January 9, 2009 § 1 Comment
Athens based artist, Georgia Kotretsos is the editor-in-chief of Boot Print, a contemporary art publication published by Boots Gallery. For the next two weeks Georgia will be the guest blogger on Art 21.
excerpt from her first post
[I] condemn all forms of violence and vandalism and I have been firm on this since the very beginning. Yet in a cloud of ambiguity the media, a political party and many civilians justified the mayhem and fed its appetite. A state of simmering pandemonium stamped this holiday season and with no further delay, a bloody dialogue was set in motion in the early hours of January 5th, 2009. Thirty Kalashnikov shots were fired towards three policemen who were guarding the Ministry of Culture. The gunmen sealed the attack with a grenade. A 21 year-old policeman was wounded and still remains in critical condition.
Both shootings took place in Exarchia, in downtown Athens. When asked about January 5th, a middle-age female resident of the area said with confidence to a news reporter “I heard Kalashnikov shots been fired.” Who can distinguish the type of a gun by its shots in the middle of the night in Athens? The death of the student has sparked the worst riots for decades, which escalated to be a sociopolitical vendetta. Is this a society of an eye for an eye?
Why is this all happening? For way too many reasons that go too far back, but most importantly because the Greek gluttonous government in power since 2004 is digging a hole and inviting us all to jump in. For the last 18 months, new scandals make weekly headlines, there isn’t even enough time to react in between – the lethal combination of a corrupted government and a lethargic Prime Minister, Kostas Karamanlis, is what we’re left with at a time of severe economic stagnation, a chronic lack of meritocracy, an endless list of social injustices and continuous brutality towards protestors, which in this case were often teenagers, by the state.
How could I ever link this intro to the art postings I’ll upload from Athens for you in the following days? Maybe I can’t and maybe I shouldn’t and for that I have to say this now.
Art may echo this page of Greek contemporary history, but I’m not convinced it’s entirely necessary unless we’re willing to individually evaluate the role of art within the contemporary Greek society and further admit openly the kind of voice it has for each one of us, and then get on with our day. There is life after art and if artists are willing to react, or make a stand, they are not obliged to call it art – an artist is also a citizen. If anybody finds comfort in turning this into some careerist driven niche, I’ll personally stay away. An open dialogue that’s not addressed exclusively to the intellectual elite can be an initial answer to our racing thoughts[…]
December 11, 2008 § Leave a comment
Washington University Graduate Open Studios and Art Sale
Saturday, December 13th, 2008
Open Studios: 4-9 p.m.
Washington University MFA students are pleased to announce our Fall 2008 Open Studios and Art Sale, featuring work by more than 40 innovative young artists working in painting, printmaking, photography, sculpture, combined media, installation and video.
From 4-9 our studios will be open to the public and artists will be present to answer questions and interact with visitors. This event presents a unique opportunity to experience the work of emerging artists outside the traditional gallery setting. The event will be accompanied by an art sale from 4-9:00 pm.
The art sale will take place on the third ﬂoor of the MFA Building and will feature original works by MFA students. Payments may be made in cash, or by check with ID only. Proceeds will beneﬁt the Washington MFA Student Organization and will be put towards the growth and development of the MFA program as well as to the individual artist.
The Graduate Program has been ﬂourishing at Washington University. Housed in the distinctive Lewis Center in the heart of University City, MFA students and faculty interact in a collaborative, organic setting, creating a program that is always evolving and pushing the boundaries of contemporary artistic practice. Please join us for this unique event.
November 9, 2008 § 1 Comment
The polling lines were LONG in STL, I waited over 4 hrs to vote! But it was well worth it, I have never been more proud to be an american and to take part in such an important moment in history.
The night of the elections, Carianne and I initiated our project together we hope with the help of our friend Becky Potts. We passed out red tyvek tags and asked people to write down their hopes for the future. We tried to encourage them to go beyond “I hope Obama wins” or I hope McCain wins”.
People wrote things ranging from “I hope I get good grades” to “I hope that we end the war in Iraq and do not go to war win Iran.”
Check out this website we created where you can submit your hopes online. We will make a tag for each hope submitted…
March 13, 2008 § Leave a comment
beauty, brains, talent, wit… she has got it all.
my girl Gina Grafos will be featured on the front cover of zeek magazine’s april additon.
be sure to check her out.
Birth. Soul. Spirit. Death. All cycles of life are overlapped in Gina Grafos‘ life and in work. Raised in a Jewish, evangelical Christian, Greek Orthodox family, Grafos’ perception of belief was left quite askew. Her work now deals with the beliefs of others, with a preference for representations of faith whether relgious or philosophical.
February 21, 2008 § 2 Comments
Willie Cole, The Difference between Black and White,
2005-6. Shoes, wood, metal, screws, and staples, 85 x 16″.
ST. LOUIS, MO – War and disaster have profoundly shaped the opening years of the 21st century. In the United States and abroad, acts of violence and terrorism as well as natural catastrophes have resulted in large-scale destruction and displacement affecting the lives of millions. In February, the Mildred Lane Kemper Art Museum at Washington University in St. Louis will present On the Margins, an exhibition exploring the impact of war and disaster through the work of a diverse range of contemporary artists. Curated by Carmon Colangelo — a nationally known printmaker as well as dean of the university’s Sam Fox School of Design & Visual Arts — the exhibition will showcase more than a dozen works, ranging from prints and photographs to video and large-scale installations, by ten artists from around the world.
Several installations play against traditional approaches to war memorial. For example, Fallen (2004-ongoing), by the American artist Jane Hammond, comprises a large field of brightly colored leaves, each bearing the name of a soldier killed in Iraq. Similarly elegiac is Metal Jacket (1992/2001), by South Korea’s Do-Ho Suh, which consists of 3000 dog tags stitched to the liner of a U.S. military jacket. Abidin Travels: Welcome to Baghdad (2006), an interactive video installation by the Iraqi expatriate Adel Abidin, allows viewers to become virtual tourists amidst the wreckage of his native Baghdad.
In conjunction with the exhibition MFA candidates Carianne Noga, Dan Solberg, Erica Millspaugh and I assumed the role of travel agents assisting museum visitors in arranging their virtual flight Baghdad aboard a B52.