February 12, 2013 § 2 Comments
In honor of being 5 months pregnant, I thought I’d share this gem of my little baby Adán, taken at our last ultrasound.
See, he already has a flair for the dramatics…
December 28, 2012 § Leave a Comment
ESCOBAR-MORALES: Resurrection of Hun-Nal-Ye at the Bruno David Gallery in St. Louis, MO. Opening on Friday, February 1, 2013, from 5 to 9 pm. Show runs until February 23rd, 2013.
In the New Media Room, the Bruno David Gallery presents a single-channel video work titled “Resurrection of Hun-Nal-Ye” by Escobar-Morales. The 21-minutes video originated from a performance at the closing for RICH-OO-UH’L, RICH-OO-UH’L at Jolie Laide Gallery in Philadelphia, with sound by Armando Morales.
In the Resurrection of Hun-Nal-Ye (2011), Escobar-Morales perform a funerary ritual, referencing the mythical Mayan tale of the Hero Twins reviving their dead father, the Maize God. In their contemporary interpretation of this ancient story, Escobar-Morales simultaneously represent the body and the soul; the God/ Goddess and twin offspring, in both physical and technological forms using live performance and web based video projection.
ESCOBAR-MORALES is a team comprised of Maya Escobar and Andria Morales. The two artists, based in Chicago and New York respectively, have been working together over the Internet since 2010. They produce digital media and performance art that explores the role of self-representation in visual culture and its ability to deconstruct ingrained ideological conventions. By locating their performances online where they are free from restrictions of time and place, Escobar-Morales is able to concurrently enact multiple personas while simultaneously creating a unified hybrid self.
Maya Escobar was born in Chicago, IL in 1984. Andria Morales was born in 1982 in New York, NY. Escobar received a BFA from the School of the Art Institute of Chicago (2007) and an MFA from Washington University in St. Louis (2009); Morales received a BA from the University of Pennsylvania (2004) and an MFA from Tyler School of Art, Temple University (2008).
Photo by Armando Morales
Nueva Exhibición en el Painted Bride Art Center Destaca la Importancia de la Documentación en la Sociedad Contemporánea
August 27, 2012 § Leave a Comment
COMUNICADO DE PRENSA: Agosto 24, 2012
Contactar a: Phil Sumpter, Director de Mercadeo y Comunicaciones email@example.com 215-925-9914 x15
Nueva Exhibición en el Painted Bride Art Center Destaca la Importancia de la Documentación en la Sociedad Contemporánea
Filadelfia, PA. Agosto 10, 2012— En colaboración con la organización cívica, cultural Acción Colombia, el Painted Bride Art Center será este otoño la sede de una exhibición que invita al cuestionamiento crítico con una docena de experimentos socio-visuales que incluyen dibujo, pintura, instalación, actuación, fotografía y otros medios de comunicación. Papeles: Are we what we sign? expone aspectos culturales, legales, y económicos que se encuentran detrás de las transacciones que procuran la participación y cohesión en la sociedad Americana. La exhibición estará en muestra desde el 7 de septiembre hasta octubre 21, 2012, este proyecto es organizado paralelamente a la Conferencia de la Asociación Nacional de Artes y Cultura Latina (NALAC) que tendrá lugar en Filadelfia.
Papeles incluye un extraordinario e influyente grupo de artistas en Filadelfia—algunos ya conocidos y otros surgiendo. La postura de los artistas parte de sus posiciones como inmigrantes y/o descendientes de inmigrantes de naciones Latinoamericanas. Cada uno de ellos interpreta esta identidad como una cualidad abstracta que puede ser fácilmente dada, tomada, impuesta o distorsionada en una variedad de contextos. Del comentario crítico, la añoranza, la sátira, y la resistencia los artistas exponentes han encontrado fuentes de inspiración. Los exponentes incluyen: Andrea Rincón, Andria Morales, Carlos Nuñez, Doris Nogueira-Rogers, el duo Escobar-Morales, Erika Ristovski, Jonas dos Santos, Jorge Figueroa, Lina Cedeño y Pedro Ospina, Michelle Angela Ortiz, Paula Meninato, and Susana Amundaraín.
Papeles: Are we what we sign? es una exhibición bajo la curaduría de Andreina Castillo, Consultora Independiente en Gestoría de Arte y Programas. “Este proyecto se convirtió en un lugar de encuentro para cada uno de nosotros al organizarlo, desde artistas y directores a líderes comunitarios” así lo expreso Castillo. “Cada uno de nosotros (y/o a través de nuestras familias) hemos estado expuestos a las satisfacciones y altibajos en el proceso de migrar. Nosotros invitamos al público general para que busque sus propias dicotomías cuando presencien las cualidades visuales y conceptuales de esta exhibición.”
PAPELES: Are we what we sign? busca servir como un instrumento visual de exanimación al vinculo social con los documentos como símbolos legales de identidad que modelan nuestra ideología individual, aceptación cultural, igualdad de los sexos, acceso económico, oportunidades laborales y logros académicos. Al final, esta exhibición expone nuestra cultura ciudadana dentro de la sociedad Americana. Los conceptos entretejidos en esta exhibición se enlazan con las corrientes en los Estados Unidos, y el proceso global en busca del consenso en reformas, leyes, votos, resoluciones y otras formas contractuales que afectan la formación social como individuo y nuestra vida en comunidad.
La recepción de apertura será durante “El Primer Viernes”, septiembre 7 de 5pm – 7:30pm en el Painted Bride Art Center en el 230 Vine Street, Filadelfia, PA. En este evento, tendra la oportunidad de compartir con los artistas participantes, disfrutar de obras extraordinarias y de música Hispanoamericana en vivo. Ademas de deleitar de unos aperitivos especiales, amablemente ofrecidos por Positano Restaurant, Crudo & Wine Bar. Para mayor información por favor comuniquese con el Painted Bride Art Center al 215.925.9914.
Acción Colombia es una organización sin ánimo de lucro establecida para desarrollar el liderazgo en la comunidad Colombiana y Latinoamericana a través de las artes, cultura y participación ciudadana en el área tri-estatal de Pensilvania, Delaware y Nueva Jersey. Esta exhibición refuerza el compromiso con las artes y las iniciativas ciudadanas relacionadas con la inmigración, temas con los que la organización ha estado trabajando desde su inicio en el 2004.
Painted Bride Art Center es uno de los centros culturales más importantes en Filadelfia, y en el país. Su misión es atraer artistas, audiencias y comunidades rompiendo las barreras de como creamos y experimentamos el arte. Esta institutición cultiva un ambiente de dialogo critico y un intercambio perseverante para transformar vidas y comunidades.
Nosotros le damos la bienvenida a la Asociación Nacional de Arte y Cultura Latina (National Association of Latino Arts and Culture (NALAC) a Filadelfia que tendrá lugar de octubre 17 al 21. La conferencia nacional es una oportunidad para presentar la infraestructura artística de Filadelfia a una audiencia nacional de artistas, trabajadores culturales, curadores, y administradores del arte que de todos los rincones del país estarán participando en la conferencia.
August 24, 2012 § Leave a Comment
PAPELES: Are we what we sign? aims to serve as a visual examination of our social bond with papers as legal signifiers of identity that shape individual mobility, cultural acceptance, gender and sexual-orientation equality, economic access, labor opportunities, and educational attainment. Visual artists, community leaders, and arts administrators use this project to reflect upon the socio-cultural impact of documentation processes present in American society.
This exhibition gathers twelve influential—established and emerging—artists working in drawing, painting, installation, printmaking, photography, and mixed media. Participating artists include Andrea Rincon, Andria Morales, Carlos Nuñez, Doris Nogueira-Rogers, Erika Ristovski, the duo Escobar-Morales, Jonas Dos Santos, Jorge Figueroa, Lina Cedeño, Michelle Ortiz, Paula Meninato, and Susana Amundaraín. They propose social-visual experiments from their positions as immigrants and/or descendants of immigrants from Latin American nations. New and existing works in this exhibition illuminate the concept of documentation into powerful narratives of critique, ambiguity, longing, and resilience.
The Painted Bride
230 Vine Street | Philadelphia, PA 19106 | 215.925.9914
September 7 – October 21, 2012
Gallery hours: 12pm – 6pm, Tues – Sat
First Friday receptions: September 7, October 5 | 5-7:30pm
Guest Curator Andreina Castillo | Co-Presented with Acción Colombia
April 18, 2012 § 1 Comment
Is being half-Jewish, like being half-pregnant? Yes.
Intrigued? Want to hear more?
I have the honor of being the keynote speaker at the Half Jewish?” The Heirs of Intermarriage conference at Northwestern University, which runs from 4/20-4/22. My Friday night talk will center around the construction and the perpetuation of fractured cultural identities. On Saturday my dear friend Yoni Sarason, aka The St. Lou Jew, aka Midwest Director of Birthright Next, will be speaking on a panel with Dan Libenson, moderated by Denise Handlarski. Come check out the conference. Meet some lefty Jews. Learn and mingle.
April 14, 2012 § Leave a Comment
Our baby has been birthed. New Futuro 1.5 has arrived! My Creative Content team has been kicking butt working alongside the Digital Development team to make it happen. I ask you now to check out NewFuturo.com Become a member. Give us feedback. Just as my participatory internet-based art is all about constant communal engagement, deconstruction, and reconstruction, so is New Futuro.
And there is much more to come. In New Futuro 2, students will have a fully curatorial experience, where they are able to to personalize their academic journeys. Students will be able to collect and bring in all of the things they think are awesome. And New Futuro will be able to dynamically combine student’s interests with their skill sets, financial need, grade level, location, associations, and more, to provide them with ongoing college and post-college guidance.
Poco a Poco Radio interview featuring New Futuro.
March 27, 2012 § Leave a Comment
Ladies and Gents, life is good. I am the Creative Director for New Futuro.
New Futuro provides Latino families with fully bilingual resources and tools to get students into college and beyond! We are committed to making you an education rockstar! We will teach you how to get into the college of your dreams with money to pay for it. It’s all about making the right classes at the right time, knowing the right people, and getting involved with the right groups. College is your future, so why should it be a challenge to get there? New Futuro will help you achieve your dreams through education!
Read more about my #awesome creative team here.
September 28, 2011 § 1 Comment
Tune into Poco a Poco Radio this Sunday at 1:30PM CST to hear the excellent BILINGUAL interview my father and I did with Leonard Ramírez and Magda Ramírez-Castañeda, about the much anticipated release of: Chicanas of 18th Street: Narratives of a Movement from Latino Chicago.
(photos by Claudio Gaete-Tapia)
September 26, 2011 § Leave a Comment
Calavera Elotera in Illuminations: Día de los Muertos 2011
Curated by Rene and Rio Yañez
SOMArts Bay Gallery, 934 Brannan St. (between 8th & 9th)
San Francisco, CA 94103
Tues–Fri, 12–7PM, Sat 11–5PM, Sun 11–3PM.
Friday, October 7, 2011, 6–9PM
Opening will feature music, interactive performance and the unveiling of over 30 altars and installations. The evening includes a special performance by Herbert Siguenza, of Culture Clash fame. Siguenza will perform and live paint as renowned artist, Pablo Picasso.
The exhibition continues to examine the ways technology shapes the celebration of Day of the Dead. Once again, a Flickr group enables the exhibition’s curators to accept digital photos as offerings to those who people want to honor. The public can upload their digital contributions here. Selected images will be printed and displayed as part of the exhibit.
July 5, 2011 § 1 Comment
el es frida kahlo featured on Jewesses with Attitude in honor of Frida Kahlo’s 104th birthday.
A Latina “Jewess with attitude,” Maya Escobar plays with the web as a platform for engaging in community dialogue around identity and multiple identities–how they are socially and culturally constructed. She often assumes multiple identities in her performances, drawing from various existing representations.
About “el es frida kahlo,” she writes:
Frida Kahlo played with the identity that she wanted to project and the identity that was placed on her by others. Kahlo used her clothing, political affiliations, sexual escapades, and personal traumas, to create a character that informed her body of work. She inscribed her identity, painting her image over and over, constructing a mythology around her persona.
In el es frida kahlo I confront the ambivalence I experience as a result of my simultaneous obsession with Frida Kahlo and weariness towards her commodification.
What is your reaction to this confrontational piece? Do you identify with Escobar’s ambivalence towards Kahlo, her work, and her commodification in our culture?
March 7, 2011 § 2 Comments
February 28, 2011 § Leave a Comment
February 24, 2011 § Leave a Comment
Jewcy Art: Maya Escobar
by Margarita Korol, February 24, 2011
In 2007 we dubbed her the Anti-Feminist Feminist Jewish Latina. We stumbled upon performance artist/ Internet curator/ editor Maya Escobar again at the GA in New Orleans where her video installations were making a Marina Abramovich-style scene near Jewcy’s booth. She uses the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. She performs multiple identities, sampling widely from online representations of existing cultural discourses.
click here for full text
February 22, 2011 § Leave a Comment
Artist Statement and Bio
Escobar-Morales is a team comprised of Maya Escobar and Andria Morales. The two artists, based in Chicago and Philadelphia respectively, have been working together over the Internet since 2010. They produce digital media and performance art that explores the role of self-representation in visual culture and its ability to deconstruct ingrained ideological conventions. By locating their performances online where they are free from restrictions of time and place, Escobar-Morales is able to concurrently enact multiple personas while simultaneously creating a unified hybrid self.
Maya Escobar was born in Chicago, IL in 1984. Andria Morales was born in 1982 in New York, NY. Escobar received a BFA from the School of the Art Institue of Chicago (2007) and an MFA from Washington University in St. Louis (2009); Morales received a BA from the University of Pennsylvania (2004) and an MFA from Tyler School of Art, Temple University (2008).
February 20, 2011 § Leave a Comment
February 18, 2011 § 3 Comments
February 17, 2011 § Leave a Comment
February 14, 2011 § 2 Comments
January 31, 2011 § Leave a Comment
AM and I are applying to another residency!
Unlike our current Wonder Woman Residency, where we applied as Escobar-Morales, this particular program does not accept joint proposals. So we are submitting seperately and hoping (and hoping and hoping) we will both be accepted.
I am applying to the #InternetArt section.
January 21, 2011 § Leave a Comment
RENACIMIENTO is curated by Rachel Matos.
When addressing the topic of duality and rebirth one must think of the two connected through the process of transformation. The initial duality perhaps emerging out of conflicts in accordance to the individuals own internal precepts and colored by the knowledge of their external experiences leads to this transformation, which bares a reawakening or rebirth.
The artists in Renacimiento share their personal journey through stories of cultural identity, conflictual relationships and the transcendence from their ancestry. In lieu of the new year, it is an introspective view of how we all change and seek to change – Rachel Matos
el es frida kahlo is from the series Obsessed with Frida Kahlo
As a Latina artist I will forever be tied to Frida Kahlo in some way. Frida Kahlo is the reference between who Latina artists want to be, and who everyone else expects us to be. Whether I am mimicking her style, her persona, or trying to escape the embedded attachment between myself and the late painters’ legacy, I will still be connected to Frida Kahlo.
Frida Kahlo constructed her identity though her public persona. Kahlo’s attitude, personal traumas, sexual escapades, clothing, and political affiliations, all informed her body of work. Now regarded as the number one female artist in Mexico, Kahlo’s image has become so embedded in popular culture that when one looks at one of her self portraits one automatically thinks about her tragic bus accident, her tumultuous relationship with Diego, and her bisexuality. Kahlo inscribed her identity, painting her image over and over, constructing a mythology around her persona.
In el es frida kahlo, I stand before a reproduction of one of her paintings. With a mixture of rage, anxiety, and complete fear, I chant “el es Frida Kahlo, ella es Frida Kahlo, el es Frida Kahlo, yo soy, yo soy, yo soy Frida Kahlo,” he is Frida Kahlo, she is Frida Kahlo, I am, I am, I am Frida Kahlo. As I yell, the painting behind behind me begins to fall. I violently tear down my braids and smudge off my makeup while continuing yelling “I am Frida Kahlo, I am Frida Kahlo, yo soy Frida Kahlo!”
January 9, 2011 § Leave a Comment
Tomorrow I turn 27. And everyone keeps asking me what I want, what I need. Things may be tight, but I have what I need: a roof over my head, food to eat, an adoring husband and wonderful family and friends.
But what I want more than anything, is to be able to go to Texas with my collaborator Andria Morales. She and I were just accepted to the 2011 National Popular Culture Association Conference in San Antonio Texas, where we will be presenting our self portrait dialog exchange project Are You My Other? We are thrilled about this opportunity and think it is the perfect place to situate our work. But after totaling our expected expenses, we realized that collectively we need to come up with $1,500 just to make it happen.
So Andria and I are launching our first-ever Are You My Other? fundraising campaign Taking it to Texas. In exchange for donations, we are offering Are You My Other? goodies, alongside favorites from our individual bodies of work… but at a fraction of the price!
December 31, 2010 § Leave a Comment
Acciones Plásticas in Fringes – Jewish Art as an Israeli Periphery
שוליים – אמנות יהודית כפריפריה ישראלית
by David Sperber
The publication “Fringes – Jewish Art as an Israeli Periphery” is a continuation of a series of publications published under the auspices of the Leiber Center of Bar-Ilan University. The series focuses on research and documentation of contemporary Jewish art discourse in Israel. The series in general, and the current volume in particular, aim at sketching broad guidelines for topics pertinent to the field of Jewish art within the Israeli sphere.
The basic hypothesis of the current edition is that Judaism is conceived as a “subterranean” element of Israeli culture. The discussion considers the viability and elasticity of distinctions between the religious and the secular. This perspective favors a harmonic understanding, by which religiosity and secularism are not opposites, but rather intertwined inseparable concepts. Alongside the discussion concerning canonical artists, this publication relates mainly to peripheral tendencies and non-mainstream artistic groups, aiming to reveal their qualities as well as their limitations.
Fringes — Jewish Art as an Israeli Periphery
published by Leiber Center of Bar-Ilan University
November 27, 2010 § Leave a Comment
November 24, 2010 § Leave a Comment
November 11, 2010 § 7 Comments
The Fat Free Elotera is a (developing) character on Are You My Other? The Battle Between The Self and The Other, an ongoing self-portrait dialog exchange project, produced by myself (ME) and Philadelphia-based performance and installation artist Andria Morales (AM). Through a series of weekly exchanged blog posts, Andria and I publicly negate, deconstruct, and reconstruct our individual histories, identities, and conceptions of self.