el es frida kahlo at the gallery

February 5, 2010 § Leave a comment

el es frida kahlo is currently on view in the New Media Room at the Bruno David Gallery in St. Louis, MO.

el es frida kahlo

el es frida kahlo, 2007-present

Frida Kahlo played with the identity that she wanted to project and the identity that was placed on her by others. Kahlo used her clothing, political affiliations, sexual escapades, and personal traumas, to create a character that informed her body of work. She inscribed her identity, painting her image over and over, constructing a mythology around her persona.

In el es frida kahlo I confront the ambivalence I experience as a result of my simultaneous obsession with Frida Kahlo and weariness towards her commodification. Viewed from a tiny pinhole, dressed as Kahlo, I stand before a reproduction of one of her self portraits. With a mixture of rage, anxiety, and complete fear, I chant “el es Frida Kahlo, ella es Frida Kahlo, el es Frida Kahlo, yo soy, yo soy, yo soy Frida Kahlo,” he is Frida Kahlo, she is Frida Kahlo, I am, I am, I am Frida Kahlo. As I yell, the painting behind me begins to fall. I violently tear down my braids and smudge off my makeup while continuing to scream “I am Frida Kahlo, I am Frida Kahlo, yo soy Frida Kahlo!”

el es frida kahlo at the Bruno David Gallery (video filmed and edited by Felicia Chen)

el es frida kahlo YouTube video

FREE el es frida kahlo animated gif avaliable on MayaEscobar.com

link to translation of recent review by David Sperber in Ma’arav Israeli Arts and Culture Magazine:

Frida Kahlo at the synagogue: Maya Escobar and the young Jewish-American Creation

Jewish Women on DovBear

February 3, 2010 § Leave a comment

Too much kool-aid Jewish Women on DovBear

Last night @DovBear sent me this tweet:

@Mayaescobar posted your jewish women clip w\o realizing it was parody. A little too well done. ;)

I visited his blog and found a post on Jewish Women called Too much kool-aid. The comments generated by this post are really interesting and address the video from a multitude of perspectives.

expert from his post:

Aside: At the end, the woman on the film suggests that Jewish women who are dissatisfied with their back of the bus status secretly wish to be men. There’s some truth to that, of course. Jewish women wish to be men in the same way that Jim Crow blacks wished to be white, meaning they want the same freedoms and opportunities that are available to men. Though Judaism has made much progress in this regard, the RW and Ultra circles still run like MadMen. Telling women they’re more spiritual, pat pat, run along, is just a way to protect the status quo.”

Jewish Women from the series Acciones Plásticas 2007

click here to see FULL POST and COMMENTS

selection comments posted below:

zapp645
if you follow the link-trail, it becomes clear that this video is likely making fun of the attitudes it depicts. so as right as what you say in this post is, it’s not really aimed at this video…
uriel
So are you opposed to any distinction whatsoever between men and women in Judaism? Do you think we should get rid of the mechitza and the laws of niddah and negiah and tzniut because they all make distinctions between male/female and thus somehow discriminate against and oppress women? If so, why aren’t you a Conservative Jew? If not, why not? What kinds of distinctions between men and women are not discriminatory in your book?

The fact is, Judaism have a very conservative halachic process that makes it difficult or impossible to change most things. Do you think we should change that process to make it easier to make big changes? If so how is that different from the Conservatives?

People mistakenly think that every explanation for distinctions between men and women must be some kind of conspiratorial justification for the status quo. But that’s not true. You have to look at the history of the explanation. For example, consider shelo asani isha. The explanation is, women, slaves and gentiles don’t have to perform certain mitzvot, so we’re thanking Hashem for giving us more mitzvot to do. Conspiracy to trick people into thinking Judaism isn’t sexist? No — it’s in the tosefta to the earlier version of the three berachot (which thanked Hashem for not making one an ignoramus.) So that supposedly “P.C.” explanation was from before the mitzvah was even finalized!

It’s a mistake to think about Judaism in the same terms you think about American history. It’s apples and oranges. If not, you’d be calling someone a “bigot” for not accepting the ordination of women, just like many liberals today will call you a bigot if you don’t accept gay marriage. Of course bigot is an implicit reference to anti-black American racism. Which is a lot different from differing roles of the sexes in Judaism.

NoPeanutz
Actually, oppressing women is the best reason to get rid of the mechitza.  Nidda has nothing to do with this.
And Tzniut has nothing to do with this.  Tzniut has everything to do with social norms. Oppressive double-standard tzniut should be abolished immediately,
NoPeanutz
And you do not have to be a Conservative Jew to understand this.  You just have to be an Orthodox woman.
Anonymous
AFIK the mechitza is an outcropping of the orthodox halachic process.  It is at least a universally (amongst orthodox) practice minhag.  How would abolishing the mechitza be consistent with orthodox Judaism?

I enjoy davening in my own (men’s) section, because I would likely feel distracted/embarrassed by any attractive women in our shul standing next to me, hearing me sing, etc.  I don’t see how this translates into a desire on my part to oppress women.  I’m sure there are men who wouldn’t feel this way, and would probably daven just fine, just as there are young men, on the other side of the spectrum, who would maybe even ogle women.  But it’s impossible to satisfy everyone in a community.

I agree that there are misogynists in Jewish communities, but I don’t think allocating separate space to men and women in the synagogue automatically translates into oppressing women.

NoPeanutz
In most Orthodox shuls, I would agree that most mechitzot themselves are misogynistic.
Buried in the back, or the corner, with an obstructed view of the proceedings.
The purpose of the mechitza is to allow for the inclusion of women in the service.  Not the exclusion.
it depends on who you’re dealing with. i do remember once watching a woman scream at someone for reverse sexism and when iu asked “what about me? i do the same!” they replied “you take the additude seriously and actualy believe we’re inherently better than men… and act in a fashion ment to prove it”

so it really depends upon how it is felt about and put into practice lemaise. I remember one woman quoting a sicha of the lubavitcher rebbe ztz”l a”h and saying “it sounds like litvish appologetics doesn’t it?” she then adds “well there is a difference, the litvishers are telling this to women, the rebbe first said this sicha to men!”

uriel
This wikipedia article seems to support your views, except for the citation of R’ Hirsh (who might be hard to depict as a feminist). But the article may be leaving out earlier sources.

http://en.wikipedia.org/wiki/Role_of_women_in_Judaism#Debates_within_Orthodoxy

RubyV
It’s part of a series called Acciones Plasticas by a Jewish Latina artist.   http://mayaescobar.com/accionesplasticas.html It looks like an examination/satire of the stereotypes associated with her heritage.
E. Fink
TITCR
Sh’lomo’
Whoah, that lady had the most steriotypical modeof Ashkenazi-Jewish speech I ever saw…
DovBear
Uriel do you really and truly think everything frum Jews say and do is authentically Jewish? well guess again. The post is a critism of the man made culture, not the god decreed religion.
uriel
The answer to your question is no. Will you answer my questions?
uriel
Look at the quote from Rav Hirsh in the wikipedia article and you’ll see that the idea that women are more spiritual than men is indeed authenticly Jewish (unless you see Rav Hirsch as some kind of pre-feminist apoogist). How old it is, I’m not so sure.
DovBear
The idea that women have a better nature or more spiritual is NOT authenticly Jewish. We know this because non Jews got fed the same horse manure as a way of keeping them satisfied with less. Look, I dont even know what youre arguing: The more right you go the worse off Jewish women are -in satmar they cant even drive and have to shave their heads. Thats an inrefutable facr.
uriel
That’s an odd way of proving something, you have to admit. I think a better way is to see how old an idea is. But even if it’s not that old, if Rav Hirsh and Rav Aaron Soloveichik said it, I would say that’s pretty authentic. Something doesn’t have to be somewhere in the Mishnah to be authentic (though the older the more authentic). Much of kabbalah, mussar and chassidus would be inauthentic if that were your standard. At that point you’d be creating your own special denomination that is very picky and choosy about what in modern Judaism is authentic to you — and that sounds like Reform.
uriel
Are you saying Satmar is more authentic than other Jewish groups? Chazal surely had more contact with heretics and gentiles than Satmar does.

E. Fink
I think Zapp is right.

This is a parody / satire for sure. She is NOT serious.

Also check out comments generated by a 2007 post by DovBear on Shomer Negiah Panties called Tzittzit for women?.

Latina Women Respond

February 3, 2010 § Leave a comment

Recently Latina Role Model was featured on TikiTiki Blog: stories with cultura, color and sabor, in a post by Carrie Ferguson Weir called Smart Latina vs. Sexy Latina.  Carrie asked readers:

So, has your Smart Latina run up against the Sexy Latina? What do you see when you watch Maya’s video? What does it bring up for you? Why can’t we be both Smart and Sexy? Let’s talk about this, break it down, maybe shatter some stereotypes, and bust our own too.

Check out the PROFOUND difference in the nature of the comments left on this post (comments posted below) vs the ones left on YouTube.

my contribution to post on Tiki Tiki:

I perform over-the-top representations of different identities. I group together these representations (characters) as a means of challenging limited perspectives of what women are like, and in this case, what Latina women are like.

This character is supposed to be an intellectual, accomplished, socially conscious woman- who will forever be seen as the “Sexy Latina.” The low quality video blog is meant to mock scenes in movies, where the hot high school teacher walks down the hall and all the boys undress her in their minds.

But I am not taking a negative or positive stance either. I want to question the role Latinas play in perpetuating this persona, and question if that is even a bad thing? Are we limiting ourselves by continuing to have this same conversation, even though the behavior persists, are we enforcing it by bring more attention to it?

I haven’t always been so impartial. Out of all of the characters in Acciones Plásticas, The Latina Role Model is the one I identified with the most.  My original description of the way this character was perceived by others was much more reactionary and much angrier than it is now. (see below)

The Sexy Latina© from Acciones Plásticas free (stereotype) postcard, 2007

The Sexy Latina© is an educated woman who cares about important social and political issues. She wears suggestive provocative clothing to compensate for giving up her role as a homemaker. She uses her sexuality to obtain positions in the work world.


Latina Role Model from Acciones Plásticas プリクラ 2009

Over the last two years this character has really evolved. Here is the new description of The Latina Role Model, re-imagined as part of my Acciones Plásticas プリクラ collaboration with artist Rio Yañez:

The Latina Role Model is a diploma totin’ intellectual, sexy, social media goddess.

What do you think?  How does the earlier description of The Sexy Latina© differ from this new description of The Latina Role Model?  How do these two images relate to the Latina Role Model YouTube video?

  • This is an excellent post and an excellent video. It really does make you think.

    I am really not qualified to speak from a “Latina perspective” on this topic because I am Anglo. (If you read my blog, you’ll know I’m Sra. López only because I married a Salvadoran.)

    That being the case, I can’t speak from personal experience on Latina stereotypes, but I would like to contribute an opinion or two on topics that are pretty closely related.

    For example, it really bothers me that the Latinas picked as reporters and journalists on Univision and Telemundo seem to be more for the purposes of eye candy than to report the news and add intelligent commentary — not that they aren’t intelligent women, but I think the sexism by the head honchos over there is pretty evident, not just on the news, but on other programming as well… And English language channels aren’t always much better. I think Western women in general – no matter what their race, fight very hard to overcome the sense that we are valued more as objects of sex/beauty, than for what’s inside.

    It’s very frustrating and I don’t envy the difficult job many women have of raising daughters in this world. (I have 2 sons) … With my own self esteem issues, I can’t imagine what a challenge it would be to raise a girl who is confident in herself and who doesn’t let Hollywood, fashion magazines, men, or even other females, get her down.

    I don’t know the solution to achieving true equality, but I think talking about it all is a good start.

  • Very interesting…The role model I immediately identified with was the socially-conscious, smart role model, which made me realize how loaded that role is. Being an accomplished and educated Latina comes with so many expectations — the whole giving back to the community, serving your community, being a role model and mentor for others, etc. — that’s not something that an accomplished non-Latina woman has to worry about (or feel committed to).

    With regards to the sexy role model — I always say that there is no sexier woman than the one that exudes confidence in herself and who she is — the sexy clothes are just extras…

    Great conversation…

  • […] Tiki Tiki: Stories with Cultura, Color and Sabor, thanks to post by Carrie Ferguson Weir entitled  Smart Latina vs Sexy Latina. Check out the post and be sure to leave your […]

  • Ana Lilian says:

    I guess I just never even thought of myself as the Sexy Latina…but a cute one yes! LOL! But once I´m on the dance floor, then the sexy comes out and it´s all good.

    But,seriously, I guess I just lack the perceived-Latina sassy-ness as I´ve never felt that bias towards me.
    I will definitely agree with dear Sra. López that the media, especially the Hispanic media, is completely promoting the hot Latina stereotype, and not much of the smart Latina one. Why do their “news” anchors feel they need to have their breast augmented to be taken seriously?

  • Kikita says:

    I think it is inherent in our culture to be “hot” in every sense of the word because we are so passionate.

    I love what Maya was trying to accomplish and say with her video, but I found that she couldn’t hide or deny her Latin sensuality even when she was trying to play the part of an “intellectual, accomplished, socially conscious woman.”

    This DID make me stop and think, but what I realized is that I tend to shoot for a 3rd type. I go for “Classy Latina.” You know, the one that can wear the big hoops and sexy top with a pant suit. Someone like Ingrid Hoffman or Karla Martinez.

  • C. Morales says:

    My impression is that Latina women play into the stereotype because Latino men often expect them to, and they are threatened by a smart woman. It is not just non-Latino men who expect a mujer caliente and nothing more.

  • Liz says:

    How you project yourself, depends on you, no matter what. I, like Ana, never felt that I was looked at differently because I am Latina. I don’t see my self as a Sexy, Hot, Latina(I hope my husband does, though). Hell, I’m 33, been married for 12 years, and have 3 kids. I don’t get “chifles” anymore… ): LOL!

    This is directed towards the younger, single generation. How they present themselves as the future “Latina Generation”, depends on how they are raised. It’s up to us, as moms, to teach our daughters to go and be the BEST they can be. It’s up to me to raise my daughter to know what it right from wrong. Do guys really still think that girls are still destined to be “home/baby makers? Really??

    Forget Hollywood. Forget the Media. Heck, forget the evening news. If those ladies felt that they need to have their lady lumps hanging out in order to get the job, then I feel sorry for them. But, it is what it is.

    I will raise my daughter to know that education is the key to being classy and sexy! Not exposed Humps and Lady Lumps! Also, I will raise my boys to see women and they see themselves. Whether they marry a Latina or not.

    Ay, me pase de mas! he he!

  • SUZ says:

    A smart and fun video commentary on the stereotypes of women in general…the educated intellectual, the hot babe, the innocent women. I like that Maya uses humor to deflect the extremes. Also that she creates a fine line between integrating the different role types. This is interesting because everyone is never just one thing…but we may choose to identify one way.

  • I think it’s part of a male dominated culture. Many women have this problem of having to manage male expectations in their professional lives, whether it is living with objectification or men projecting their need for nurturing from any woman they meet. I’ve had jobs where men thought it was okay to flirt with me and expected me to fulfill some messed up hot secretary fantasy, and I’ve had jobs where men I worked with expected me to be maternal and when I was driven, I was labeled aggressive. I’m not a dog, I’m not a hooker, and I’m definitely not your mother, guys.

    I think we have to teach men when they’re children that women can fill many roles and to expect them to be as capable and androgynous as any man performing the same duties. By the same token, I don’t know how I feel about using gender or sexuality as an asset to get ahead, my feeling is that anything you do that is manipulative in nature, is skirting unethical, if not flat out crossing the line.

    Having a sense of humor about stereotypes though, I don’t know if I see a problem as long as you don’t go too far and reinforce them. If it’s clear it’s a joke and part of the joke is how ridiculous stereotypical behavior really is…

  • Carrie says:

    I love the feedback, ladies. All great points and fabulous reflection.

    I am left wondering this, after reading Ana and Liz’s comments: Is stereotype/perception felt/seen at a greater level when we don’t live in predominately Latino communities?

    This comes to mind because your comments made me realize I never thought too much of my Latina side and my American side until I lived in cities where there weren’t a bunch of Cubans running around me everywhere. My otherness was apparent and pointed out. It was almost like, wow, I am different?

    Interesting!

  • Marta says:

    I don’t fit into the Sexy or Brainy Latina mold at all. Probably because I look very Anglo – light skin, blue eyes. I blend pretty seamlessly into my So Cal suburban life.

    Except for the Latina “chispa.” That’s always the big giveaway right there. =D

  • Liz says:

    Carrie,

    I emailed your post to my niece, whose studying at Penn State, this is what she had to say:

    Well, I agree with her lol. A lot of people especially here in Pennsylvania, see me as exotic because I’m Hispanic. They expect me to speak Spanish all of the time and a lot of them expect me to be kinda stupid and slutty. But when people get to know me, they find out that I’m extremely smart. Smarter than most people they encounter. And it sucks because I’m always having to prove myself to people and to teachers. But in the end, I’m the one that’s dropping jaws for my intellect and not for my attractiveness =)

    The end haha. Hope that helps.

    I am one PROUD Tia!!! (:

  • Carrie says:

    Liz, aha! Thank you for sending the post to your niece and validating my theory. I love how your niece wrote to you and the “stupid and slutty” line made me bust out laughing — especially because she obviously is not.

    Gracias, proud Tia!

    (Maybe she needs to write for the Tiki Tiki? hmmmm?)

  • Veronica says:

    Great video and excellent points.

    I think that this expectation for Latinas to appear sexy is one reason why I reject the hot mom movement. I wish there was just as much social pressure to be smart Latinas, smart moms, smart women as there is to be hot, sexy, etc.

Becoming Mainstream?

December 2, 2009 § 2 Comments

The Rise of the Hot Jewish Girl- Why American men are lusting after women of the tribe

Time Out’s Get Naked goes shomer negiah

acciones plásticas goes プリクラ chicano style

November 1, 2009 § 4 Comments

Acciones Plásticas プリクラ

Acciones Plásticas プリクラ is a collaboration between artists Maya Escobar and Rio Yañez.

The Latina Hipster
a bad-ass Morrissey-lovin’, tuff-girl sexy chica


The Latina Role Model
a diploma totin’ intellectual, sexy, social media goddess


The Homegirl
a hybridized version of Escobar’s Midwestern Chach and Yañez’s West Coast Chola.

In Acciones Plásticas Escobar created a multi-faceted “doll” by assuming the role of designer and distributor, and even posing as the actual doll itself.  Each doll was a satirical characterization of some of the many roles that have been projected upon her, and into which she has, at points, inevitably fallen. In conjunction with these images, she developed a short series of low-definition youtube video blogs through which she inhabits the lives of “real women” who have each been visibly defined by societal constructs.

Recently, Yañez has been utilizing Japanese photobooths (known as Purikura or “print-club”) as an artist’s tool for creating portraits. These booths are much more common in Japan than their United States counterparts. As a catalyst for creative expression and social interaction they are used primarily by young urban Japanese girls. A standard feature in all Purikura booths allows the user to digitally decorate their portraits after they take them. The options are vast and include wild characters, excessive starbursts of light, pre-made phrases and the option to draw your own text directly on the image. Purikura gives the subjects near-divine powers of self-expression in crafting their own portraits.

The two artists who met over the web, decided to bring together Escobar’s highly charged and evocative Acciones Plásticas characters with Yanez’s notorious Chicano graphic-art style and new found obsession with Purikura images, as a way of addressing the construction of Latina identities.

Maya posed as The Latina Hipster: a bad-ass Morrissey-lovin’, tuff-girl sexy chica; The Latina Role Model: a diploma totin’ intellectual, sexy, social media goddess; and finally, The Homegirl: a hybridized version of Escobar’s Midwestern Chach (or Chachi Mama) and Yañez’s West Coast Chola.

Maya sent digital images to Rio, who in turn drew portraits of her as each of these constructed identities. He approached each portrait with a Purikura sensibility and decorated them each as the characters represented might accessorize themselves.

The final series of portraits is the result of negotiating multiple identities and influences. Guatemalan, Jewish, and Chicano sensibilities reflected back through a Japanese Purikura aesthetic. Acciones Plásticas プリクラ challenge and question the thin line between archetype and stereotype. The Purikura elements present the novel signifiers of each social construct represented in the series.

This collaboration is the first of many to come as Maya and Rio explore the commonalities and differences of their cultural identities.

For more information on Acciones Plásticas プリクラcheck out Rio’s blog and stay tuned for guest post by seeNoga aka Carianne Noga on meeting the Chach Homegirl in real life.

(video of the Chach featured below)

take a picture of me for my myspace

May 11, 2009 § 2 Comments

In October of 2006 my rabbi started blogging. While trying to comment on one of his posts, I accidentally registered my own blog. Within hours of posting a comment, my name began appearing in Google searches. I was now linked to the post I had commented on, previous posts my rabbi had written, comments left by other users and the posts they had written elsewhere within the blogosphere. The rapidity with which I was branded, not only by my own online activity, but also by the online activity of others, seemed incomprehensible.

http://farm1.static.flickr.com/140/407330068_cef67d7d48.jpg?v=0

I thought about this phenomenon in relationship to, the images that my friends and I had posted on Myspace throughout that year. I unknowingly went from being slightly annoyed and simultaneously amused by the phrase “take a picture of me for my Myspace”, to it becoming completely natural and almost organic to document every moment, every outing, every time my friends and I put on make up, and to take pictures for Myspace. I saw this behavior even further exaggerated in the high school students I was student teaching. Their conversations were dominated with events that had transpired on Myspace, and when they were not talking about Myspace they were taking pictures for Myspace.

When we talked about the factors that contributed to the construction of their individual and collective identities, my students were quick to bring up their style of dress, group of friends, the neighborhood they lived in, and the way they spoke. Yet not a single student referenced their online activity, the pictures they posted, the groups they joined, the comments they left on each others pages. I wondered why it was, that they were so aware of and adept at reflecting upon their experiences in the material offline world, but failed to mention the social network that played such a major role in their day-to-day lives.

DECONSTRUCTING PERSONAL IDENTITY

the chach

(today) I am referring to myself as a performance artist, Internet curator, and editor.  I create and (concurrently) perform multiple online identities, by sampling from different representations of existing cultural discourses. I fragment my personal experiences and invite  others to join in, and modify and regroup those fragments. By doing this I hope to share the process through which I  deconstruct and reconstruct my individual conception of self, so that others can do the same in their lives.

In the series Acciones Plásticas I performed representations of five constructed characters: a religious Jewish woman, a spoiled Jewish girl, a ghetto Latina, a sexy Latina professor, and a Mayan woman. I created low quality YouTube video blogs for four of the characters, the Mayan woman did not have a video, as she would not have had access to YouTube technologies. The videos were strategically placed on popular social networking sites, including YouTube and MySpace. The layout of YouTube contextualized the videos and framed them with user comments and similarly tagged user content. Jewish Girls was picked up by a popular left-wing Jewish blogging site Jewschool, and soon entered the Jewish Blogosphere where it was referred to as the JAP. This repositioning shifted the focus from the portrayal of multiple interwoven identities to a depiction of the Jewish American Princess. The JAP became how people knew my work, validating me while simultaneously conflating my identity with that of this particular character.

http://farm4.static.flickr.com/3362/3521552366_98c65eccfe.jpg?v=0

One of the strategies that I employed to counteract idea of “me as The JAP was to group videos from the series  Acciones Plásticas together with three other Youtube videos in a video reel of my work. The first video in the reel,  el es frida kahlo is me dressed as Frida Kahlo where I violently scream I am Frida Kahlo! In second video Be Wife, I wear a bright red bikini top in front of an image of a Mayan temple in Tikal. Traditional Guatemalan marimba music plays in the background, while red text scrolls across the top reading Guatemala’s finest export. The third video Que Sencilla, features me as a little girl, who is being coaxed by an off-camera male voice to perform a dance for the camera.

Someone who is expecting to see a Jewish American Princess, is instead greeted with an enragedel es frida kahlo Latina artist, trying to fight the stigma of being associated with Frida Kahlo. My inclusion of these additional videos was to show the multidimensionality of the five characters initially presented in Acciones Plásticas. The Mayan women does not have her own YouTube video, but with the addition of the Be Wife video, her absence is felt even greater. The face of Guatemala in these videos, is the chest of a mail order bride. Another example can be seen within the four original videos themselves. With the grouping of the ghetto latina with the sexy latina professor, vast cultural and class difference can be seen between the two representations of Latina women. Put together with el es frida kahlo and Be Wife, there are suddenly five Latina performers all acting on one stage.

Jewish Girls Youtube Comments

May 3, 2009 § Leave a comment

Jewish Girls from the series Acciones Plásticas


Responses to Jewish Girls

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