Escobar-Morales at the Bruno David Gallery

ESCOBAR-MORALES: Resurrection of Hun-Nal-Ye at the Bruno David Gallery in St. Louis, MO. Opening on Friday, February 1, 2013, from 5 to 9 pm.  Show runs until February 23rd, 2013.

The Resurrection of Hun-Nal-Ye_3

In the New Media Room, the Bruno David Gallery presents a single-channel video work titled “Resurrection of Hun-Nal-Ye” by Escobar-Morales. The 21-minutes video originated from a performance at the closing for RICH-OO-UH’L, RICH-OO-UH’L at Jolie Laide Gallery in Philadelphia, with sound by Armando Morales.

In the Resurrection of Hun-Nal-Ye (2011), Escobar-Morales perform a funerary ritual, referencing the mythical Mayan tale of the Hero Twins reviving their dead father, the Maize God. In their contemporary interpretation of this ancient story, Escobar-Morales simultaneously represent the body and the soul; the God/ Goddess and twin offspring, in both physical and technological forms using live performance and web based video projection.

ESCOBAR-MORALES is a team comprised of Maya Escobar and Andria Morales. The two artists, based in Chicago and New York respectively, have been working together over the Internet since 2010. They produce digital media and performance art that explores the role of self-representation in visual culture and its ability to deconstruct ingrained ideological conventions. By locating their performances online where they are free from restrictions of time and place, Escobar-Morales is able to concurrently enact multiple personas while simultaneously creating a unified hybrid self.

Maya Escobar was born in Chicago, IL in 1984. Andria Morales was born in 1982 in New York, NY. Escobar received a BFA from the School of the Art Institute of Chicago (2007) and an MFA from Washington University in St. Louis (2009); Morales received a BA from the University of Pennsylvania (2004) and an MFA from Tyler School of Art, Temple University (2008).

Photo by Armando Morales

Escobar-Morales at The Painted Bride in Papeles: Are we what we sign?

PAPELES: Are we what we sign? aims to serve as a visual examination of our social bond with papers as legal signifiers of identity that shape individual mobility, cultural acceptance, gender and sexual-orientation equality, economic access, labor opportunities, and educational attainment.  Visual artists, community leaders, and arts administrators use this project to reflect upon the socio-cultural impact of documentation processes present in American society.

This exhibition gathers twelve influential—established and emerging—artists working in drawing, painting, installation, printmaking, photography, and mixed media. Participating artists include Andrea Rincon, Andria Morales, Carlos Nuñez, Doris Nogueira-Rogers, Erika Ristovski, the duo Escobar-Morales, Jonas Dos Santos, Jorge Figueroa, Lina Cedeño, Michelle Ortiz, Paula Meninato, and Susana Amundaraín.  They propose social-visual experiments from their positions as immigrants and/or descendants of immigrants from Latin American nations. New and existing works in this exhibition illuminate the concept of documentation into powerful narratives of critique, ambiguity, longing, and resilience.

 

The Painted Bride
230 Vine Street | Philadelphia, PA 19106 | 215.925.9914

September 7 – October 21, 2012
Gallery hours: 12pm – 6pm, Tues – Sat
First Friday receptions: September 7, October 5 | 5-7:30pm
Guest Curator Andreina Castillo | Co-Presented with Acción Colombia

AMerican MEdia Output in Philly


Are you Target Audience? Find out in Philly. Stay tuned for details on the next official AMerican MEdia Output appearance.

photo by Abel Arciniega

Calavera Elotera at SOMArts Gallery

ESCOBAR-MORALES PRESENTS:

Calavera Elotera in Illuminations: Dia De Los Muertos 2011 at SOMArts Gallery

Your favorite fame whore Elotita aka The Fat Free Elotera is back…  and this time she has taken it to a new level…  she has faked her own death… and has returned as CALAVERA ELOTERA.

Calavera Elotera in Illuminations: Día de los Muertos 2011
Curated by Rene and Rio Yañez
SOMArts Bay Gallery, 934 Brannan St. (between 8th & 9th)
San Francisco, CA 94103
Tues–Fri, 12–7PM, Sat 11–5PM, Sun 11–3PM.

Opening Reception
Friday, October 7, 2011, 6–9PM
Opening will feature music, interactive performance and the unveiling of over 30 altars and installations. The evening includes a special performance by Herbert Siguenza, of Culture Clash fame. Siguenza will perform and live paint as renowned artist, Pablo Picasso.

The exhibition continues to examine the ways technology shapes the celebration of Day of the Dead. Once again, a Flickr group enables the exhibition’s curators to accept digital photos as offerings to those who people want to honor. The public can upload their digital contributions here. Selected images will be printed and displayed as part of the exhibit.

AMerican MEdia Output in New Jersey

You saw Escobar-Morales as promo models in TX, “promoting” Arizona Tourism…

And here we are as marketing executives in NJ.

Andria was live at Gallery Aferro and I skyped in from Chicago.

Stay tuned for more details on the performance and the results from AMerican MEdia Output‘s #targetaudiencesurvey.

Negotiating Latina Identity through Performance Art on the Web

Andria and I will be presenting  Are You My Other? next week at the 2011 National Popular Culture Association Conference in San Antonio, TX.

Negotiating Latina Identity through Performance Art on the Web
with Maya Escobar and Andria Morales

Challenging mainstream and academic representations of Latina identity, performance artists Maya Escobar and Andria Morales publicly negate, deconstruct, and reconstruct their individual histories, identities, and conceptions of self. In their current project Are You My Other? a self-portrait dialog exchange blog, Escobar and Morales draw from popular culture, Latino/a cultural iconography, and their lived experiences to create and virtually perform conflicting representations of Latina selves. From devoted homemaker to hockey player, reggaetonera to construction worker, conceptual artist to human corn on the cob, the artists model the multiplicity of identity.

Due to their shared physical similarities, followers of their online exchange often mistake Escobar and Morales for one another. The merging of their identities is further perpetuated through their activities on social networking sites such as Facebook and Twitter. By locating these performances within the space of the web, where they are free from restrictions of time and place, the artists are able to concurrently enact multiple personas while simultaneously forming a unified (Latina) hybrid self.

Puerto Rican Taxidermy Funeral pt 2

Will you be attending?


Andria Bibiloni, 28, of New York, ceased to exist on Mar. 23, 2011 in Philadelphia, where she lived since 2000.  A visual artist and educator, she strove through her work to facilitate a dialogue about sociopolitical and interpersonal issues. Known for riding her Blasterbike, 2007, in the streets of Philadelphia, her departing wish was to be displayed riding a bigger, louder, and heavier soundblasting vehicle.  Beth Beverly of Diamond Tooth Taxidermy will be handling the preparations for the viewing, which takes place at the Rotunda in University City on Sunday March 27 from 3-5 pm.  Guests are invited to stay for refreshments.

LAST RIDE: Andria Morales formerly Andria Bibiloni

UPDATE: visit AreYouMyOther.com to see Bibiloni’s mass card.


Have you ever Googled Puerto Rican funeral? If you haven’t then I suggest you do.  And if you live in Philadelphia or in the surrounding area, you should attend Andria Morales and Beth Beverly’s collaborative performance Last Ride.

LAST RIDE: collaborative performance-based artwork by Andria Morales & Beth Beverly. Inspired by Puerto Rican funeral celebrations & taxidermy traditions – 03/27/2011 @ The Rotunda @ 3:00pm-5:00pm

LAST RIDE
Performance and reception

Sunday March 27, 2011
3-5pm
The Rotunda, 4014 Walnut St., Philadelphia

LAST RIDE is a collaborative performance-based artwork by Andria Morales and Beth Beverly.  Inspired by Puerto Rican funeral celebrations and taxidermy traditions respectively, the artists have found a common interest in death.  Using the Rotunda’s church-like interior as a backdrop, the artist’s work will invite viewers to experience mourning as a celebration.

Andria Morales (formerly Andria Bibiloni) explores the divide between art representative of culture, and art produced from within a cultural community. By immersing herself in situations where cultural identity is consequential, she aims to provoke viewers into a confrontation and analysis of their own preconceptions. The resulting work is multidisciplinary, consisting of mixed media sculptures, self-portraits, performance based videos, and site-specific installations.  Andria Morales’s work has been exhibited at Labor K1 in Berlin, Virginia Commonwealth University in Richmond, Projects Gallery in Philadelphia, the Ice Box in Philadelphia, and the CUE Art Foundation in New York. In 2008 she was awarded a Joan Mitchell MFA Grant for her work in mixed media sculpture and installation. Andria is currently a resident in the 40th St. Artist in Residence Program, and teaches at Tyler School of Art.

Beth Beverly is a State- and Federally-licensed taxidermist who has a BFA from Tyler School of Art and graduated from the Pocono Institute of Taxidermy with high marks. Ms. Beverly is passionate about using every part of an animal and being thankful for the ultimate sacrifice each creature makes to land both in her studio and on her plate. She has won numerous awards for her taxidermy creations, including Best in Show at the fifth annual Carnivorous Nights taxidermy contest in New York.  Beth’s work has been exhibited at Bahdee Bahdu Gallery, James Oliver Gallery, Wilbur Vintage Boutique and has been featured in a plethora of fashion & art blogs.

Admission is FREE