeton has been raunchy & explicitly all along, but I think the lyrics have reverted back to the “Reggeaton Sex” days of Underground. I think that “raunchiness” & degradation have become more mainstream & therefore are seen as less scandalous & more acceptable to society, so I think it has questioned our value as a community. The fact that Reggaeton outright refers to sexual references & acts & is accepted as mainstream Puerto Rican culture posing an interesting cultural issue for me. Now you can go to Puerto Rico and see young girls singing “dame con el palo, ” & they’re parents paying no mind to it, which I think is crazy. In the beginning of Reggaeton I found the lyrics to be much more raunchy, violent, & drug-related. Then mainstream Reggaeton came along, switched the “sexo” to “amor” & the “nenas” to “gatas.” I think these subtle changes in language allowed Reggaeton to be more successful in the mainstream, but now a lot of artists are moving back to the original lyrics because they already have a stable fan base. I mean, look at someone like Tony Dize, if you translated some of his songs into English, they could put even 50 Cent to shame with the blatant sexual references & degradation of women.

Perhaps reggaeton is so widely accepted by mainstream and popular culture, because it provides a free ticket to promote these concepts in a non-threatening form. If Puerto Rican women and other Latinas are fine dancing to this music, then what harm is there in gringos doing the same.

This then becomes representative of Puerto Rican culture. When a gringa dances to reggaeton she can purse her lips and grind on men, but without an attached stigma. She is just acting like a Latina girl. The Puerto Rican girls participating in this scene are aiding in the further perpetuation of the stereotype of Latina’s being easy.

However, as Tamara explained a lot of this has to do with a search for independence. Wanting to rebel against the forced restrictions of being una mucha de la casa, girls go to the furthest extreme to break down those barriers. But to what cost?

I myself am unable to provide a concrete solution. Yet I do think that one of the primary steps to forward progress is conversation. Tamara and myself have opted to publish the text on the web so that others may join in the dialog…

Obsessed With Frida Kahlo

April 11, 2007 § 21 Comments

obsessed with frida kahlo, 2007

el es frida kahlo, 2007

part of the piece I did for d[x]i magazine on the commodification of Frida Kahlo

auto retrato, 2003

autoretrato

frida painting, 2007

frida puppets, 2007

In search of the #1 Frida Kahlo fan in the World

PROVE IT answer the following questions:

When did you fall in love with Frida?

Why do you admire her?

What trivia do you know about Frida Kahlo?

How many and what Frida objects do you own? (prints of her work, t-shirts, mugs, wall hangings, toothbrushes, etc…)

please leave a written comment, submit photos, or a video response
Dressed as Frida

Still from Forever Frida
Frida KahloFrida Kahlo @ Fiddlehead Fest.me dressed as frida kahlo at work

RachelFrida03Alter EgoMe As Frida Kahlo 1

Davina as FridaFrida KahloFrida Kahlo's 100th Birthday

your responses

March 30, 2007 § 5 Comments

RELATED POSTS
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Next Phase of Acciones Plasticas
Video Responses
How does it feel to be called a JAP?

Now I am asking you to participate. Hopefully viewing these images has caused you to question if and when similar stereotypes have been applied to you or those around you. Please take the time to share your experiences by clicking on any of the dolls to submit your response.

Escobar_Maya_02.pngEscobar_Maya_03 .pngEscobar_Maya_04.pngEscobar_Maya_05.pngEscobar_Maya_06.png

I have included a section with guiding questions. If you have more you would like to submit post them here

Please feel free but not limited to answering the following questions regarding each doll:

Is there any truth to this description?

Are all of these things negative?

What is the origin of this stereotype?

What is a _________ really like?

What does this stereotype leave unsaid?

Where Am I?

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