July 6, 2016 § Leave a comment
As many of you know I am obsessed with Frida Kahlo. So are my sons. Today we celebrate this magnificent woman’s bday.
November 28, 2013 § 1 Comment
As many of you know, I am obsessed with our collective obsession with Frida Kahlo. And with all of the never discovered before photos, writings, and found artifacts, the internet is a playing field for all new things Frida. I try to catalog as many of these things as well as Frida inspired art, photos as Frida, Frida tattoos, and Frida products on obsessedwithfridakahlo.tumblr.com.
April 18, 2012 § Leave a comment
Rio Yañez never ceases to amaze me… This time it’s through his (FIRST!!!) solo exhibition, Pochos and Pixels: The Art of Rio Yañez. Just look at this dual punk rock meets hip hop (ghetto) Frida… Clearly, Rio is an artistic mastermind.
WHAT: Pochos and Pixels: The Art of Rio Yañez.
WHEN: Wednesday, April 11 – Friday, June 15 2012
Monday-Friday: 8:00AM – 10:00PM,
WHERE: UCSB Multicultural Center
University Center room 1504
Santa Barbara, CA 93106-6050
Acciones Plásticas プリクラ collaboration with Rio Yañez (2009)
March 13, 2012 § Leave a comment
I know it’s almost April, but I would be remiss if I didn’t share Rio Yañez’s 2012 crop of valentines amazingness.
Happy Valentine’s Day to all of my friends and lovers! El Rio’s Valentine’s Day Cards are back in the ring to take another swing! This is the 6th year of my cards and it’s turned into my longest running project. Enjoy!
As always, please post these cards on the pages of your online friends, real life enemies, booty calls, baby daddies, friends with benefits, people you’re stalking on facebook, and people you would be stalking on Google + but don’t want to go through the hassle of signing up with a new social network.
July 5, 2011 § 1 Comment
el es frida kahlo featured on Jewesses with Attitude in honor of Frida Kahlo’s 104th birthday.
A Latina “Jewess with attitude,” Maya Escobar plays with the web as a platform for engaging in community dialogue around identity and multiple identities–how they are socially and culturally constructed. She often assumes multiple identities in her performances, drawing from various existing representations.
About “el es frida kahlo,” she writes:
Frida Kahlo played with the identity that she wanted to project and the identity that was placed on her by others. Kahlo used her clothing, political affiliations, sexual escapades, and personal traumas, to create a character that informed her body of work. She inscribed her identity, painting her image over and over, constructing a mythology around her persona.
In el es frida kahlo I confront the ambivalence I experience as a result of my simultaneous obsession with Frida Kahlo and weariness towards her commodification.
What is your reaction to this confrontational piece? Do you identify with Escobar’s ambivalence towards Kahlo, her work, and her commodification in our culture?
January 21, 2011 § Leave a comment
RENACIMIENTO is curated by Rachel Matos.
When addressing the topic of duality and rebirth one must think of the two connected through the process of transformation. The initial duality perhaps emerging out of conflicts in accordance to the individuals own internal precepts and colored by the knowledge of their external experiences leads to this transformation, which bares a reawakening or rebirth.
The artists in Renacimiento share their personal journey through stories of cultural identity, conflictual relationships and the transcendence from their ancestry. In lieu of the new year, it is an introspective view of how we all change and seek to change – Rachel Matos
el es frida kahlo is from the series Obsessed with Frida Kahlo
As a Latina artist I will forever be tied to Frida Kahlo in some way. Frida Kahlo is the reference between who Latina artists want to be, and who everyone else expects us to be. Whether I am mimicking her style, her persona, or trying to escape the embedded attachment between myself and the late painters’ legacy, I will still be connected to Frida Kahlo.
Frida Kahlo constructed her identity though her public persona. Kahlo’s attitude, personal traumas, sexual escapades, clothing, and political affiliations, all informed her body of work. Now regarded as the number one female artist in Mexico, Kahlo’s image has become so embedded in popular culture that when one looks at one of her self portraits one automatically thinks about her tragic bus accident, her tumultuous relationship with Diego, and her bisexuality. Kahlo inscribed her identity, painting her image over and over, constructing a mythology around her persona.
In el es frida kahlo, I stand before a reproduction of one of her paintings. With a mixture of rage, anxiety, and complete fear, I chant “el es Frida Kahlo, ella es Frida Kahlo, el es Frida Kahlo, yo soy, yo soy, yo soy Frida Kahlo,” he is Frida Kahlo, she is Frida Kahlo, I am, I am, I am Frida Kahlo. As I yell, the painting behind behind me begins to fall. I violently tear down my braids and smudge off my makeup while continuing yelling “I am Frida Kahlo, I am Frida Kahlo, yo soy Frida Kahlo!”
December 6, 2010 § 1 Comment
We quickly discovered the unthinkable…
Hmm… I wonder how our little Elotera will respond.