The Boys at Mi Ranchito, 2010
Jacob Cruzen and Dan Solberg are taking Saint Louis by storm with their exhibition Solberg/Cruzen, opening tomorrow night at the Craig Elmer Modern. Solberg/Cruzen promises to be filled with positivity, mysticism, and finely crafted objects.
Solberg/Cruzen Exhibition of New Work
February 20th – March 20th
Craig Elmer Modern
3194 South Grand
St Louis, MO 63116
Washington University Graduate Open Studios and Art Sale
Saturday, December 13th, 2008
Open Studios: 4-9 p.m.
Washington University MFA students are pleased to announce our Fall 2008 Open Studios and Art Sale, featuring work by more than 40 innovative young artists working in painting, printmaking, photography, sculpture, combined media, installation and video.
From 4-9 our studios will be open to the public and artists will be present to answer questions and interact with visitors. This event presents a unique opportunity to experience the work of emerging artists outside the traditional gallery setting. The event will be accompanied by an art sale from 4-9:00 pm.
The art sale will take place on the third ﬂoor of the MFA Building and will feature original works by MFA students. Payments may be made in cash, or by check with ID only. Proceeds will beneﬁt the Washington MFA Student Organization and will be put towards the growth and development of the MFA program as well as to the individual artist.
The Graduate Program has been ﬂourishing at Washington University. Housed in the distinctive Lewis Center in the heart of University City, MFA students and faculty interact in a collaborative, organic setting, creating a program that is always evolving and pushing the boundaries of contemporary artistic practice. Please join us for this unique event.
Willie Cole, The Difference between Black and White,
2005-6. Shoes, wood, metal, screws, and staples, 85 x 16″.
ST. LOUIS, MO – War and disaster have profoundly shaped the opening years of the 21st century. In the United States and abroad, acts of violence and terrorism as well as natural catastrophes have resulted in large-scale destruction and displacement affecting the lives of millions. In February, the Mildred Lane Kemper Art Museum at Washington University in St. Louis will present On the Margins, an exhibition exploring the impact of war and disaster through the work of a diverse range of contemporary artists. Curated by Carmon Colangelo — a nationally known printmaker as well as dean of the university’s Sam Fox School of Design & Visual Arts — the exhibition will showcase more than a dozen works, ranging from prints and photographs to video and large-scale installations, by ten artists from around the world.
Several installations play against traditional approaches to war memorial. For example, Fallen (2004-ongoing), by the American artist Jane Hammond, comprises a large field of brightly colored leaves, each bearing the name of a soldier killed in Iraq. Similarly elegiac is Metal Jacket (1992/2001), by South Korea’s Do-Ho Suh, which consists of 3000 dog tags stitched to the liner of a U.S. military jacket. Abidin Travels: Welcome to Baghdad (2006), an interactive video installation by the Iraqi expatriate Adel Abidin, allows viewers to become virtual tourists amidst the wreckage of his native Baghdad.
In conjunction with the exhibition MFA candidates Carianne Noga, Dan Solberg, Erica Millspaugh and I assumed the role of travel agents assisting museum visitors in arranging their virtual flight Baghdad aboard a B52.