from the series acciones plásticas
click here for Kol Ra’ash Gadol’s critque on Jewschool about this piece.
When Maya Escobar uses this stereotype she may be either mocking it or indulging it – or both – that’s one of the dangers of comedy. She clearly thinks that she’s mocking it, and attempting to provide a conversation starter (Okay, Maya, so here I am starting a conversation: Kol hakavod!) But even in her attempts to mock the stereotypes that have been projected onto her (and let’s be clear the chach and the sexy latina aren’t any better!), I have to wonder about those who are watching the comedy, and whether it helps them reject – or accept- those experiences in which they met a person onto whom they themselves projected such a label. “After all, how can she “nail the JAP” if there’s no JAP to be nailed, if the JAP happens to simply be a person whom one dislikes upon meeting, but no more likely a Jew than a Lutheran? In order for it to confirm that glorious feeling, one has to have a little sense that there is something about being Jewish and female that attaches to that kind of behavior, n’est ce pas?
she offers the following links
an exerpt from Dr. Evelyn Torton Beck’s essay “From ‘Kike to Jap’:How misogyny, anti-semitism, and racism construct the Jewish American Princess.”
bibliography of the analysis of the JAP stereotype